Industry Reviews
"This book is more than a history of education. Carter provides an intellectual and cultural history of the nineteenth century centred around education that provokes readers to refine their interpretations of that era ... There is much to love about this book. It is well researched and includes sources from a large collection of archival material as well as published primary sources." -- Susan Stanfield, American Nineteenth Century History
"Blending intellectual and cultural history with material and visual analysis, Sarah Anne Carter's Object Lessons: How Nineteenth-Century Americans Learned to Make Sense of the Material World reveals new perspectives on how American educators used material knowledge to provide children with the language and thinking skills needed to navigate the social turmoil of industrialization, urbanization and race relations." -- P.J. Carlino, Parsons School of
Design, Journal of Design History
"Moving between Europe and North America, [Carter's] work concretizes abstract notions about the international circulation of ideas and practices. As is proper for a book about object lessons, its heart lies in the material: the volume boasts more than fifty illustrations, almost half of them gorgeous colored plates... It is an homage to the book's argument and subject matter to say that this is a book worth acquiring even if just for the illustrations." --
Karen Sánchez Eppler, Amherst College, Winterthur Portfolio
"This is a short, persuasive book important for education historians and all historians interested in the turn to material culture of the early twentieth century." -- Sally Gregory Kohlstedt, University of Minnesota, American Historical Review
"Carter's work is most nuanced when it addresses the complications of race, class, and gender in the conceptualizations and goals of the "object lessons" and how their practitioners perceived their efforts. When she teases out the intentionality underlying the pedagogy of teaching with and through objects, Carter shows how people can learn from objects and how this pedagogy was used in past centuries to excite learning, generate deep thinking, and at the same
time train the bodies and minds of those who learned through its sensory approach." -- Diana B. Turk, New York University, Journal of American History
"This short read is the result of ten years of work at noted institutions consulting with skilled professionals. It contains 143 pages of text with the remaining 56 pages made up of an index, some rich footnotes, and a large selected bibliography. The book is well researched and documented" -- Debbie SchaeferJacobs, History of Education Quarterly
"Carter's book is accessible, evovative, and engaging...[it] contributes to the fields of American studies, American history, and the history and foundations of American education." -- John H. Bickford III, The History Teacher
"A major contribution to the history of education and the material culture of childhood, this book is one of the few to show how an educational theory was implemented in actual classrooms. Much more than a study of the first modern educational fad, this work explores the Americanization of European educational ideas, the use of object lessons in racial socialization, and how a largely forgotten vocabulary shaped nineteenth-century political discourse." --Steven
Mintz, author of Huck's Raft: A History of American Childhood
"In this terrific book, Sarah Carter takes us back to a nineteenth-century world, now almost entirely forgotten, where ideas were taught with things and 'object lessons' were not simply metaphoric. And in taking us on this journey she raises all sorts of questions about how we teach, how we learn, and how we know. Really smart."--Steven Conn, author of Do Museums Still Need Objects?
"Sarah Carter has written a learned intellectual history of the nineteenth-century foundations of material culture theory. Attentive to the desire of educators to use real objects to promote critical sequential thinking, the mid-century fascination with taxonomical classification of the natural and manufactured world, the moral underpinnings of thinking with and through objects, and the use of object studies as a form of racial objectification, this volume
delineates clearly the complex, often fraught, relationship between thinking and 'thinging.' Carter sees object lessons as both method and metaphor, system and justification, truth and fiction. As
result of this study, the material turn in art history, literature, and history can now be more fully understood."--Edward S. Cooke Jr., Charles F. Montgomery Professor of the History of Art, Yale University
