Pedro de Mena : The Spanish Bernini

Pedro de Mena y Medrano (1628-1688) is the most highly regarded master of Spanish Baroque sculpture, on a par with his contemporaries, the great seventeenth-century painters Velazquez, Zurbaran and Murillo.

Mena's contributions to Spanish Baroque sculpture are unsurpassed in both technical skill and expressiveness of his religious subjects. His ability to sculpt the human body was remarkable, and he excelled in creating figures and scenes for contemplation.

This first monograph of Pedro de Mena shows incredible details and remarkable images of his hyper-realistic sculptures, full of passion.

In addition to text by curator Xavier Bray, Pedro de Mena also features important contributions by Jose Luis Romeo Torres, curator of the exhibition Pedro de Mena, to be held in Malaga in 2019.

About the Authors

Since 2002, Xavier Bray has been assistant curator of 17th- and 18th-century European paintings at the National Gallery, London. He completed his doctoral dissertation, "Royal Religious Commissions as Political Propaganda in Spain under Charles III," at Trinity College, Dublin, in 1999. Between 1998 and 2000, he was assistant curator at the National Gallery, London, where he co-curated exhibitions such as Orazio Gentileschi at the Court of Charles I (1998-1999), A Brush with Nature: The Gere Collection of Landscape Oil Sketches (1999), and The Image of Christ: Seeing Salvation (2000). He was also the curator of a focus exhibition on Goya's Family of the Infante Don Luis (2001-2002).

Jose Luis Romero Torres is art historian and conservator at the Patrimonio Historico de la Junta de Andalucia.