Music for Analysis
Examples from the Common Practice Period and the Twentieth Century
By: Thomas Benjamin, Michael Horvit, Timothy Koozin, Robert Nelson
Spiral Ringed Book | 16 January 2018 | Edition Number 8
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Offering 477 pieces of music from the Baroque period to the present, Music for Analysis, Eighth Edition, is the most comprehensive anthology of its kind. The book is organized by music theory concept, so it can easily be linked to any introductory theory course. The authors do not prescribe any system of analysis, allowing individual instructors to follow their own preferences with their students. Ample room for student work eliminates the need for a separate workbook or to purchase score paper.
Industry Reviews
"I really like this book's brief examples, the brevity of the chapters, and the variety of genres." --Leslie M. Sabina, St. Bonaventure University
"For those of us who choose not to use a standard tonal harmony textbook in our courses, Music for Analysis, Eighth Edition, provides organized musical examples in a single source." --Susan Piagentini, Bienen School of Music, Northwestern University
PREFACE
SUGGESTIONS FOR USING THIS BOOK
PART I DIATONIC MATERIALS Suggestions for Discussion
1. TONIC TRIAD Questions for Analysis 1. HAYDN, Sonatina in G major, Hob. XVI: 8 2. CZERNY, Sonatina, op. 792, no. 8 3. RIMSKY-KORSAKOV, Le Coq d'Or: Hymn to the Sun 4. BEETHOVEN, Leonora Overture No. 2, op. 72 5. BEETHOVEN, Trio, op. 70, no. 2 6. CHOPIN, Polens Grabgesang, op. 74 7. CHOPIN, Valse (Posthumous) 8. BEETHOVEN, Symphony No. 5, op. 67 9. COUPERIN, Carnival
2. DOMINANT TRIAD IN ROOT POSITION Questions for Analysis 10. MOZART, Rondo 11. KUHNAU, Biblical Sonata No. 1: Victory Dance and Festival 12. BEETHOVEN, Für Elise 13. SCHUMANN, Album for the Young, op. 68: Reiterstück 14. WEBER, Euryanthe, op. 81: Overture 15. BEETHOVEN, Symphony No. 5, op. 67
3. DOMINANT SEVENTH AND NINTH IN ROOT POSITION Questions for Analysis Model Analysis 16. WEBER, German Dance 17. MOZART, Sonata, K. 332 18. SCHUBERT, Wiegenlied, op. 98, no. 2 19. VERDI, Rigoletto, Act I, no. 2 20. HAYDN, Sonata in E major, Hob. XVI: 13 21. BEETHOVEN, Symphony No. 4, op. 60 22. WEBER, Oberon: Overture 23. SCHUBERT, Ländler 24. SCHUBERT, Valses Nobles, op. 77 25. MOZART, Valse
4. SUBDOMINANT TRIAD IN ROOT POSITION Questions for Analysis 26. SCHEIDT, Bergamasca 27. SCHUMANN, Faschingsschwank aus Wien, op. 26, no. 3: Scherzino 28. CHOPIN, Mazurka, op. 17, no. 1 29. BEETHOVEN, Egmont Overture, op. 84 30. VERDI, Rigoletto, Act I, no. 7 31. SCHUBERT, Impromptu, op. 90, no. 4, D. 899 32. KERN, Look for the Silver Lining 33. BEETHOVEN, Seven Country Dances, no. 7 34. SCHUBERT, Ländler
5. CADENTIAL TONIC SIX-FOUR CHORD Questions for Analysis 35. SCHUBERT, Valses Sentimentales, op. 50, no. 18 36. CHOPIN, Mazurka, op. 24, no. 3 37. DONIZETTI, Lucia di Lammermoor, Act II, no. 6 38. BEETHOVEN, Trio, op. 97
6. TONIC, SUBDOMINANT, AND DOMINANT TRIADS IN FIRST INVERSION Questions for Analysis Model Analysis 39. BACH, Lobt Gott, ihr Christen, allzugleich 40. MOZART, Bastien und Bastienne, K. 46B, no. 9 41. MOZART, Sonata, K. 332 42. HAYDN, Sonata in D major, Hob. XVI:37 43. MOZART, Abendempfindung, K. 523 44. BEETHOVEN, Symphony No. 5, op. 67 45. BEETHOVEN, Fidelio, Act I, no. 9 46. MOZART, Sonata, K. 570 47. MENDELSSOHN, Elijah, op. 70, no. 29 48. COUPERIN, Le Petit Rien 49. DANDRIEU, Les Fifres
7. SUPERTONIC TRIAD Questions for Analysis 50. ANONYMOUS, Dir, dir, Jehovah, will ich singen 51. SCHUBERT, Waltz, op. 9, no. 3, D. 365 52. BEETHOVEN, Six Variations on "Nel cor più non mi sento" 53. MOZART, Die Zauberflöte, K. 620, Act II, no. 21 54. CHOPIN, Zwei Leichen 55. BEETHOVEN, Trio, op. 121A 56. VERDI, Rigoletto, Act II, no. 14 57. CHOPIN, Mazurka, op. 33, no. 2 58. HAYDN, Sonata in E minor, Hob. XVI: 34
8. INVERSIONS OF THE DOMINANT SEVENTH CHORD Questions for Analysis 59. J. C. F. BACH, Nun danket alle Gott 60. HAYDN, Sonata in C major, Hob. XVI: 35 61. PAISIELLO, Le donne sur balcone 62. MOZART, Quartet, K. 464 63. BEETHOVEN, Sonata, op. 31, no. 3 64. RAMEAU, Sarabande I, vol. I 65. HAYDN, Trio in C major, Hob. XV: 3 66. KUHLAU, Sonatina, op. 20, no. 1 67. BEETHOVEN, Symphony No. 2, op. 36 68. BEETHOVEN, Minuet in C
9. LINEAR (EMBELLISHING) SIX-FOUR CHORDS Questions for Analysis 69. BEETHOVEN, Concerto No. 1 for Piano, op. 15 70. SCHUBERT, Valses Sentimentales, op. 50, no. 1, D. 779 71. MOZART, Rondo, K. 485 72. HAYDN, Quartet, op. 3, no. 5 73. SCHUBERT, Waltz, op. 9, no. 1, D. 365 74. KUHLAU, Sonatina, op. 88, no. 3 75. MOZART, Symphony No. 35, K. 385 76. BEETHOVEN, Sonatina in G major 77. BEETHOVEN, Symphony No. 7, op. 92 78. MOZART, Symphony No. 41, K. 551 79. HAYDN, Sonata in D major, Hob. XVI: 37 80. BEETHOVEN, Contradanse 81. BUXTEHUDE, Passacaglia 82. BEETHOVEN, Symphony No. 3, op. 55 83. GOUNOD, Faust, Act I, no. 6 84. SULLIVAN, H.M.S. Pinafore, "I'm Called Little Buttercup"
10. SUBMEDIANT AND MEDIANT TRIADS Questions for Analysis 85. CRÜGER, Herzliebster Jesu, was hast du verbrochen 86. ANONYMOUS, Dir, dir, Jehovah, will ich singen 87. BACH, Schmücke dich, o liebe Seele 88. MOZART, Bastien und Bastienne, K. 46b, no. 1 89. MOZART, Sonata, K. 545 90. HANDEL, Sonata in F for Flute and Continuo 91. VERDI, Rigoletto, Act I, no. 1 92. BRAHMS, Symphony No. 4, op. 98 93. CORELLI, Sonata for Violin and Continuo, op. 5, no. 9 94. SCHUBERT, Quartet in D major, D. 74 95. BEETHOVEN, Trio, op. 1, no. 3 96. MOZART, Sonata, K. 283 97. J. C. F. BACH, Menuet 98. TESSIER, Au joli bois je m'en vais 99. STRAUSS, Der Rosenkavalier, Act III 100. BRAHMS, Romance, op. 118, no. 5 101. SCHUMANN, Phantasiestücke, op. 12, no. 4, Grillen 102. SCHUBERT, Im Abendroth (Posthumous) 103. SCHUBERT, Symphony in C major ("The Great")
