
A Stroke of Midnight
Meredith Gentry 4
Paperback | 1 November 2006
At a Glance
416 Pages
17 x 10.5 x 2.5
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I am Meredith Gentry, P.I., solving cases in Los Angeles, far from the peril
and deception of my real home - because I am also Princess Meredith, heir to the
darkest throne faerie has to offer. The Unseelie Court infuses me with its
power. But at what price does such magic come? How much of my human side will I
have to give up, and how much of the sinister side of faerie will I have to
embrace? To sit on a throne that has ruled through bloodshed and violence for
centuries, I might have to become that which I dread the most.
Enemies watch my every move. My cousin Cel strives to have me killed even now
from his prison cell. But not all the assassination attempts are his. Some
Unseelie nobles have waited centuries for my aunt Andais, Queen of Air and
Darkness, to become weak enough that she might be toppled from her throne.
Enemies unforeseen move against us–enemies who would murder the least among
us.
The threat will drive us to allow human police into faerie for the first time in
our history. I need my allies now more than ever, especially since fate will
lead me into the arm of Mistral, Master of Storms, the queen’s new captain of
her guard. Our passion will reawaken powers long forgotten among the warriors of
the sidhe. Pain and pleasure await me - and danger, as well, for some at that
court seek only death.
I will find new joys with the butterfly-winged demi-fey. My guards and I will
show all of faerie that violence and sex are as popular among the sidhe as they
are among the lesser fey of our court. The Darkness will weep, and Frost will
comfort him. The gentlest of my guards will find new strength and break my
heart. Passions undreamed of await us -and my enemies gather, for the future of
both courts of faerie begins to unravel.
Publishers Weekly
Solving a double homicide, avoiding assassins and coping with growing, sometimes uncontrollable, power keep faerie private detective Princess Meredith NicEssus (aka Meredith Gentry) busy in the fourth and strongest entry in Hamilton's adult fairy tale series (after 2004's Seduced by Moonlight). When someone murders a fey and a reporter during a press conference inside the Unseelie's headquarters, Merry calls in the cops to assist (and inadvertently involves the FBI as well). But once on magical turf, human police face challenges and dangers of which the princess was unaware. Meanwhile, Merry lives up to the five fertility deities in her lineage and lustily fulfills her royal duty of mating with sidhe males and making sex beyond mere human comprehension. As Merry matures, the meaning of all the sex and magic comes into more effective focus, as does Hamilton's underlying mythos of the restoration of the faerie race's true power. The absence of complicated politics results in a more palatable plot than in previous volumes. By the end, the Unseelie court seems to be tiring of Merry's super-sadistic Aunt Andais, the Queen of Air and Darkness (as are, most likely, many readers). The queen's son and Merry's rival for the throne, Prince Cel, looms as an even greater, more corrupt menace to her future. Faeries, fornication and forensics fuse for yet another darkly fantastic frolic for Hamilton fans. Agent, Merrilee Heifetz at Writers House. (On sale Apr. 12) Copyright 2005 Reed Business Information.
Library Journal
The fourth book in the popular series featuring the Los Angeles P.I. Faerie Princess. Simultaneous Ballantine hardcover. Copyright 2004 Reed Business Information.
Industry Reviews
A Kiss of Shadows "I've never read a writer with a more fertile imagination." -DIANA GABALDON "Sizzling . . . Memorable characters and wicked wit make it all delicious, ribald fun." -Publishers Weekly
A Caress of Twilight "Sensual, without a doubt . . . This book moves like a whirlwind." -St. Louis Post-Dispatch
"[A] sexy, tension-charged dark fantasy mystery." -Locus
Seduced by Moonlight "This [faerie] society is one of the most detailed, imaginative, and lovingly drawn in all fantastic fiction, and the Meredith Gentry series has become something special." -San Jose Mercury News
"Hamilton's books [are] must-reads." -The Denver Post
From the Hardcover edition.
Read an Excerpt
CHAPTER 1I hate press conferences. but I especially hate them when I've been ordered to hide large portions of the truth. The order had come from the Queen of Air and Darkness, ruler of the dark court of faerie. The Unseelie are not a power to be crossed, even if I was their very own faerie princess. I was Queen Andais's niece, but the family connection had never bought me much. I smiled at the nearly solid wall of reporters, fighting to keep my thoughts from showing on my face.
