Modern Plays

By: Mark Hayhurst

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Paperback | 10 June 2016 | Edition Number 1

At a Glance

Paperback
120 Pages

Dimensions(cm)
19.68 x 12.7 x 0.64

Paperback

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Now. Tonight. Before we're sent back to the front. Take every bit of money you got. Ditch everything else.

July 1916. Albert Ingham and Alfred Longshaw are crouched in a muddy, rat-infested trench in France. These sharp and funny young soldiers from a battalion of the Manchester Pals are about to take part in one of the most savage assaults in the history of human warfare, The Battle of the Somme.

Their survival is a miracle. Their company has lost 600 men. Overwhelmed by the sheer horror of the experience, neither of them dare stare extinction in the face again. So, when they are ordered to transfer to the Machine Gun Corps and return to the blood-soaked front line, they decide, for the first time in their young lives, to take their fragile destiny in their own trembling hands.

But becoming a deserter, that most embarrassing and shameful sort of fighting man, takes more courage than they ever knew they had.

Mark Hayhurst's play is a gripping thriller that exposes the impact of the First World War on soldiers and their families. It follows his acclaimed debut at Chichester Festival Theatre with Taken at Midnight in 2014, which transferred to the West End the following year. First Light received its world premiere at Chichester's Minerva Theatre on 10 June 2016.

Industry Reviews

Taken at Midnight could easily become a simple story of a heroic mother battling to save her incarcerated son, but Hayhurst has the intelligence to highlight the complexity of the characters, without diminishing the brutality of the Nazi regime from its beginnings * Guardian on "Taken At Midnight" *
Hayhurst's drama, inevitably harrowing, is nevertheless permeated with Litten's own ineradicable wit and passionate sense of the importance of art * Daily Telegraph on "Taken At Midnight" *
This gripping new play about the Nazi regime is a welcome arrival in the West End * The Times on "Taken At Midnight" *
Set in 30s Germany, this [play] has fully realised characters and a narrative thread pulled tight like a drawstring - or noose * Observer on "Taken At Midnight" *

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