Three Moments of an Explosion

Mieville - twice winner of the British Fantasy Award and three times winner of the Arthur C Clarke Award - is head and shoulders above other writers in this genre. * The Times Ireland * A collection of imagined pasts and futures that sparkled with political and narrative insight. * Daily Telegraph * There is a baroque extravagance to China Mieville's imagination that is uniquely suited to a collection of short fiction . . . The rigour of his sentences, his thinking, his politics and humanity transform these set-ups from the merely eerie to the profoundly unsettling. -- Stuart Kelly * Times Literary Supplement * Mieville - twice winner of the British Fantasy Award and three times winner of the Arthur C Clarke Award - is head and shoulders above other writers in this genre. * The Times * A gathering of dark nuggets of genius . . . Mieville is one of our most important writers, and this collection demonstrates his versatility and powerful imagination to stunning effect. -- David Barnett * Independent on Sunday * A collection of short fiction which ranks alongside his best work. That it is an assemblage of various pieces actually plays to Mieville's strengths: the apprehension of social fragmentation and somatic alienation through and endlessly fertile, monstrously inventive imagination. -- Adam Roberts * Guardian * [A] fearsomely intelligent collection. * Daily Telegraph * This collection fizzes with energy and experiment . . . When you put the book down, the world seems a richer, deeper and more frightening place. -- Tim Martin * New Statesman * The 28 stories in China Mieville's Three Moments of on Explosion . . . are familiarly strange, full of eloquent monstrosity. A burning stag runs through a city, icebergs float over towns. Mieville's vision has a fragmentary force, and this mosaic text does it proud. * New Scientist * Horror, noir, fantasy, politics, and poetry swirl into combinations as satisfying intellectually as they are emotionally. Mieville (Railsea, 2012, etc.) has a habit of building his narratives by taking a metaphor, often about a political or social issue, and asking what would happen if it were literally true . . . In less-capable hands, this method might result in mere gags or dead horses endlessly beaten. (Good thing this isn't a Mieville story, or you'd be wiping off bits of rotten horseflesh.) In Mieville's hands it ranges from clever to profound . . . Bradbury meets Borges, with Lovecraft gibbering tumultuously just out of hearing * Kirkus (Starred Review) * Award winner Mieville (Embassytown) moves effortlessly among realism, fantasy, and surrealism . . . His characters, whether ordinary witnesses to extraordinary events or lunatics operating out of inexplicable compulsions, are invariably well drawn and compelling. Above all, what the stories have in common is a sense that the world is not just strange, but stranger than we can ever really comprehend * Publisher's Weekly (Starred Review) * A volume that suggests Mieville is not merely looking for techniques to take back to his longer-form fiction, but doing something altogether more ambitious: exploring the unsettling possibilities of short fiction to describe our unsettled lives, rather as JG Ballard did in the last century. * SFX * Mieville . . . is gifted with an incomparable visionary imagination. In tale after tale in Three Moments of an Explosion you'll find a conceit so unusual, so disturbing, so arresting, that it takes your breath away. -- James Lovegrove * Financial Times * If anyone doubted whether China Mieville had imagination to burn, proof of his indefatigable creative restlessness is to be found in this collection of short stories . . . This is a bumper collection overflowing with new visions of our beautiful, terrible world. -- Claire Allfree * Metro * You can't talk about Mieville without using the word "brilliant" . . . The writing, never less than excellent, takes many tones throughout the 28 stories, some showy, some not. Pastiche, when present, is so skilful that it can go unnoticed. Subjects of real weight are handled with unobtrusive ease but never glibly nor diminished by facetiousness . . . Fascinating, full of suggestion and implication, and beautiful. -- Ursula Le Guin * Guardian *