The queen had never allowed this much of the human media inside the Unseelie's hollow hill, our sithen. It was our refuge, and you don't let the press into your refuge. But yesterday's assassination attempt had made allowing the press into our home the lesser evil. The theory was that inside the sithen our magic would protect me much better than it had in the airport yesterday, where I'd nearly been shot.
Our court publicist, Madeline Phelps, pointed to the first reporter, and the questions began.
"Princess Meredith, you had blood on your face yesterday, but today the only sign of injury is your arm in a sling. What were your injuries yesterday?"
My left arm was in a green cloth sling that matched my suit jacket near perfectly. I was dressed in Christmas, Yule, red and green. Cheerful, and it was that time of year. My hair was a deeper red than my blouse. My hair is the most Unseelie part of me, sidhe scarlet hair for someone who looks good in black. Not the gold or orangey red of human hair. The jacket brought out the green in two out of the three circles of color in my iris. The gold circle would flash in the camera light sometimes as if it truly wasmetallic. The eyes were pure Seelie sidhe, the only part of me that showed that my mother had been of the golden court. Well, at least half.
I didn't recognize the reporter who had asked the question. He was a new face to me, maybe new since yesterday. Since yesterday's assassination attempt had happened in front of the media, on camera, well, we'd had to turn away some of the reporters, because the big room wouldn't hold more. I'd been doing press conferences since I was a child. This was the biggest one I'd had, including the one after my father was assassinated. I'd been taught to use names for reporters when I knew them, but to this one I could only smile and say, "My arm is only sprained. I was very lucky yesterday."
Actually, my arm hadn't been injured in the assassination attempt that got on film. No, my arm had been hurt on the second, or was that the third, attempt on my life yesterday. But those attempts had happened inside the sithen, where I was supposed to be safe. The only reason the queen and my bodyguards thought I was safer here than outside in the human world was that we had arrested or killed the traitors behind the attempts on me, and the attempt on the queen. We'd damned near had a palace coup yesterday, and the media didn't have a hint of it. One of the old names for the fey is the hidden people. We've earned the name.
"Princess Meredith, was it your blood on your face, yesterday?" A woman this time, and I did know her name.
"No," I said.
I smiled for real, as I watched her face fall when she realized she might be getting just a one-word answer. "No, Sheila, it wasn't mine."
She smiled at me, all blond and taller than I would ever be. "May I add to my question, Princess?"
"Now, now," Madeline said, "one question per."
"It's okay, Madeline," I said.
Our publicist turned to look at me, flipping off the switch at her waist so her microphone would not pick up. I took the cue and covered mine with my hand and moved to one side of it.
Madeline leaned in over the table. Her skirt was long enough that she was in no danger of flashing the reporters down below the dais. Her skirt was the absolute latest hem length of the moment, as was the color. Part of her job was paying attention to what was in and what was out. She was our human representative, much more than any ambassador that Washington had ever sent.
"If Sheila gets to add to her question, then they will all do it. That will make everything harder, for you and for me."
She was right, but . . . "Tell them that this is an exception. Then move on."
She raised perfectly plucked eyebrows at me, then said, "Okay." She hit the switch on her mike as she turned and smiled at them. "The princess will let Sheila ask another question, but after that you'll have to keep it to the original rule. One question per." She pointed to Sheila and gave a nod.
"Thank you for letting me add on to my question, Princess Meredith."
"You're welcome."
"If it wasn't your blood yesterday, then whose was it?"
"My guard Frost's."
The cameras flashed to life so that I was blinded, but the attention of everyone had moved behind me. My guards were lined up along the wall, spilling down the edges of the dais, to curl on either side of the table and floor. They were dressed in everything from designer suits to full-plate body armor to Goth club wear. The only thing that all the outfits had in common was weaponry. Yesterday we'd tried to be discreet about the weapons. A bulge that ruined the line of the jacket, but nothing overt. Today there were guns under jackets or cloaks, but there were also guns in plain sight, and swords, and knives, and axes, and shields. We'd also more than doubled the number of guards around me.
I glanced back at Frost. The queen had ordered me not to play favorites among the guard. She'd gone so far as to tell me not to give any long lingering glances to one guard over another. I'd thought it was an odd demand, but she was queen, and you argued with her at your peril. But I glanced back; after all, he'd saved my life. Didn't that earn him a glance? I could always justify it to the queen, my aunt, that the press would think it strange if I hadn't acknowledged him. It was the truth, but I looked because I wanted to look.