11. LEADING TONE TRIAD Questions for Analysis 104. TESCHNER, Schatz über alle Schätze 105. BACH, Aus meines Herzens Grunde 106. SCHUMANN, Album for the Young, op. 68: Soldatenmarsch 107. HANDEL, Courante 108. HAYDN, Sonata in E major, Hob. XVI: 49 109. HAYDN, Sonatina in D major, Hob. XVI: 4 110. MOZART, Sonata, K. 280 111. DAQUIN, La Joyeuse
12. VARIANT QUALITIES OF DIATONIC TRIADS Questions for Analysis Scalar Variants in Minor 112. Bach, Herr, ich habe mißgehandelt 113. Pachelbel, Chaconne 114. Telemann, Fantasie No. 8 115. Byrd, Pavana "The Earle of Salisbury" 116. A. Scarlatti, Folia 117. Mattheson, Minuet 118. Mozart, Sonata, K. 310 Modal Borrowing 119. VERDI, La Traviata, Act I, no. 4 120. DONIZETTI, Linda di Chamounix, "O luce di quest'anima" 121. MOZART, Sonata for Violin and Piano, K. 306 122. HAYDN, Sonatina in C major, Hob. XVI: 7 123. SCHUBERT, Aufenthalt 124. SCHUBERT, Der Wanderer 125. BRAHMS, Symphony No. 3, op. 90 126. VERDI, Il Trovatore, Act II, no. 11 127. BEETHOVEN, Symphony No. 5, op. 67 128. BRAHMS, Symphony No. 4, op. 98
13. SUPERTONIC SEVENTH CHORD Questions for Analysis 129. ANONYMOUS, Herr, wie du willst, so schick's mit mir 130. BACH, Straf' mich nicht in deinem Zorn 131. HAYDN, Sonata in A? major, Hob. XVI: 46 132. GRIEG, Lyric Pieces, op. 12, no. 3: Voegtersang 133. BEETHOVEN, Symphony No. 6, op. 68 134. SCHUBERT, Quartet, op. 168, D. 112 135. MOZART, Sonata, K. 310 136. SCHUBERT, Ständchen 137. BEETHOVEN, Symphony No. 2, op. 36 138. BEETHOVEN, Sonata, op. 14, no. 2 139. BEETHOVEN, Symphony No. 6, op. 68 140. BIZET, Carmen, Act II: Entr'acte 141. RODGERS, Blue Moon
14. LEADING TONE SEVENTH CHORD Questions for Analysis 142. DVORAK, Quartet, op. 96 143. MOZART, Sonata, K. 457 144. SCHUMANN, Carnaval, op. 9: Chiarina 145. BRAHMS, Ballade, op. 10, no. 4 146. HANDEL, Sonata for Flute and Basso Continuo, HWV 362 147. HAYDN (?), Allegro 148. HAYDN, Trio in G major, Hob. XV: 25 149. MOZART, Requiem, K. 626: Offertorium 150. HAYDN, Sonatina in G major, Hob. XVI: 11 151. HANDEL, Judas Maccabaeus, Part III: no. 53, Introduction 152. WAGNER, Das Rheinghold, Scene 1 153. GLUCK, Orphée, Act I, no. 1 154. HANDEL, Aria con Variazioni, Leçon No. 1 155. TELEMANN, Fantasia, Dozzina 1, no. 5 156. MOZART, Sonata for Violin and Piano, K. 306
15. OTHER DIATONIC SEVENTH CHORDS Questions for Analysis 157. BACH, O Ewigkeit, du Donnerwort 158. MOZART, Rondo. K. 494 159. MENDELSSOHN, Kinderstück, op. 72, no. 1 160. PACHELBEL, Fantasie 161. HANDEL, Sonata for Flute and Continuo 162. HANDEL, Leçon No. 2, Menuet 163. TCHAIKOVSKY, Symphony No. 4, op. 36 164. BACH, French Suite in D minor, Menuet
16. COMPLETE PIECES FOR ANALYSIS I Checklist for Analysis 165. BEETHOVEN, Minuet 166. SCHUBERT, Dance 167. SCHUBERT, German Dance, op. 33, no. 12 168. BEETHOVEN, Scottish Dance 169. PURCELL, Rigadoon 170. RAMEAU, Minuet 171. WITT, Passacaglia 172. GRIEG, Lyric Pieces, op. 12, no. 6: Norsk
PART II CHROMATIC MATERIALS Suggestions for Discussion
17. SECONDARY (APPLIED, BORROWED) DOMINANTS Questions for Analysis Model Analysis 173. BEETHOVEN, Trio, op. 1, no. 1 174. MOZART, Sonata, K. 281 175. SCHUBERT, Impromptu, op. 142, no. 3 176. HAYDN, Trio in D major 177. BEETHOVEN, Sonatina in G major 178. WEBER, Oberon: Overture 179. BEETHOVEN, Trio, op. 1, no. 1 180. SCHUMANN, Sonata, op. 118c., Andante 181. BEETHOVEN, Symphony No. 1, op. 21 182. HANDEL, Suite XI 183. SCHUMANN, Arabeske, op. 18 184. BEETHOVEN, Symphony No. 4, op. 60 185. SCHUMANN, Widmung, op. 25, no. 1 186. SCHUBERT, Symphony No. 8 ("Unfinished") 187. SCHUMANN, Sonata, op. 118c., Puppenwiegenlied 188. SCHUBERT, Quintet ("Die Forelle"), op. 114, D. 667 189. BEETHOVEN, Quintet, op. 29 190. BEETHOVEN, Trio, op. 11 191. VERDI, Rigoletto, Act II, no. 7 192. HANDEL, Suite XVI 193. BEETHOVEN, Sonata, op. 53 194. SCHUBERT, Symphony in C major ("The Great") 195. BEETHOVEN, Trio, op. 1, no. 3 196. SCHUBERT, Mass in E major: Benedictus 197. MENDELSSOHN, Midsummer Night's Dream, op. 61: Wedding March 198. VERDI, Rigoletto, Act II, no. 14 199. BACH, Christmas Oratorio, Part I, no. 4: Bereite dich, Zion 200. HANDEL, Sonata VII for Flute and Continuo 201. CHOPIN, Mazurka, op. 67, no. 2 202. CHOPIN, Valse, op. 69, no. 1 203. CHOPIN, Valse Brillante, op. 34, no. 3 204. GERSHWIN, Someone to Watch Over Me 205. TCHAIKOVSKY, Children's Album, op. 39, no. 1.: Morning Prayer
18. MODULATION TO CLOSELY RELATED KEYS Questions for Analysis Modulation to Dominant 206. MOZART, Symphony No. 39, K. 543 207. MOZART, Sonata, K. 331 208. BEETHOVEN, Symphony No. 2, op. 36 209. HAYDN, Minuet 210. SCHUBERT, Quartet, D. 173 211. HAYDN, Sonata in C minor, Hob. XVI: 36 212. MOZART, Symphony No. 41, K. 551 213. CHOPIN, Mazurka, op. 7, no. 2 214. HAYDN, Sonata in G major, Hob. XVI: 39 215. MOZART, Sonata, K. 282, Menuet I 216. SCHUBERT, Quartet, D. 173 Modulation to Relative Major 217. HAYDN, Trio in F minor, Hob. XV: 26 218. HAYDN, Sonata in E minor, Hob. XVI: 34 219. MOZART, Sonata, K. 330 220. DONIZETTI, Lucia di Lammermoor, Act I, Cavatina 221. BRAHMS, Quintet, op. 115 222. BEETHOVEN, Symphony No. 7, op. 92 223. HAYDN, Symphony No. 104, Hob. I: 104 Modulation to Other Closely Related Keys 224. HAYDN, Sonatina, Hob. XVI: 1 225. BONONCINI, Deh più a me non vàscondete 226. SAINT-SAËNS, Carneval des Animaux: Le Cygne 227. BRAHMS, Waltz, op. 39, no. 15 228. BEETHOVEN, Quartet, op. 18, no. 2 229. PURCELL, Dido and Aeneas, Act I, scene I 230. BACH, French Suite in C Minor
