A dystopia like no other, Manil Suri paints a vibrant portrait of an India on the brink of collapse, two figures travelling across the unknown in a world scarily close to the modern day.
Mumbai has emptied under the threat of imminent nuclear annihilation, gangs of marauding Hindu and Muslim thugs rove the desolate, bombed-out streets, and yet Sarita can only think of one thing: buying the last pomegranate that remains in perhaps the entire city. She is convinced the fruit holds the key to reuniting with her physicist husband Karun, who has been mysteriously missing for over a fortnight.
Embarking on her quest for Karun, she is soon joined by Jaz - cocky, handsome, glib, and in search of his own lover. "The Jazter," as he calls himself, is a Muslim, but his true religion has steadfastly and unapologetically been sex with men. Their journey plunges them into a uniquely Indian dystopia rife with absurdity - from the starving aquarium guard who seems to have eaten most of his fish, to a group of telemarketers welcoming the bomb with an end-of-the-world party, all under the pervasive influence of the Bollywood megahit Superdevi, which some blame for sparking the religious fanaticism that has brought the country to its knees.
As Sarita and Jaz travel through this surreal landscape, they are inexorably drawn, like thousands of others, to the real-life incarnation fusing myth and movie - the patron goddess Devi ma, who has reputedly materialised in person to save her city.
Wickedly satirical, fearlessly provocative and disturbingly possible, The City of Devi upsets assumptions of politics, religion and sex in India, while exuberantly sending up the country's reputation as a rising global superpower. Groundbreaking and multilayered, this compelling tale of sexual consciousness and of individuals balancing on the sharp edge of fate demonstrates that, in the fallout of our mass media world, we are left seeking the presence of those we love the most.
About the Author
Manil Suri was born in Bombay in 1959 and is a professor of mathematics at the University of Maryland, Baltimore County. He has written two novels, The Death of Vishnu and The Age of Shiva. His fiction has been translated into twenty-seven languages, longlisted for the Booker Prize, shortlisted for the PEN Faulkner, LA Times, PEN Hemingway and W H Smith Awards, and has won the McKittrick and the Barnes and Noble Discover prizes. He was named by Time Magazine as a 'Person to Watch' in 2000. He lives in Maryland, USA.
Industry Reviews
"The best sex comedy of the year about nuclear war between India and Pakistan...Even amid the wondrous variety of contemporary Indian fiction, Suri's work stands apart, mingling comedy and death, eroticism and politics, godhood and Bollywood like no one else." -- Ron Charles - Washington Post
"The City of Devi combines, in a magician's feat, the thrill of Bollywood with the pull of a thriller. Set in a city at the brink of the end, this is a fiercely imagined story of three souls haunted by a love that will change their most elemental ideas of identity. Manil Suri's bravest and most passionate book." -- Kiran Desai
"The City of Devi is so exuberant and sexy, one may wish to purchase a prophylactic alongside it. When the world comes to an end, I will spend my last days in Mumbai clutching a copy of Manil Suri's dazzling epic." -- Gary Shteyngart, author of Super Sad True Love Story and Absurdistan
"With comedic flashes and a plot that pulses forward, Suri's tale solidifies the reputation he earned as a master storyteller with The Death of Vishnu and The Age of Shiva. Layered with themes that draw on Hindu mythology, this new work is equal parts near-apocalyptic drama and heartfelt Bollywood-esque love story." -- Rupinder Gill - O Magazine
"Even amid the wondrous variety of contemporary Indian fiction, Suri's work stands apart, mingling comedy and death, eroticism and politics, godhood and Bollywood like no one else." -- Ron Charles - Washington Post
"Suri's prose is reason enough to pick up the book, but what ultimately makes the reader turn the pages is the intertwined destinies of the three characters. In the end, love is all that matters, Suri seems to be saying." -- Bharti Kirchner - Seattle Times