His hair was the silver of Christmas-tree tinsel, shiny and metallic. It fell to his ankles like decoration, but I knew that it was soft and alive, and felt oh so warm across my body. He'd put the upper layer of his hair back from his face with a barrette carved from bone. The hair glittered and moved around his charcoal-grey Armani suit that had been tailored over his broad shoulders and the athletic cut of the rest of him. The suit had also been tailored to hide a gun in a shoulder holster and a knife or two. It had not been designed to hide a gun under each arm, or a short sword at his hip, with a leather scabbard strapped tight to his thigh. The hilt of a second sword rode over his shoulder, peeking through all that shining hair. He bristled with knives, and Frost always had other weapons that you couldn't see. No suit was designed to cover that much armament and hold its shape. His jacket couldn't be buttoned at all, and the guns and sword and one knife glinted in the camera's flash.
Cries of "Frost, Frost" filled the room, while Madeline picked a question. The man was another one I didn't know. Nothing like an assassination attempt to attract the media.
"Frost, how badly were you hurt?"
Frost is a little over six feet, and since I was sitting down, and the microphone was adjusted to my height, he had to lean down, way down. With a weapon of any kind he was graceful. But bending low over that mike he was awkward. I had a moment to wonder if he'd ever been on mike before, then his deep voice was answering the question.
"I am not hurt." He stood back up, and I could see the relief on his face. He turned away from the cameras, as if he thought he'd get off that easily. I knew better.
"But wasn't it your blood on the princess?"
His hand was gripping the pommel of his short sword. Touching his weapons unnecessarily was a sign of nerves. He leaned over the mike again, and this time he bumped my bad shoulder with his body. I doubted the press saw such a small movement, but it was too clumsy for words, for Frost. He braced a hand flat against the table, steadying himself. He turned eyes the grey of a winter sky to me. The look asked silently, "Did I hurt you?"
I mouthed, no.
He let out a sigh and leaned back to the microphone. "Yes, it was my blood." He actually stood back up, as if that would satisfy them. He should have known better. He had been decorative muscle for the queen at enough of these over the years to know that he was being a little too concise. At least he didn't try to go back to his spot behind me this time.
A reporter I did know, Simon McCracken, was next. He'd covered the faerie courts for years. "Frost, if you are not hurt, then where did your blood come from and how did it get on the princess?" He knew how to word the question just right, so we couldn't tap-dance around it. The sidhe don't lie. We'll paint the truth red, purple, and green, and convince you that black is white, but we won't actually lie.
Frost leaned over the mike again, his hand pressed to the table. He'd moved minutely closer to me, close enough that his pants leg touched my skirt. His sword was almost trapped between our bodies. That would be bad if he had to draw the weapon. I looked at his hand, so big and strong on the table, and realized his fingertips were mottled. He was gripping the table the way you grip a podium when you're nervous.
"I was shot." He had to clear his throat sharply to continue. I turned my head just enough to see that perfect profile, and realized it was more than nerves. Frost, the queen's Killing Frost, was afraid. Afraid of public speaking. Oh, my. "I have healed. My blood covered the princess when I shielded her from harm."
He started to stand back up, but I touched his arm. I covered the mike with my hand, and leaned in against him, so I could whisper against the curve of his ear. I took in a deep breath of the scent of his skin, and said, "Kneel or sit."
His breath went out so deep that his shoulders moved with it. But he knelt on one knee beside me. I moved the microphone a little closer to him.
I slid my hand under the back of his jacket, so that I could lay my hand against the curve of his back, just below the side sweep of the big sword sheath. When fey are nervous, any fey, we take comfort from touching one another. Even the mighty sidhe feel better with a little contact, though not all of us will admit it for fear of blurring the line between royalty and commoner. I had too much lesser fey blood in my veins to worry about it. I could feel the sweat that was beginning to trickle down his spine.
Madeline started to come closer to us. I shook my head. She gave me a questioning look but didn't argue. She picked another question from the throng.
"So you took a bullet to protect Princess Meredith?"
I leaned into the mike, putting my face very close to Frost's, touching carefully, so I didn't get makeup on him. The cameras exploded in bursts of white light. Frost jumped, and I knew that was going to be visible to the cameras. Oh, well. We were blinded, vision blurred in bursts of white and blue spots. His muscles tightened, but I wouldn't have known it if I hadn't been touching him.