19. COMPLETE PIECES FOR ANALYSIS II Checklist for Analysis 231. BACH, Wachet auf, ruft uns die Stimme 232. BACH, In dulci jubilo 233. BACH, Christ lag in Todesbanden 234. HANDEL, Menuet 235. BEETHOVEN, Sonata, op. 26 236. SCHUMANN, Sonata, op. 118b., Abendlied 237. BRAHMS, Waltz, op. 39 238. HANDEL, Prelude 239. BEETHOVEN, Sonatina in F major 240. HAYDN, Sonata in G major, Hob. XVI: 27 241. GERSHWIN, I Got Rhythm
20. LINEAR (EMBELLISHING) DIMINISHED SEVENTH CHORDS Questions for Analysis 242. HAYDN, Symphony No. 104, Hob. I: 104, Menuet 243. BEETHOVEN, Symphony No. 7, op. 92 244. LISZT, Les Préludes 245. BEETHOVEN, Contradanse 246. TCHAIKOVSKY, Symphony No. 6, op. 74 247. BEETHOVEN, Quartet, op. 18, no. 3 248. SCHUBERT, Sonata, op. 53 249. GOUNOD, Faust, Act IV, no. 18 250. SCHUMANN, Carnaval, op. 9: Arlequin 251. MOZART, Waltz, K. 567 252. WAGNER, Rienzi: Overture 253. BELLINI, I Puritani, Act II, scene 3 254. HAYDN, Symphony No. 104, Hob. I: 104 255. RODGERS, The Girl Friend 256. BRAHMS, Liebeslieder Walzer, op. 52, no. 4
21. NEAPOLITAN TRIAD Questions for Analysis 257. MOZART, Concerto in A major, K. 488 258. SCHUBERT, Die schöne Müllerin, Op. 25: Der Müller und der Bach 259. BACH, Ach Gott, vom Himmel sieh' darein 260. BACH, Invention No. 13 261. VERDI, Il Trovatore, Act II, no. 8 262. BRAHMS, Intermezzo in A major, op. 118, no. 2 263. CHOPIN, Prelude, op. 28, no. 20 264. BEETHOVEN, String Quartet, op. 59, no. 2 265. BRAHMS, Wie Melodien zieht es mir, op. 105 266. BEETHOVEN, Quartet, op. 18, no. 3 267. SCHUBERT, Mass in E major: Credo 268. BACH, The Well-Tempered Clavier, Vol. II, Fugue 17 269. CHOPIN, Prelude, op. 28, no. 6
22. AUGMENTED SIXTH CHORDS, SUBMEDIANT DEGREE AS LOWEST NOTE Model Analysis Questions for Analysis Italian 270. BACH, Ich hab' mein' Sach' Gott heimgestellt 271. BEETHOVEN, Bagatelle, op. 119, no. 1 272. BEETHOVEN, Coriolan Overture, op. 62 273. TCHAIKOVSKY, Children's Album, op. 39, no. 10: Mazurka 274. SCHUBERT, Quartet, op. 168, D. 112 275. BEETHOVEN, Symphony No. 1, op. 21 German 276. MOZART, Sonata, K. 457 277. BEETHOVEN, Sonata, op. 109 278. HAYDN, Trio, Hob. XV: 25 279. BEETHOVEN, Thirty-Two Variations, WoO 80, Var. 30 280. SIBELIUS, Chanson Sans Paroles, op. 40, no. 2 281. STRAUSS, Der Rosenkavalier, Act I French 282. MENDELSSOHN, Elijah, op. 70, no. 1 283. SCHUBERT, Mass in G major: Kyrie 284. BACH, Wer nur den lieben Gott lä t walten 285. SCHUBERT, Sonata, op. 42 286. VERDI, La Traviata, Act III: Prelude 287. SCHUBERT, Symphony in C major ("The Great") 288. GRIEG, Alfedans, op. 12 289. HERBERT, Gypsy Love Song Enharmonic German 290. SCHUMANN, Dichterliebe, op. 48, no. 12: "Am leuchtenden Sommermorgen"
23. AUGMENTED SIXTH CHORDS, OTHER SCALE DEGREES AS LOWEST NOTE Questions for Analysis 291. MOZART (?), Adagio 292. GRANADOS, Valses Poeticos 293. SCHUBERT, Symphony No. 8 ("Unfinished") 294. MOUSSORGSKY, Songs and Dances of Death, no. 4 295. GLUCK, Orphée, Act I, nos. 6 and 7
24. AUMENTED SIXTH CHORDS, OTHER USES Question for Analysis Linear 296. VERDI, Rigoletto, Act I: Prelude 297. TCHAIKOVSKY, Song Without Words, op. 40, no. 6 298. TCHAIKOVSKY, Romeo and Juliet 299. SCHUBERT, Waltz 300. BRAHMS, Intermezzo, op. 76, no. 4 301. TCHAIKOVSKY, Children's Album, op. 39, no. 20: The Witch Secondary 302. CHOPIN, Prelude, op. 28, no. 22 303. SCHUBERT, Mass in G major: Benedictus 304. SCHUBERT, Die Allmacht, op. 79, no. 2 Altered Dominants 305. SCHUBERT, Quintet, op. 163 306. LISZT, Liebestraum, no. 3 307. RIMSKY-KORSAKOV, Snowmaiden, Chanson du Bonhomme Hiver 308. GRIEG, Solvejg's Lied
25. OTHER MEANS OF MODULATION Model Analysis Question for Analysis 309. SCHUBERT, Mass in G major: Gloria 310. BRAHMS, Wenn du nur zuweilen lächelst, op. 57, no. 2 311. BEETHOVEN, Symphony No. 5, op. 67 312. SCHUBERT, Waltz, op. 9, no. 14, D. 365 313. MOZART, Die Entführung aus dem Serail, K. 384, Act III, no. 18 314. SCHUMANN, Symphony No. 2, op. 61 315. BEETHOVEN, Symphony No. 7, op. 92 316. HAYDN, String Quartet, op. 76, no. 6 317. BEETHOVEN, Sonata, op. 13 318. BEETHOVEN, Trio, op. 70, no. 1 319. SCRIABIN, Prelude, op. 13, no. 3 320. J. STRAUSS, Die Fledermaus: Overture 321. BRAHMS, Wie bist du meine Königen, op. 32, no. 9 322. SCHUBERT, Mass in A major: Agnus Dei 323. BEETHOVEN, Trio, op. 11 324. RACHMANINOFF, Melodie, op. 3, no. 3 325. SCHUBERT, Symphony No. 8 ("Unfinished")
26. NINTH CHORDS Questions for Analysis Dominant Ninths 326. J. STRAUSS, Artist's Life Waltzes, op. 316, no. 3 327. FRANCK, Sonata for Violin and Piano 328. BEETHOVEN, Theme from Six Easy Variations, WoO 77 329. CHOPIN, Valse Brillante, op. 34, no. 1 330. SCHUMANN, Waldesgespräch, op. 39, no. 3 331. CHOPIN, Prelude, op. 28, no. 15 Secondary Dominant Ninths 332. BACH, St. Matthew Passion, no. 78 333. SCHUMANN, Genoveva, op. 81: Overture 334. GRIEG, Grandmother's Minuet, op. 68, no. 2 335. SCHUMANN, Kinderszenen, op. 15, no. 7: Träumerei Nondominant Ninths 336. GRIEG, Wedding Day at Troldhaugen, op. 65, no. 6 337. MENDELSSOHN, Midsummer Night's Dream, op. 21: Overture 338. FAUR´E, Après un Rêve
27. EXTENDED LINEAR USAGES Questions for Analysis Model Analysis 339. CHOPIN, Mazurka, op. 6, no. 1 340. BRAHMS, "Der Tod, das ist die kühle Nacht," op. 96, no. 1 341. WEBER, Euryanthe: Overture 342. BRAHMS, Variations on a Theme by Handel, var. 20 343. FRANCK, Symphony in D minor 344. WAGNER, Lohengrin, Act I, scene 2 345. WAGNER, Wotan's Farewell, Die Walküre, Act III 346. CHOPIN, Prelude, op. 28, no. 9 347. BEETHOVEN, Quartet, op. 18, no. 6
