New Directions for Clarinet

By: Phillip Rehfeldt

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Paperback | 1 January 1994

At a Glance

Paperback
208 Pages

Edition Type
Annotated

Dimensions(cm)
21.4 x 28.1 x 1.6

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Phillip Rehfeldt has assembled here techniques of dealing with clarinet performances as they have evolved since 1950. He catalogs contemporary practices that differ from those formerly standardized, provides perspective on performance capabilities and limitations, and includes suggestions for performance based on his own experience. The new edition has been completely rewritten, corrected where necessary, and updated. Rehfeldt has added the complete list of William O. Smith''s clarinet compositions and recordings to the previous listing of his early multiphonic fingerings. The new edition also includes an appendix containing Eric Mandat''s quarter-tone fingerings; a second, extensive music bibliography, the "International Update"; and an updated and annotated bibliography of music literature.

Industry Reviews

Phillip Rehfeldt is fully conversant with all these works [for clarinet] and uses them as the basis for his new study. What is most impressive about his book is its thorough but flexible approach and its sensible selection of material.--Musical Times

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Preface to the First Edition
Preface to the Second Edition
Fundamentals	p. 1
Tuning and Intonation	p. 1
Range	p. 3
Finger Dexterity	p. 7
Articulation	p. 10
Dynamics	p. 12
Monophonic Fingerings	p. 15
Microtonal Pitch Modifications	p. 15
Color Fingerings	p. 20
Eighth Tone and Color Fingering Suggestions	p. 21
Fingering Charts	p. 22
Sopranos in B[flat] and A (and E[flat] Sopranino)	p. 24
Bass Clarinet	p. 33
Multiple Sonorities	p. 41
Principles of Production	p. 41
Multiphonic Types	p. 43
Multiphonic Possibilities (Fingering Charts)	p. 48
B[flat] Soprano (E[flat] Sopranino and A Soprano)	p. 48
Bass Clarinet Multiphonics	p. 52
Multiphonic Sequences	p. 54
Multiphonic Trills and Tremolos	p. 54
Multiphonic Key Vibratos	p. 55
Catalog of Additional Effects	p. 57
Glissando and Portamento	p. 57
Pitch Bends	p. 59
Measured Vibrato	p. 62
Smorzato	p. 63
Flutter Tongue	p. 63
Teeth-On-Reed	p. 64
Slap Tongue	p. 65
Throat Tremolo	p. 65
Vocal Sounds (Hum and Play)	p. 68
Breath or Air Sounds	p. 69
Mouthpiece Alone	p. 69
Mouthpiece on Lower Half of Instrument	p. 72
Mutes	p. 74
Key Slaps and Rattles	p. 76
Hand Pops	p. 77
Lip Buzzing	p. 78
Air Across Barrel	p. 79
Circular Breathing	p. 81
Electronic Applications	p. 83
Microphones	p. 84
Preamplifiers	p. 85
Mixers	p. 85
Amplifiers	p. 85
Speakers	p. 87
Tape Recorders	p. 88
Effects Processing	p. 88
Pitch Followers	p. 92
Performing with Electronics	p. 92
Appendix A. William O. Smith	p. 95
Appendix B. Eric Mandat's Quarter Tone Fingerings	p. 123
Appendix C. E-Flat Contrabass Addenda	p. 125
Appendix D. Altississimo Fingerings	p. 127
Appendix E. Difference Tones	p. 129
Appendix F. Matrix for Clarinettist	p. 131
Appendix G. Music Bibliography I	p. 135
Appendix H. Music Bibliography II - International Update	p. 145
Appendix I. Bibliography of Music Literature	p. 195
Table of Contents provided by Blackwell. All Rights Reserved.

New Directions for Clarinet

At a Glance

Paperback

Industry Reviews

Shipping

How to return your order

Defective items

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