"Hi, Sarah, and yes, he took a bullet for me," I said.
I think Sarah said "Hi, Princess" back, but I couldn't be sure, since I still couldn't see well enough, and the noise of so many voices was too confusing. I'd learned to use names when I knew them. It made everyone feel more friendly. And you need all the friendly you can get at a press conference.
"Frost, were you afraid?"
He relaxed minutely against me, into the touch of my hand and my face. "Yes," he said.
"Afraid to die," someone yelled out without being called on.
Frost answered the question anyway. "No."
Madeline called on someone, who asked, "Then what were you afraid of?"
"I was afraid Meredith would be harmed." He licked his lips, and tensed again. I realized he'd used my name without my title. A faux pas for a bodyguard, but of course, he was more than that. Every guard was technically in the running to be prince to my princess. But we were sidhe, and we don't marry until we're pregnant. A nonfertile couple is not allowed to wed, so the guards were doing more than just "guarding"my body.
"Frost, would you give your life for the princess?"
He answered without hesitation. "Of course." His tone said clearly that that had been a silly question.
A reporter in back who had a television camera next to him asked the next question. "Frost, how did you heal a gunshot wound in less than twenty-four hours?"
Frost gave another deep, shoulder-moving sigh. "I am a warrior of the sidhe." The reporters waited for him to add more, but I knew he wouldn't. To Frost, the fact that he was sidhe was all the answer he needed. It had been only a through and through bullet wound from a handgun and no special ammunition. It would take a great deal more than that to stop a warrior of the sidhe.
I hid my smile and started to lean into the mike, to help explain that to the press, when the sweat along his spine suddenly stopped being wet and warm. It was as if a line of cold air swept down his back. Cold enough that I moved my hand away, startled.
I glanced down at his big hand on the table and saw what I'd feared. A white rime of frost was drifting out from his hand
From the Hardcover edition.
ISBN: 9780345443601
ISBN-10: 0345443608
Series: Merry Gentry
Published: 1st November 2006
Format: Paperback
Language: English
Number of Pages: 416
Audience: General Adult
Publisher: BALLANTINE BOOKS
Country of Publication: US
Dimensions (cm): 17 x 10.5 x 2.5
Weight (kg): 0.25

Laurell K. Hamilton
LAURELL K. HAMILTON: in her own words...
The old Hammer Vampire films would be one of my first entertainment
influences, especially “Vampire Circus” also known as “Circus of Fear”.
Ages 5 to 7 seemed to have been the most impressionable years.
Learned to read at age 7. (I was an undiagnosed dyslexic.)
Tried to write stories at age 12. Never finished one.
Found the short story collection, PIGEONS FROM HELL by Robert E. Howard
the creator of Conan the Barbarian when I was thirteen, or fourteen. It
was the first dark fantasy and heroic fantasy I’d ever read. In that
moment I knew not only did I want to be a writer, but this is what I
wanted to write.
Read CHARLOTTE’S WEB by E. B. White at age 13 or 14. It was the first
book to teach me a love of language and I still use some of the
techniques I learned from that book in my writing today.
Finished my first story at age 14. It was a horror story where everyone
died horribly except the baby who crawled off into the woods where it
was implied the baby would die a slow and lingering death of starvation
and exposure.
First creative writing class where my teacher told me that the first
vampire story I ever wrote scared her. For a shy 14-year-old there was
nothing better that she could have said. I’d scared a grown-up.
Discovered Edgar Allan Poe, H. P. Lovecraft, and Andre Norton about age
14. The first two would teach me more about language and atmosphere on
paper. Ms. Norton was the first woman I knew that wrote what I wanted
to write. It gave me hope that not everyone that wrote this was a dead
white guy.
I read Stephen King’s SALEM’S LOT and Anne Rice’s INTERVIEW WITH THE
VAMPIRE. Both books would be important influences for me. I also found
a book in our high school library entitle THE NATURAL HISTORY OF THE
VAMPIRE BY Anthony Masters. It was a nonfiction book covering vampire
and wereanimal legend around the world. It was also the first book I
ever read with serial killers in it. All of that would have a profound
influence on me as a writer.
Another teacher found copies of “The Writer”, and “Writer’s Digest,” at
the library on sale for 5 cents or 1 penny. She came to school and gave
me an armload of them. That would be the beginning of me researching
how to be a professional writer. I believe I was 15 or 16 at the time.