28. COMPLETE PIECES FOR ANALYSIS III Checklist for Analysis 348. BACH, Ein' feste Burg ist unser Gott 349. BACH, Es ist genug, so nimm, Herr 350. MOZART, Minuet, K. 355 351. SCHUMANN, C., Myrthen, op. 25, no. 24 352. SCHUMANN, R., Drei Lieder, op. 12, no. 2 353. MENDELSSOHN, Lieder ohne Wörte, op. 30, no. 3 354. CHOPIN, Mazurka, Op. posth. 67, no. 2 355. SCHUMANN, Phantasiestücke, op. 12, no. 3: Warum? 356. GRIEG, Lyric Pieces: op. 43, no. 5: Erotikon 357. LISZT, Il pensieroso, from Années de Pèlerinage 358: COLERIDGE-TAYLOR, Cameos for piano, op. 56, no. 3 359. R. STRAUSS, Morgen, op. 27, no. 4 360. WAGNER, Wesendonck Lieder, no. 1: Der Engel 361. BEETHOVEN, Sieben Variationen über das Volkslied: "God Save the King", WoO 78 362. MOZART, Symphony No. 40, K. 550 363. BEACH, Sketches, op. 15: Phantoms 364. JOPLIN, A Breeze from Alabama: March and Two-Step 365. WAGNER, Tristan und Isolde, Act I: Prelude 366. MOZART, Sonata, K. 309 I. Allegro con spirito II. Andante, un poco Adagio III. Allegretto grazioso 367. BEETHOVEN, Sonata, op. 2, no. 3 I. Allegro con brio II. Adagio III. Scherzo, Allegro IV. Allegro assai
29. EXAMPLES OF COUNTERPOINT Questions for Analysis 368. BACH, Cantata No. 4: Sinfonia 369. BACH, Chorale Prelude on "In Dulci Jubilo" 370. BACH, Chorale Prelude on "Christ lag in Todesbanden" 371. BRAHMS, Chorale Prelude on "O Wie selig seid ihr doch, ihr Frommen" 372. PURCELL, "Thy hand Belinda", from Dido and Aeneas 373. BACH, Invention No. 4, BWV 775 374. BACH, Invention No. 13, BWV 775 375. BACH, Sinfonia 3, BWV 789 376. BACH, The Well-Tempered Clavier, Vol. I, Fugue 2 377. BACH, The Well-Tempered Clavier, Vol. II, Fugue 9 378. MENDELSSOHN, Fugue No. 2, op. 35 Additional Examples for the Study of Contrapuntual Techniques
PART III CONTEMPORARY MATERIALS Suggestions for Discussion Model Analysis
30. EXTENDED AND ALTERED TERTIAN HARMONY Questions for Analysis 379. HANSON, Symphony No. 2, op. 30 380. KABALEVSKY, Sonatina, op. 13 381. HOVHANESS, Mysterious Mountain 382. SHOSTAKOVICH, Prelude, op. 34, no. 24 383. DEBUSSY, Pelléas et Mélisande, Act I, scene 1 384. SCRIABIN, Poem, op. 32, no. 2 385. RAVEL, Valses Nobles et Sentimentales 386. RODGERS, Slaughter on Tenth Avenue 387. ELLINGTON, Prelude to a Kiss 388. DUKE JORDAN, Jordu 389. PARKER, Anthropology 390. BERG, Four Songs, op. 2, no. 3 391. RAKSIN, Laura
31. DIATONIC (CHURCH) MODES Model Analysis Questions for Analysis 392. BARTO´K, Little Pieces for Children, no. III 393. CHA´VEZ, Ten Preludes, no. 1 394. POULENC, Valse 395. DEBUSSY, Trois Chansons, no. 1 396. KABALEVSKY, Toccatina 397. BRITTEN, Ceremony of Carols, no. 8 398. DEBUSSY, Suite bergamasque, Passepied 399. FLOYD, Susannah, Act II, scene 3 400. STRAVINSKY, Five Fingers: Lento 401. BARTO´K, Fourteen Bagatelles, op. 6, no. 4 402. CASELLA, Siciliana 403. ADDERLEY, Work Song
32. PANDIATONICISM AND ADDITIVE HARMONY Questions for Analysis 404. RAVEL, Mother Goose Suite: The Magic Garden 405. MILHAUD, Touches Blanches 406. COWELL, The Irishman Dances 407. COPLAND, The Young Pioneers 408. BARBER, Excursions, III 409. STRAVINSKY, Petroushka, Danse Russe 410. POULENC, Gloria, Laudamus te
33. EXOTIC (ARTIFICIAL, SYNTHETIC) SCALES Questions for Analysis 411. MILHAUD, Touches Noires 412. BARTO´K, Mikrokosmos, no. 78: Five Tone Scale 413. KODA´LY, Valsette 414. VAUGHAN WILLIAMS, London Symphony 415. DEBUSSY, Préludes, II: Voiles 416. BARTO´K, Mikrokosmos, no. 136: Whole Tone Scale 417. DEBUSSY, Pelléas et Mélisande, Act II, scene 1 418. BARTO´K, Fourteen Bagatelles, op. 6, no. 10 419. LUTOSLAWSKI, Bucolic, no. 3 420. BARTO´K, Mikrokosmos, no. 101: Diminished Fifth 421. BARTO´K, Sketches, op. 9, no. 6 422. BARTO´K, Fourteen Bagatelles, op. 6, no. 6
34. QUARTIAL AND SECUNDAL HARMONY Questions for Analysis 423. HINDEMITH, Mathis der Maler: Grablegung 424. IVES, Majority 425. KRENEK, Piano Piece, op. 39, no. 5 426. HINDEMITH, Ludus Tonalis, Fuga secunda in G 427. BARTO´K, Concerto for Orchestra 428. BERG, Wozzeck, Act II 429. BARTO´K, Mikrokosmos, no. 107: Melody in the Mist 430. BERG, Wozzeck, Act II 431. COWELL, Tiger 432. IVES, Majority 433. BRUBECK, Blue Rondo à la Turk
35. POLYHARMONY AND POLYTONALITY Questions for Analysis 434. HONEGGER, Symphony No. 5 435. SCHUMAN, A Three-Score Set, II 436. KRAFT, Allegro Giocoso 437. STRAVINSKY, The Rake's Progress: Prelude 438. STRAVINSKY, Petroushka, Scene 2 439. MILHAUD, Saudades do Brazil, no 7: Corcovado 440. BARTO´K, Forty-Four Violin Duets, no. 33 441. BRUBECK, Strange Meadowlark
36. FREE ATONALITY Questions for Analysis 442. SCHÖNBERG, Drei Klavierstücke, op. 11, no. 1 443. SCHÖNBERG, Klavierstücke, op. 19, no. 2 444. SCHÖNBERG, Pierrot Lunaire, op. 21, no. 1: Mondestrunken 445. WEBERN, Five Movements for String Quartet, op. 5, no. 4 446. BARTO´K, Mikrokosmos, no. 144: Minor Seconds, Major Sevenths 447. BARTO´K, Fourth String Quartet 448. BERGER, Two Episodes, I
37. TWELVE-TONE SERIALISM Model Analysis Questions for Analysis 449. KRENEK, Dancing Toys, op. 83, no. 1 450. SCHÖNBERG, Suite für Klavier, op. 25: Gavotte 451. DALLAPICCOLA, Cinque Frammenti di Saffo 452. WEBERN, Drei Lieder, op. 25, no. 1
38. MUSIC SINCE 1945 Questions for Analysis 453. Stockhausen, Klavierstücke, no. 2 454. Lutoslawski, String Quartet (1965) 455. Penderecki, String Quartet, no. 2 456. Crumb, Madrigals, Book IV 457. Druckman, Valentine, for solo contrabass 458. Rouse, Valentine 459. Horne, Six Short Studies, Sixteenth Notes
39. COMPLETE PIECES FOR ANALYSIS IV Suggestion for Analysis 460. Ravel, Sonatine, Mouvt II 461. Debussy, Pour le Piano: Sarabande 462. Debussy, Préludes, X: La Cathédrale engloutie 463. Boulanger, Trois Morceaux, no. 1: "D''un vieux jardin" 464. Milhaud, Saudades do Brazil, No. 6: Gavea 465. Tailleferre, Berceuse 466. Tailleferre, Impromptu 467. Prokofiev, Classical Symphony, op. 25 468. Prokofiev, The Love of Three Oranges: March 469. Hindemith, Ludus Tonalis: Fuga undecima in B (Canon) 470. Ruggles, Evocations, no. 1 471. Schönberg, Suite für Klavier, op. 25: Menuett 472. Porter, Night and Day 473. Gershwin, Porgy and Bess: "Summertime" 474. Rodgers and Hart, Blue Moon. Arranged by André Previn 475. Stravinsky, Sonata for Two Pianos, II: Theme with Variations 476. Hindemith, Piano Sonata No. 2 477. Macmillan, Piano Sonata, I
