âThe joy and the curse of live theatre is that it is ephemeral, the performance you see lives on only in your memory. But while reading Offstage Observations, I came as close as one can get to feeling I was actually experiencing all the great (and not so great!) shows and performances that Steven Suskin so wonderfully recreates with his words. This book is a gift to anyone who loves the theatre.ââ"Marc Shaiman
âA wonderful book about a young manâs obsession with the theatre and the many adventures he had along the way. He saw everythingâ"and I mean EVERYTHINGâ"and seems also to remember everything! Suskinâs Broadway tales are a delight.ââ"Andr© Bishop
âI would advise anyone who loves theater to read Offstage Observations. Steven Suskinâs journey through the offstage world is unique and compelling, funny and touching.ââ"Jerry Zaks
âReading this book felt like finding my Broadway roots! Steven Suskin is a great listener and a great observer, and in the perfect position to illuminate our story. His impeccable taste helps us understand the tapestry of NYC theatre, including both hits and flops, in our quest for art to achieve refinement.ââ"Faith Prince
âA blood-curdling tale of lust and passionâ"Steven Suskinâs for Broadway, that is. Youâll meet the great and the near-great, and more than a few eccentric and entertaining schlockmeisters along the wayâ"including a felon or two. Tales of triumph and calamity, egotism, talent, chicanery, and bluster, opportunities taken and opportunities blownâ"itâs show business at its confounding best. Pick a rainy day, brew up a pot of coffee or a pitcher of martinis, and just start reading. You wonât want to stop.ââ"Jack Viertel
âWhat a treat to read Steven Suskinâ"a fount of theatrical knowledge, garnered over years of experience alternately glorious and grim. And all narrated with precision, scruple, and honesty of the kind only an abiding love for the theaters truth can bring.ââ"Michael Feingold
"Offstage Observations is the perfect book for theatre aficionados. Reading it will alter how you perceive the show and business of Broadway. Part autobiography, part theatre history, it will hold a special place on readers shelves for the research and pleasure it provides."