By age 17 I was collecting my first rejection slips for my stories. I’d
read an article in the above mentioned magazines by Ray Bradbury. He
advised to pick a small room in your house and when you have
wall-papered it with your rejection slips then you will have gotten the
crap out of you and be down to the meat of what you have to say as a
writer and you will sell. I picked the bathroom.
College found me enrolled in the creative writing program. I would be
kicked out of that program at the end of my sophomore year. The head of
the writing program told me I was a corrupting influence on the other
students. I’d gotten into the writing program on the strength of two
short stories; a vampire story and a Lovecraftian story that had my
first sex scene in it. The teacher thought she could cure me of wanting
to write horror. When she realized she couldn’t “cure” me, she decided
to destroy me. She told me I’d never make it as a writer, and pretty
much crushed me. I finished out my English degree with literature
courses, and went to the biology department. I would get my bio degree
in two years time. People ask me, “Have you sent her your books? Have
you let her know what a success you are?”
No, because she didn’t believe I couldn’t succeed as a writer, she
feared I could. She feared I would go out and do exactly what I have
done, corrupt millions. Wahaha!
I wouldn’t write another word for over two years. I moved to Los
Angeles and got my first cooperate job. Started submitting
stories again, and getting nice rejection notes from editors. I started
my first book, two pages a day every day before work.
Discovered hard-boiled detective fiction in the local library. Biggest
influence was Robert B. Parker’s Spenser books.
Moved to St. Louis. Went to my first Science Ficiton convention,
NamethatCon. Attended a writing workshop taught by Emma Bull, Will
Shetterly, and Stephen Gould. Put through the beginning of my first
novel, NIGHTSEER, and a short story with Anita Blake in it. The
workshop didn’t teach me to be a better writer, but did teach me to be
a better editor of my own work. It also introduced me to my
writing group, The Alternate Historians.
I sold the next story that I sent off in the mail. “Stealing Souls” to
Marion Zimmer Bradley.
I met my first agent at one of these conventions. By age 29 I
held my first written and published novel, NIGHTSEER, in my hands. It
was heroic fantasy just like one of my first heroes Robert E. Howard.
Then the bottom fell out of the fantasy market. My second novel a
sequel to NIGHTSEER was rejected by my editor. I took a work for hire
for a Star Trek novel that would be, NIGHTSHADE. But no one wanted
anything else book length from me and I knew I couldn’t make a living
on short story sales. My career seemed to be over before it really
began. In desperation I went through my files of unsold short stories
to see if anything in there could be turned into a novel. I found the
story, “Those Who Seek Forgiveness,” starring Anita Blake. I’d
collected some very nice rejections for it. Editors loved it, but
didn’t know what to do with it. Horror editors thought it was science
fiction, those editors thought it was fantasy, and those editors
thought it was horror. There was no such thing as paranormal thriller
back in the late 1980s. Mixed genre was a dirty word in publishing,
because it didn’t sell, or that’s what they told me.
I sat down and began to write a novel in Anita’s world. I had about 70
pages done when I went to Archon a St. Louis convention. There I would
read those few pages to a packed room. Why a packed room for an unknown
writer? They thought I was Melissa Snodgrass who was doing scripts for
Star Trek: Next Generation. She’d had to cancel at the last minute, but
her name was still on the door of the room. Since they didn’t know what
she looked like, and didn’t know me, they sat down for her, but stayed
for me reading what would eventually be GUILTY PLEASURES, the first
Anita Blake novel. I read them those pages because I needed to know I
wasn’t wasting my time. When I finished reading the room was dead
silent, and my heart fell to my feet. I thought they hate it. Then out
of that silence came gasps, applause and cries of, “When will it be
published?” I had no idea. “Read us more!” I couldn’t, because I’d read
them all I had, but it gave me hope and I went home and finished it.
GUILTY PLEASURES would take at least two years to sale. Everyone liked
it, but no one wanted to buy it. It was the same problem that I’d had
with the short story. It would finally sale to Penguin Putnam, as an
Ace original. I got a three book contract out of it, and I was
ecstatic. After my first series dying with only one book out, I knew
there’d be at least three Anita Blake novels. As I write this I am
about to go out on tour for the 17th Anita Blake book, SKIN TRADE.
Follow Laurell K. Hamilton on Twitter
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