APPENDIX A. CHECKLIST FOR ANALYSIS AND SAMPLE ANALYSIS APPENDIX B. FOR FURTHER REFERENCE APPENDIX C. TEXTBOOK CORRELATION CHART
ACKNOWLEDGMENTS
INDEX OF COMPOSERS AND THEIR COMPOSITIONS INDEX OF COMPLETE PIECES
SUGGESTIONS FOR USING THIS BOOK
PART I DIATONIC MATERIALS Suggestions for Discussion
1. TONIC TRIAD Questions for Analysis 1. HAYDN, Sonatina in G major, Hob. XVI: 8 2. CZERNY, Sonatina, op. 792, no. 8 3. RIMSKY-KORSAKOV, Le Coq d'Or: Hymn to the Sun 4. BEETHOVEN, Leonora Overture No. 2, op. 72 5. BEETHOVEN, Trio, op. 70, no. 2 6. CHOPIN, Polens Grabgesang, op. 74 7. CHOPIN, Valse (Posthumous) 8. BEETHOVEN, Symphony No. 5, op. 67 9. COUPERIN, Carnival
2. DOMINANT TRIAD IN ROOT POSITION Questions for Analysis 10. MOZART, Rondo 11. KUHNAU, Biblical Sonata No. 1: Victory Dance and Festival 12. BEETHOVEN, Für Elise 13. SCHUMANN, Album for the Young, op. 68: Reiterstück 14. WEBER, Euryanthe, op. 81: Overture 15. BEETHOVEN, Symphony No. 5, op. 67
3. DOMINANT SEVENTH AND NINTH IN ROOT POSITION Questions for Analysis Model Analysis 16. WEBER, German Dance 17. MOZART, Sonata, K. 332 18. SCHUBERT, Wiegenlied, op. 98, no. 2 19. VERDI, Rigoletto, Act I, no. 2 20. HAYDN, Sonata in E major, Hob. XVI: 13 21. BEETHOVEN, Symphony No. 4, op. 60 22. WEBER, Oberon: Overture 23. SCHUBERT, Ländler 24. SCHUBERT, Valses Nobles, op. 77 25. MOZART, Valse
4. SUBDOMINANT TRIAD IN ROOT POSITION Questions for Analysis 26. SCHEIDT, Bergamasca 27. SCHUMANN, Faschingsschwank aus Wien, op. 26, no. 3: Scherzino 28. CHOPIN, Mazurka, op. 17, no. 1 29. BEETHOVEN, Egmont Overture, op. 84 30. VERDI, Rigoletto, Act I, no. 7 31. SCHUBERT, Impromptu, op. 90, no. 4, D. 899 32. KERN, Look for the Silver Lining 33. BEETHOVEN, Seven Country Dances, no. 7 34. SCHUBERT, Ländler
5. CADENTIAL TONIC SIX-FOUR CHORD Questions for Analysis 35. SCHUBERT, Valses Sentimentales, op. 50, no. 18 36. CHOPIN, Mazurka, op. 24, no. 3 37. DONIZETTI, Lucia di Lammermoor, Act II, no. 6 38. BEETHOVEN, Trio, op. 97
6. TONIC, SUBDOMINANT, AND DOMINANT TRIADS IN FIRST INVERSION Questions for Analysis Model Analysis 39. BACH, Lobt Gott, ihr Christen, allzugleich 40. MOZART, Bastien und Bastienne, K. 46B, no. 9 41. MOZART, Sonata, K. 332 42. HAYDN, Sonata in D major, Hob. XVI:37 43. MOZART, Abendempfindung, K. 523 44. BEETHOVEN, Symphony No. 5, op. 67 45. BEETHOVEN, Fidelio, Act I, no. 9 46. MOZART, Sonata, K. 570 47. MENDELSSOHN, Elijah, op. 70, no. 29 48. COUPERIN, Le Petit Rien 49. DANDRIEU, Les Fifres
7. SUPERTONIC TRIAD Questions for Analysis 50. ANONYMOUS, Dir, dir, Jehovah, will ich singen 51. SCHUBERT, Waltz, op. 9, no. 3, D. 365 52. BEETHOVEN, Six Variations on "Nel cor più non mi sento" 53. MOZART, Die Zauberflöte, K. 620, Act II, no. 21 54. CHOPIN, Zwei Leichen 55. BEETHOVEN, Trio, op. 121A 56. VERDI, Rigoletto, Act II, no. 14 57. CHOPIN, Mazurka, op. 33, no. 2 58. HAYDN, Sonata in E minor, Hob. XVI: 34
8. INVERSIONS OF THE DOMINANT SEVENTH CHORD Questions for Analysis 59. J. C. F. BACH, Nun danket alle Gott 60. HAYDN, Sonata in C major, Hob. XVI: 35 61. PAISIELLO, Le donne sur balcone 62. MOZART, Quartet, K. 464 63. BEETHOVEN, Sonata, op. 31, no. 3 64. RAMEAU, Sarabande I, vol. I 65. HAYDN, Trio in C major, Hob. XV: 3 66. KUHLAU, Sonatina, op. 20, no. 1 67. BEETHOVEN, Symphony No. 2, op. 36 68. BEETHOVEN, Minuet in C
9. LINEAR (EMBELLISHING) SIX-FOUR CHORDS Questions for Analysis 69. BEETHOVEN, Concerto No. 1 for Piano, op. 15 70. SCHUBERT, Valses Sentimentales, op. 50, no. 1, D. 779 71. MOZART, Rondo, K. 485 72. HAYDN, Quartet, op. 3, no. 5 73. SCHUBERT, Waltz, op. 9, no. 1, D. 365 74. KUHLAU, Sonatina, op. 88, no. 3 75. MOZART, Symphony No. 35, K. 385 76. BEETHOVEN, Sonatina in G major 77. BEETHOVEN, Symphony No. 7, op. 92 78. MOZART, Symphony No. 41, K. 551 79. HAYDN, Sonata in D major, Hob. XVI: 37 80. BEETHOVEN, Contradanse 81. BUXTEHUDE, Passacaglia 82. BEETHOVEN, Symphony No. 3, op. 55 83. GOUNOD, Faust, Act I, no. 6 84. SULLIVAN, H.M.S. Pinafore, "I'm Called Little Buttercup"
10. SUBMEDIANT AND MEDIANT TRIADS Questions for Analysis 85. CRÜGER, Herzliebster Jesu, was hast du verbrochen 86. ANONYMOUS, Dir, dir, Jehovah, will ich singen 87. BACH, Schmücke dich, o liebe Seele 88. MOZART, Bastien und Bastienne, K. 46b, no. 1 89. MOZART, Sonata, K. 545 90. HANDEL, Sonata in F for Flute and Continuo 91. VERDI, Rigoletto, Act I, no. 1 92. BRAHMS, Symphony No. 4, op. 98 93. CORELLI, Sonata for Violin and Continuo, op. 5, no. 9 94. SCHUBERT, Quartet in D major, D. 74 95. BEETHOVEN, Trio, op. 1, no. 3 96. MOZART, Sonata, K. 283 97. J. C. F. BACH, Menuet 98. TESSIER, Au joli bois je m'en vais 99. STRAUSS, Der Rosenkavalier, Act III 100. BRAHMS, Romance, op. 118, no. 5 101. SCHUMANN, Phantasiestücke, op. 12, no. 4, Grillen 102. SCHUBERT, Im Abendroth (Posthumous) 103. SCHUBERT, Symphony in C major ("The Great")
11. LEADING TONE TRIAD Questions for Analysis 104. TESCHNER, Schatz über alle Schätze 105. BACH, Aus meines Herzens Grunde 106. SCHUMANN, Album for the Young, op. 68: Soldatenmarsch 107. HANDEL, Courante 108. HAYDN, Sonata in E major, Hob. XVI: 49 109. HAYDN, Sonatina in D major, Hob. XVI: 4 110. MOZART, Sonata, K. 280 111. DAQUIN, La Joyeuse
