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Valhalla Rising : Dirk Pitt Series : Book 16 - Clive Cussler

Valhalla Rising

Dirk Pitt Series : Book 16

By: Clive Cussler

Paperback | 1 September 2002 | Edition Number 1

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When the luxury cruise-liner Emerald Dolphin – powered by a revolutionary new propulsion system – becomes a raging inferno and sinks mysteriously, it is lucky that NUMA special projects director Dirk Pitt is on hand to rescue the passengers and investigate the tragedy.

Sifting through the undersea wreckage for signs of foul play, Pitt is unaware of powerful, dark forces playing their hand against him. Forced to fight for his life – and those of friends and colleagues – against ever more ruthless enemies from a shadowy organization, Pitt finds himself caught between the secrets of the past and the intrigues of the future. A future that will hold the world to ransom...

Filled with breathtaking suspense and dazzling action, Valhalla Rising sees Clive Cussler at the height of his storytelling powers.

About the Author

Clive Cussler is the author of over twenty-five internationally bestselling books, including the Dirk Pitt adventure series, the NUMA FILES novels and the Oregon Files Adventures.

He grew up in Alhambra, California. He later attended Pasadena City College for two years, but then enlisted in the Air Force during the Korean War where he served as an aircraft mechanic and flight engineer in the Military Air Transport Service. Upon his discharge, he became a copywriter and later creative director for two leading ad agencies. At that time, he wrote and produced radio and television commercials that won numerous international awards, one at the prestigious Cannes Film Festival.

Cussler began writing in 1965 and published his first novel featuring Dirk Pitt in 1973. His first non-fiction work, The Sea Hunters, was released in 1996. Because of this work the Board of Governors of the Maritime College, State University of New York considered The Sea Hunters in lieu of a Ph.D. thesis and awarded Cussler a Doctor of Letters degree in May of 1997. It was the first time since the College was founded in 1874 that such a degree was bestowed.

Cussler is the founder the National Underwater & Marine Agency, (NUMA), a non-profit organisation that dedicates itself to American maritime and naval history. In addition to being Chairman of NUMA, Cussler is a fellow in both the Explorers Club of New York and the Royal Geographic Society in London.

A noted collector of classic automobiles, Cussler owns 85 of the finest examples of custom coachwork and 50's convertibles to be found anywhere. They are garaged near Golden, Colorado. Today, Cussler divides his time between the mountains of Colorado and the deserts of Arizona.
Industry Reviews
Set in July 2003, Cussler's latest outing for the resourceful Dirk Pitt is every bit as vigorous as earlier adventures. The assiduously detailed plot is quite as compelling as ever, and Cussler cunningly ups the ante in terms of menace with a wildly variegated series of threats for his beleaguered hero to deal with. The luxury cruise ship Emerald Dolphin is setting out on its maiden voyage when disaster strikes and a grim conflagration engulfs the ship, sending it to the bottom of the sea. Dirk Pitt, NUMA special projects director, is handed the job of finding out why the ship's alarms failed to go off and (more significantly) whether the ship's revolutionary new engines were to blame for the catastrophe. During the course of a baffling investigation, he finds himself up against a sinister phalanx of monsters, mechanical and human, ancient and modern. Cussler has authoritatively demonstrated in such hard-edged thrillers as Atlantis Found that reader expectations can be confounded at every point, and that's very much the case here - even if, at times, the plotting becomes too outrageous for plausibility. Valhalla Rising has the feel of a movie outline, but as most of Ian Fleming's novels share this trait, this is hardly a criticism. Moreover, Cussler makes time to show some striking changes in his protagonist's personality (such as a new vulnerability) that ensure the narrative doesn't subsume everything else. Cussler doesn't approach the medium of the thriller with the understatement of such practitioners as Gerald Seymour; his speciality is the Technicolor canvas: larger-than-life and crammed with action. On those terms, he has few equals. (Kirkus UK)

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