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Phantom Narratives : The Unseen Contributions of Culture to Psyche - Samuel Kimbles

Phantom Narratives

The Unseen Contributions of Culture to Psyche

By: Samuel Kimbles

eText | 2 July 2014 | Edition Number 1

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In Phantom Narratives: The Unseen Contributions of Culture to Psyche, Samuel Kimbles explores collective shadow processes, intergenerational transmission of group traumas, and social suffering as examples of how culture contributes to the formation of unseen, or phantom, narratives. These unseen narratives bundle together a number of themes around belonging, identity, identification, shadow, identity politics and otherness dynamics, and the universal striving for recognition. These dynamics enter the superego of our collective consciousness long before we are conscious of how they contribute to the shaping of our attitudes toward self and others, us and them (significantly contributing to scapegoat dynamics), emotionally generating fascination, possessiveness, disavowal and entitlement, and shame and fear. Also included in this book is an elaboration of Bion’s work on groups in the context of thinking about cultural complexes that helps to flesh out how human groupings generate processes that support and hinder the development of consciousness in both individuals and groups. Kimbles argues that the awareness that can come through an understanding of cultural dynamics as manifested through cultural complexes and cultural phantoms in combination with the development of cultural consciousness can lead to an understanding of how groups can develop and individuals in groups can individuate.
Industry Reviews
That culture is all over psyche is hardly a new discovery, but the specificity of the images that linger to express what has been imposed upon our emotional lives by the cultural past can be startling. Samuel Kimbles is not afraid to take an interest in such phenomena. He knows how to let each phantom tell its story. Because he doesn’t slight the gravitas of what cannot bring itself to be forgotten, he is convincing when he claims that the cultural past may well be sticking around to haunt us because it wants us to imagine a different future.
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