12. VARIANT QUALITIES OF DIATONIC TRIADS Questions for Analysis Scalar Variants in Minor 112. Bach, Herr, ich habe mißgehandelt 113. Pachelbel, Chaconne 114. Telemann, Fantasie No. 8 115. Byrd, Pavana "The Earle of Salisbury" 116. A. Scarlatti, Folia 117. Mattheson, Minuet 118. Mozart, Sonata, K. 310 Modal Borrowing 119. VERDI, La Traviata, Act I, no. 4 120. DONIZETTI, Linda di Chamounix, "O luce di quest'anima" 121. MOZART, Sonata for Violin and Piano, K. 306 122. HAYDN, Sonatina in C major, Hob. XVI: 7 123. SCHUBERT, Aufenthalt 124. SCHUBERT, Der Wanderer 125. BRAHMS, Symphony No. 3, op. 90 126. VERDI, Il Trovatore, Act II, no. 11 127. BEETHOVEN, Symphony No. 5, op. 67 128. BRAHMS, Symphony No. 4, op. 98
13. SUPERTONIC SEVENTH CHORD Questions for Analysis 129. ANONYMOUS, Herr, wie du willst, so schick's mit mir 130. BACH, Straf' mich nicht in deinem Zorn 131. HAYDN, Sonata in A? major, Hob. XVI: 46 132. GRIEG, Lyric Pieces, op. 12, no. 3: Voegtersang 133. BEETHOVEN, Symphony No. 6, op. 68 134. SCHUBERT, Quartet, op. 168, D. 112 135. MOZART, Sonata, K. 310 136. SCHUBERT, Ständchen 137. BEETHOVEN, Symphony No. 2, op. 36 138. BEETHOVEN, Sonata, op. 14, no. 2 139. BEETHOVEN, Symphony No. 6, op. 68 140. BIZET, Carmen, Act II: Entr'acte 141. RODGERS, Blue Moon
14. LEADING TONE SEVENTH CHORD Questions for Analysis 142. DVORAK, Quartet, op. 96 143. MOZART, Sonata, K. 457 144. SCHUMANN, Carnaval, op. 9: Chiarina 145. BRAHMS, Ballade, op. 10, no. 4 146. HANDEL, Sonata for Flute and Basso Continuo, HWV 362 147. HAYDN (?), Allegro 148. HAYDN, Trio in G major, Hob. XV: 25 149. MOZART, Requiem, K. 626: Offertorium 150. HAYDN, Sonatina in G major, Hob. XVI: 11 151. HANDEL, Judas Maccabaeus, Part III: no. 53, Introduction 152. WAGNER, Das Rheinghold, Scene 1 153. GLUCK, Orphée, Act I, no. 1 154. HANDEL, Aria con Variazioni, Leçon No. 1 155. TELEMANN, Fantasia, Dozzina 1, no. 5 156. MOZART, Sonata for Violin and Piano, K. 306
15. OTHER DIATONIC SEVENTH CHORDS Questions for Analysis 157. BACH, O Ewigkeit, du Donnerwort 158. MOZART, Rondo. K. 494 159. MENDELSSOHN, Kinderstück, op. 72, no. 1 160. PACHELBEL, Fantasie 161. HANDEL, Sonata for Flute and Continuo 162. HANDEL, Leçon No. 2, Menuet 163. TCHAIKOVSKY, Symphony No. 4, op. 36 164. BACH, French Suite in D minor, Menuet
16. COMPLETE PIECES FOR ANALYSIS I Checklist for Analysis 165. BEETHOVEN, Minuet 166. SCHUBERT, Dance 167. SCHUBERT, German Dance, op. 33, no. 12 168. BEETHOVEN, Scottish Dance 169. PURCELL, Rigadoon 170. RAMEAU, Minuet 171. WITT, Passacaglia 172. GRIEG, Lyric Pieces, op. 12, no. 6: Norsk
PART II CHROMATIC MATERIALS Suggestions for Discussion
17. SECONDARY (APPLIED, BORROWED) DOMINANTS Questions for Analysis Model Analysis 173. BEETHOVEN, Trio, op. 1, no. 1 174. MOZART, Sonata, K. 281 175. SCHUBERT, Impromptu, op. 142, no. 3 176. HAYDN, Trio in D major 177. BEETHOVEN, Sonatina in G major 178. WEBER, Oberon: Overture 179. BEETHOVEN, Trio, op. 1, no. 1 180. SCHUMANN, Sonata, op. 118c., Andante 181. BEETHOVEN, Symphony No. 1, op. 21 182. HANDEL, Suite XI 183. SCHUMANN, Arabeske, op. 18 184. BEETHOVEN, Symphony No. 4, op. 60 185. SCHUMANN, Widmung, op. 25, no. 1 186. SCHUBERT, Symphony No. 8 ("Unfinished") 187. SCHUMANN, Sonata, op. 118c., Puppenwiegenlied 188. SCHUBERT, Quintet ("Die Forelle"), op. 114, D. 667 189. BEETHOVEN, Quintet, op. 29 190. BEETHOVEN, Trio, op. 11 191. VERDI, Rigoletto, Act II, no. 7 192. HANDEL, Suite XVI 193. BEETHOVEN, Sonata, op. 53 194. SCHUBERT, Symphony in C major ("The Great") 195. BEETHOVEN, Trio, op. 1, no. 3 196. SCHUBERT, Mass in E major: Benedictus 197. MENDELSSOHN, Midsummer Night's Dream, op. 61: Wedding March 198. VERDI, Rigoletto, Act II, no. 14 199. BACH, Christmas Oratorio, Part I, no. 4: Bereite dich, Zion 200. HANDEL, Sonata VII for Flute and Continuo 201. CHOPIN, Mazurka, op. 67, no. 2 202. CHOPIN, Valse, op. 69, no. 1 203. CHOPIN, Valse Brillante, op. 34, no. 3 204. GERSHWIN, Someone to Watch Over Me 205. TCHAIKOVSKY, Children's Album, op. 39, no. 1.: Morning Prayer
18. MODULATION TO CLOSELY RELATED KEYS Questions for Analysis Modulation to Dominant 206. MOZART, Symphony No. 39, K. 543 207. MOZART, Sonata, K. 331 208. BEETHOVEN, Symphony No. 2, op. 36 209. HAYDN, Minuet 210. SCHUBERT, Quartet, D. 173 211. HAYDN, Sonata in C minor, Hob. XVI: 36 212. MOZART, Symphony No. 41, K. 551 213. CHOPIN, Mazurka, op. 7, no. 2 214. HAYDN, Sonata in G major, Hob. XVI: 39 215. MOZART, Sonata, K. 282, Menuet I 216. SCHUBERT, Quartet, D. 173 Modulation to Relative Major 217. HAYDN, Trio in F minor, Hob. XV: 26 218. HAYDN, Sonata in E minor, Hob. XVI: 34 219. MOZART, Sonata, K. 330 220. DONIZETTI, Lucia di Lammermoor, Act I, Cavatina 221. BRAHMS, Quintet, op. 115 222. BEETHOVEN, Symphony No. 7, op. 92 223. HAYDN, Symphony No. 104, Hob. I: 104 Modulation to Other Closely Related Keys 224. HAYDN, Sonatina, Hob. XVI: 1 225. BONONCINI, Deh più a me non vàscondete 226. SAINT-SAËNS, Carneval des Animaux: Le Cygne 227. BRAHMS, Waltz, op. 39, no. 15 228. BEETHOVEN, Quartet, op. 18, no. 2 229. PURCELL, Dido and Aeneas, Act I, scene I 230. BACH, French Suite in C Minor
19. COMPLETE PIECES FOR ANALYSIS II Checklist for Analysis 231. BACH, Wachet auf, ruft uns die Stimme 232. BACH, In dulci jubilo 233. BACH, Christ lag in Todesbanden 234. HANDEL, Menuet 235. BEETHOVEN, Sonata, op. 26 236. SCHUMANN, Sonata, op. 118b., Abendlied 237. BRAHMS, Waltz, op. 39 238. HANDEL, Prelude 239. BEETHOVEN, Sonatina in F major 240. HAYDN, Sonata in G major, Hob. XVI: 27 241. GERSHWIN, I Got Rhythm
20. LINEAR (EMBELLISHING) DIMINISHED SEVENTH CHORDS Questions for Analysis 242. HAYDN, Symphony No. 104, Hob. I: 104, Menuet 243. BEETHOVEN, Symphony No. 7, op. 92 244. LISZT, Les Préludes 245. BEETHOVEN, Contradanse 246. TCHAIKOVSKY, Symphony No. 6, op. 74 247. BEETHOVEN, Quartet, op. 18, no. 3 248. SCHUBERT, Sonata, op. 53 249. GOUNOD, Faust, Act IV, no. 18 250. SCHUMANN, Carnaval, op. 9: Arlequin 251. MOZART, Waltz, K. 567 252. WAGNER, Rienzi: Overture 253. BELLINI, I Puritani, Act II, scene 3 254. HAYDN, Symphony No. 104, Hob. I: 104 255. RODGERS, The Girl Friend 256. BRAHMS, Liebeslieder Walzer, op. 52, no. 4
