Cambridge Studies in Performance Practice

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Paperback | 16 February 2006

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264 Pages

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Perspectives on Mozart Performance, published during the Mozart bicentennial year, is the first volume in a new series. It includes essays by distinguished musicologists and performers, each exploring a different aspect of Mozart's music in performance. Several studies consider the eighteenth-century roots of Mozart's approach to performance and examine such issues as the role of ornamentation (Paul Badura-Skoda, Frederick Neumann), improvization (Katalin Komlos), cadenzas (Christoph Wolff), and Mozart's conception of tempos in a pre-metronomic age (Jean-Pierre Marty). Two studies examine Mozart's string writing (Jaap Schroeder) and the influence of his father's remarkably popular Violinschule (Robin Stowell). An essay by Peter Williams treats Mozart's use of the chromatic fourth and performance styles associated with that figura. Finally, the later, nineteenth-century response to Mozart is explored through the study of Mendelssohn's performances of Mozart (R. Larry Todd)."

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You Can Find This Book In

Non-Fiction Arts & Entertainment Music Techniques of Music / Music Tutorials / Teaching Of Music Individual Composers & Musicians, Specific Bands & Groups Theory of Music & Musicology Music Styles & Genres Western Classical Music & Opera Classical Music from 1750 to 1830

Preface
Acknowledgements
Mozart's trills
'Ich praeludirte und spielte Variazonen': Mozart the fortepianist
Mozart's tempo indications and the problem of interpretation
On the problem of cadenzas in Mozart's violin concertos
A new look at Mozart's prosodic appoggiatura
A performer's thoughts on Mozart's violin style
Leopold Mozart Mozart revised: articulation in violin playing during the second half of the eighteenth century
Mozart according to Mendelssohn: a contribution to Rezeptionsgeschichte
Some thoughts on Mozart's use of the chromatic fourth
Cadenzas and styles of improvisation in
Indexes
Table of Contents provided by Publisher. All Rights Reserved.

Cambridge Studies in Performance Practice

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