Get Free Shipping on orders over $79
Point Break : Movies Minute by Minute - Stephen Lee Naish

Point Break

Movies Minute by Minute

By: Stephen Lee Naish

eText | 6 August 2026 | Edition Number 1

At a Glance

eText


$33.30

or 4 interest-free payments of $8.32 with

 or 

Instant online reading in your Booktopia eTextbook Library *

Why choose an eTextbook?

Instant Access *

Purchase and read your book immediately

Read Aloud

Listen and follow along as Bookshelf reads to you

Study Tools

Built-in study tools like highlights and more

* eTextbooks are not downloadable to your eReader or an app and can be accessed via web browsers only. You must be connected to the internet and have no technical issues with your device or browser that could prevent the eTextbook from operating.

Point Break, in Bloomsbury's Timecodes Series, is a detailed, minute-by-minute critical exploration of Kathryn Bigelow's 1991 action film Point Break.

Moving sequentially through the film's two-hour runtime, the book blends formal analysis, cultural history and theory, action genre study, and personal reflection and interpretation. It positions Point Break as both a quintessential action spectacle and a film layered with thematic tensions: masculinity, spirituality, individual risk, personal freedom, environmental awareness, and the search for one's identity. Each minute of the film is treated as a self-contained unit. The cinematography, editing, sound design, performances, and narrative beats are discussed in relation to broader social contexts including surfing subculture, mid-to-late-20th-century American politics, post-Vietnam War attitudes, and the evolving media images of Keanu Reeves and Patrick Swayze.

Drawing on a wide array of sources, such as film theory, cultural criticism, and surf memoirs, the book
reframes Point Break as not merely an adrenaline-driven thriller, but as a work rich in symbolism, mythology, homoerotic desires, and philosophical inquiry. This approach reveals how Bigelow crafts a kinetic, expressive cinema where bodies, landscapes, and motion collide, and how the film's characters operate within intersecting personal, cultural, and ideological currents. The result is a hybrid of scholarship and creative writing that reanimates the film by slowing it down, revealing layers of meaning often obscured by its velocity.

on
Desktop
Tablet
Mobile

More in Film Theory & Criticism

The Dharma of Star Wars - Matthew Bortolin

eBOOK

Elia Kazan : A Biography - Richard Schickel

eBOOK

RRP $21.99

$17.99

18%
OFF
A Grand Guy : The Art & Life of Terry Southern - Lee Hill

eBOOK

Crackpot : The Obsessions of - John Waters

eBOOK

Michael Moore Is a Big Fat Stupid White Man - David T. Hardy

eBOOK