Marshlands

A slim but powerful work of metafiction by a Nobel Prize-winning French writer and intellectual.

André Gide is the inventor of modern metafiction and of autofiction, and his short novel Marshlands shows him handling both forms with a deft and delightful touch. The protagonist of Marshlands is a writer who is writing "Marshlands," which is about a reclusive character who lives all alone in a stone tower. The narrator, by contrast, is anything but a recluse: He is an indefatigable social butterfly, flitting about the Paris literary world and always talking about, what else, the wonderful book he is writing Marshlands. He tells his friends about the book, and they tell him what they think, which is not exactly flattering, and of course those responses become part of the book in the reader's hand.

Marshlands is both a poised satire of literary pretension and a superb literary invention, and Damion Searls's new translation of this early masterwork by one of the key figures of twentieth-century literature brings out all the sparkle of the original.

About the Author

Gide was born in Paris on 22 November 1869. He had an irregular and lonely upbringing. He became devoted to literature and music, and began his literary career as an essayist, moving on to poetry, biography, fiction, drama, criticism, reminiscence and translation. By 1917 he had emerged as a prophet to French youth, and his unorthodox views were a source of endless debate and attack. He was awarded the Nobel Prize for Literature in 1948. Gide died in Paris in 1951.