21. NEAPOLITAN TRIAD Questions for Analysis 257. MOZART, Concerto in A major, K. 488 258. SCHUBERT, Die schöne Müllerin, Op. 25: Der Müller und der Bach 259. BACH, Ach Gott, vom Himmel sieh' darein 260. BACH, Invention No. 13 261. VERDI, Il Trovatore, Act II, no. 8 262. BRAHMS, Intermezzo in A major, op. 118, no. 2 263. CHOPIN, Prelude, op. 28, no. 20 264. BEETHOVEN, String Quartet, op. 59, no. 2 265. BRAHMS, Wie Melodien zieht es mir, op. 105 266. BEETHOVEN, Quartet, op. 18, no. 3 267. SCHUBERT, Mass in E major: Credo 268. BACH, The Well-Tempered Clavier, Vol. II, Fugue 17 269. CHOPIN, Prelude, op. 28, no. 6
22. AUGMENTED SIXTH CHORDS, SUBMEDIANT DEGREE AS LOWEST NOTE Model Analysis Questions for Analysis Italian 270. BACH, Ich hab' mein' Sach' Gott heimgestellt 271. BEETHOVEN, Bagatelle, op. 119, no. 1 272. BEETHOVEN, Coriolan Overture, op. 62 273. TCHAIKOVSKY, Children's Album, op. 39, no. 10: Mazurka 274. SCHUBERT, Quartet, op. 168, D. 112 275. BEETHOVEN, Symphony No. 1, op. 21 German 276. MOZART, Sonata, K. 457 277. BEETHOVEN, Sonata, op. 109 278. HAYDN, Trio, Hob. XV: 25 279. BEETHOVEN, Thirty-Two Variations, WoO 80, Var. 30 280. SIBELIUS, Chanson Sans Paroles, op. 40, no. 2 281. STRAUSS, Der Rosenkavalier, Act I French 282. MENDELSSOHN, Elijah, op. 70, no. 1 283. SCHUBERT, Mass in G major: Kyrie 284. BACH, Wer nur den lieben Gott lä t walten 285. SCHUBERT, Sonata, op. 42 286. VERDI, La Traviata, Act III: Prelude 287. SCHUBERT, Symphony in C major ("The Great") 288. GRIEG, Alfedans, op. 12 289. HERBERT, Gypsy Love Song Enharmonic German 290. SCHUMANN, Dichterliebe, op. 48, no. 12: "Am leuchtenden Sommermorgen"
23. AUGMENTED SIXTH CHORDS, OTHER SCALE DEGREES AS LOWEST NOTE Questions for Analysis 291. MOZART (?), Adagio 292. GRANADOS, Valses Poeticos 293. SCHUBERT, Symphony No. 8 ("Unfinished") 294. MOUSSORGSKY, Songs and Dances of Death, no. 4 295. GLUCK, Orphée, Act I, nos. 6 and 7
24. AUMENTED SIXTH CHORDS, OTHER USES Question for Analysis Linear 296. VERDI, Rigoletto, Act I: Prelude 297. TCHAIKOVSKY, Song Without Words, op. 40, no. 6 298. TCHAIKOVSKY, Romeo and Juliet 299. SCHUBERT, Waltz 300. BRAHMS, Intermezzo, op. 76, no. 4 301. TCHAIKOVSKY, Children's Album, op. 39, no. 20: The Witch Secondary 302. CHOPIN, Prelude, op. 28, no. 22 303. SCHUBERT, Mass in G major: Benedictus 304. SCHUBERT, Die Allmacht, op. 79, no. 2 Altered Dominants 305. SCHUBERT, Quintet, op. 163 306. LISZT, Liebestraum, no. 3 307. RIMSKY-KORSAKOV, Snowmaiden, Chanson du Bonhomme Hiver 308. GRIEG, Solvejg's Lied
25. OTHER MEANS OF MODULATION Model Analysis Question for Analysis 309. SCHUBERT, Mass in G major: Gloria 310. BRAHMS, Wenn du nur zuweilen lächelst, op. 57, no. 2 311. BEETHOVEN, Symphony No. 5, op. 67 312. SCHUBERT, Waltz, op. 9, no. 14, D. 365 313. MOZART, Die Entführung aus dem Serail, K. 384, Act III, no. 18 314. SCHUMANN, Symphony No. 2, op. 61 315. BEETHOVEN, Symphony No. 7, op. 92 316. HAYDN, String Quartet, op. 76, no. 6 317. BEETHOVEN, Sonata, op. 13 318. BEETHOVEN, Trio, op. 70, no. 1 319. SCRIABIN, Prelude, op. 13, no. 3 320. J. STRAUSS, Die Fledermaus: Overture 321. BRAHMS, Wie bist du meine Königen, op. 32, no. 9 322. SCHUBERT, Mass in A major: Agnus Dei 323. BEETHOVEN, Trio, op. 11 324. RACHMANINOFF, Melodie, op. 3, no. 3 325. SCHUBERT, Symphony No. 8 ("Unfinished")
26. NINTH CHORDS Questions for Analysis Dominant Ninths 326. J. STRAUSS, Artist's Life Waltzes, op. 316, no. 3 327. FRANCK, Sonata for Violin and Piano 328. BEETHOVEN, Theme from Six Easy Variations, WoO 77 329. CHOPIN, Valse Brillante, op. 34, no. 1 330. SCHUMANN, Waldesgespräch, op. 39, no. 3 331. CHOPIN, Prelude, op. 28, no. 15 Secondary Dominant Ninths 332. BACH, St. Matthew Passion, no. 78 333. SCHUMANN, Genoveva, op. 81: Overture 334. GRIEG, Grandmother's Minuet, op. 68, no. 2 335. SCHUMANN, Kinderszenen, op. 15, no. 7: Träumerei Nondominant Ninths 336. GRIEG, Wedding Day at Troldhaugen, op. 65, no. 6 337. MENDELSSOHN, Midsummer Night's Dream, op. 21: Overture 338. FAUR´E, Après un Rêve
27. EXTENDED LINEAR USAGES Questions for Analysis Model Analysis 339. CHOPIN, Mazurka, op. 6, no. 1 340. BRAHMS, "Der Tod, das ist die kühle Nacht," op. 96, no. 1 341. WEBER, Euryanthe: Overture 342. BRAHMS, Variations on a Theme by Handel, var. 20 343. FRANCK, Symphony in D minor 344. WAGNER, Lohengrin, Act I, scene 2 345. WAGNER, Wotan's Farewell, Die Walküre, Act III 346. CHOPIN, Prelude, op. 28, no. 9 347. BEETHOVEN, Quartet, op. 18, no. 6
28. COMPLETE PIECES FOR ANALYSIS III Checklist for Analysis 348. BACH, Ein' feste Burg ist unser Gott 349. BACH, Es ist genug, so nimm, Herr 350. MOZART, Minuet, K. 355 351. SCHUMANN, C., Myrthen, op. 25, no. 24 352. SCHUMANN, R., Drei Lieder, op. 12, no. 2 353. MENDELSSOHN, Lieder ohne Wörte, op. 30, no. 3 354. CHOPIN, Mazurka, Op. posth. 67, no. 2 355. SCHUMANN, Phantasiestücke, op. 12, no. 3: Warum? 356. GRIEG, Lyric Pieces: op. 43, no. 5: Erotikon 357. LISZT, Il pensieroso, from Années de Pèlerinage 358: COLERIDGE-TAYLOR, Cameos for piano, op. 56, no. 3 359. R. STRAUSS, Morgen, op. 27, no. 4 360. WAGNER, Wesendonck Lieder, no. 1: Der Engel 361. BEETHOVEN, Sieben Variationen über das Volkslied: "God Save the King", WoO 78 362. MOZART, Symphony No. 40, K. 550 363. BEACH, Sketches, op. 15: Phantoms 364. JOPLIN, A Breeze from Alabama: March and Two-Step 365. WAGNER, Tristan und Isolde, Act I: Prelude 366. MOZART, Sonata, K. 309 I. Allegro con spirito II. Andante, un poco Adagio III. Allegretto grazioso 367. BEETHOVEN, Sonata, op. 2, no. 3 I. Allegro con brio II. Adagio III. Scherzo, Allegro IV. Allegro assai
29. EXAMPLES OF COUNTERPOINT Questions for Analysis 368. BACH, Cantata No. 4: Sinfonia 369. BACH, Chorale Prelude on "In Dulci Jubilo" 370. BACH, Chorale Prelude on "Christ lag in Todesbanden" 371. BRAHMS, Chorale Prelude on "O Wie selig seid ihr doch, ihr Frommen" 372. PURCELL, "Thy hand Belinda", from Dido and Aeneas 373. BACH, Invention No. 4, BWV 775 374. BACH, Invention No. 13, BWV 775 375. BACH, Sinfonia 3, BWV 789 376. BACH, The Well-Tempered Clavier, Vol. I, Fugue 2 377. BACH, The Well-Tempered Clavier, Vol. II, Fugue 9 378. MENDELSSOHN, Fugue No. 2, op. 35 Additional Examples for the Study of Contrapuntual Techniques
PART III CONTEMPORARY MATERIALS Suggestions for Discussion Model Analysis
30. EXTENDED AND ALTERED TERTIAN HARMONY Questions for Analysis 379. HANSON, Symphony No. 2, op. 30 380. KABALEVSKY, Sonatina, op. 13 381. HOVHANESS, Mysterious Mountain 382. SHOSTAKOVICH, Prelude, op. 34, no. 24 383. DEBUSSY, Pelléas et Mélisande, Act I, scene 1 384. SCRIABIN, Poem, op. 32, no. 2 385. RAVEL, Valses Nobles et Sentimentales 386. RODGERS, Slaughter on Tenth Avenue 387. ELLINGTON, Prelude to a Kiss 388. DUKE JORDAN, Jordu 389. PARKER, Anthropology 390. BERG, Four Songs, op. 2, no. 3 391. RAKSIN, Laura
31. DIATONIC (CHURCH) MODES Model Analysis Questions for Analysis 392. BARTO´K, Little Pieces for Children, no. III 393. CHA´VEZ, Ten Preludes, no. 1 394. POULENC, Valse 395. DEBUSSY, Trois Chansons, no. 1 396. KABALEVSKY, Toccatina 397. BRITTEN, Ceremony of Carols, no. 8 398. DEBUSSY, Suite bergamasque, Passepied 399. FLOYD, Susannah, Act II, scene 3 400. STRAVINSKY, Five Fingers: Lento 401. BARTO´K, Fourteen Bagatelles, op. 6, no. 4 402. CASELLA, Siciliana 403. ADDERLEY, Work Song
32. PANDIATONICISM AND ADDITIVE HARMONY Questions for Analysis 404. RAVEL, Mother Goose Suite: The Magic Garden 405. MILHAUD, Touches Blanches 406. COWELL, The Irishman Dances 407. COPLAND, The Young Pioneers 408. BARBER, Excursions, III 409. STRAVINSKY, Petroushka, Danse Russe 410. POULENC, Gloria, Laudamus te
33. EXOTIC (ARTIFICIAL, SYNTHETIC) SCALES Questions for Analysis 411. MILHAUD, Touches Noires 412. BARTO´K, Mikrokosmos, no. 78: Five Tone Scale 413. KODA´LY, Valsette 414. VAUGHAN WILLIAMS, London Symphony 415. DEBUSSY, Préludes, II: Voiles 416. BARTO´K, Mikrokosmos, no. 136: Whole Tone Scale 417. DEBUSSY, Pelléas et Mélisande, Act II, scene 1 418. BARTO´K, Fourteen Bagatelles, op. 6, no. 10 419. LUTOSLAWSKI, Bucolic, no. 3 420. BARTO´K, Mikrokosmos, no. 101: Diminished Fifth 421. BARTO´K, Sketches, op. 9, no. 6 422. BARTO´K, Fourteen Bagatelles, op. 6, no. 6
34. QUARTIAL AND SECUNDAL HARMONY Questions for Analysis 423. HINDEMITH, Mathis der Maler: Grablegung 424. IVES, Majority 425. KRENEK, Piano Piece, op. 39, no. 5 426. HINDEMITH, Ludus Tonalis, Fuga secunda in G 427. BARTO´K, Concerto for Orchestra 428. BERG, Wozzeck, Act II 429. BARTO´K, Mikrokosmos, no. 107: Melody in the Mist 430. BERG, Wozzeck, Act II 431. COWELL, Tiger 432. IVES, Majority 433. BRUBECK, Blue Rondo à la Turk
35. POLYHARMONY AND POLYTONALITY Questions for Analysis 434. HONEGGER, Symphony No. 5 435. SCHUMAN, A Three-Score Set, II 436. KRAFT, Allegro Giocoso 437. STRAVINSKY, The Rake's Progress: Prelude 438. STRAVINSKY, Petroushka, Scene 2 439. MILHAUD, Saudades do Brazil, no 7: Corcovado 440. BARTO´K, Forty-Four Violin Duets, no. 33 441. BRUBECK, Strange Meadowlark
36. FREE ATONALITY Questions for Analysis 442. SCHÖNBERG, Drei Klavierstücke, op. 11, no. 1 443. SCHÖNBERG, Klavierstücke, op. 19, no. 2 444. SCHÖNBERG, Pierrot Lunaire, op. 21, no. 1: Mondestrunken 445. WEBERN, Five Movements for String Quartet, op. 5, no. 4 446. BARTO´K, Mikrokosmos, no. 144: Minor Seconds, Major Sevenths 447. BARTO´K, Fourth String Quartet 448. BERGER, Two Episodes, I
37. TWELVE-TONE SERIALISM Model Analysis Questions for Analysis 449. KRENEK, Dancing Toys, op. 83, no. 1 450. SCHÖNBERG, Suite für Klavier, op. 25: Gavotte 451. DALLAPICCOLA, Cinque Frammenti di Saffo 452. WEBERN, Drei Lieder, op. 25, no. 1
38. MUSIC SINCE 1945 Questions for Analysis 453. Stockhausen, Klavierstücke, no. 2 454. Lutoslawski, String Quartet (1965) 455. Penderecki, String Quartet, no. 2 456. Crumb, Madrigals, Book IV 457. Druckman, Valentine, for solo contrabass 458. Rouse, Valentine 459. Horne, Six Short Studies, Sixteenth Notes
39. COMPLETE PIECES FOR ANALYSIS IV Suggestion for Analysis 460. Ravel, Sonatine, Mouvt II 461. Debussy, Pour le Piano: Sarabande 462. Debussy, Préludes, X: La Cathédrale engloutie 463. Boulanger, Trois Morceaux, no. 1: "D''un vieux jardin" 464. Milhaud, Saudades do Brazil, No. 6: Gavea 465. Tailleferre, Berceuse 466. Tailleferre, Impromptu 467. Prokofiev, Classical Symphony, op. 25 468. Prokofiev, The Love of Three Oranges: March 469. Hindemith, Ludus Tonalis: Fuga undecima in B (Canon) 470. Ruggles, Evocations, no. 1 471. Schönberg, Suite für Klavier, op. 25: Menuett 472. Porter, Night and Day 473. Gershwin, Porgy and Bess: "Summertime" 474. Rodgers and Hart, Blue Moon. Arranged by André Previn 475. Stravinsky, Sonata for Two Pianos, II: Theme with Variations 476. Hindemith, Piano Sonata No. 2 477. Macmillan, Piano Sonata, I
APPENDIX A. CHECKLIST FOR ANALYSIS AND SAMPLE ANALYSIS APPENDIX B. FOR FURTHER REFERENCE APPENDIX C. TEXTBOOK CORRELATION CHART
ACKNOWLEDGMENTS
INDEX OF COMPOSERS AND THEIR COMPOSITIONS INDEX OF COMPLETE PIECES
ISBN: 9780190620752
ISBN-10: 0190620757
Published: 16th January 2018
Format: Spiral Ringed Book
Language: English
Number of Pages: 608
Audience: College, Tertiary and University
Publisher: Oxford University Press USA
Country of Publication: US
Edition Number: 8
Dimensions (cm): 27.94 x 24.13 x 2.54
Weight (kg): 1.18
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