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Manhood : A Journey from Childhood into the Fierce Order of Virility - Michel Leiris

Manhood

A Journey from Childhood into the Fierce Order of Virility

By: Michel Leiris, Richard Howard (Translator)

Paperback | 15 June 1992 | Edition Number 1

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"Not only one of the frankest of autobiographies, but also a brilliantly written book, Leiris' Manhood mingles memories, philosophic reflections, sexual revelation, meditations on bullfighting, and the life-long progress of self-discovery."â"Washington Post Book World

"Leiris writes to appall, and thereby to receive from his readers the gift of a strong emotionâ"the emotion needed to defend himself against the indignation and disgust he expects to arouse in his readers."â"Susan Sontag, New York Review of Books
Industry Reviews
"I have just reached the age of 34, life's midpoint. " So commences Frenchman Michel Leiris' odd-ball autobiography, an elegant example of existential true-confessions, written ahead of the game in the late thirties, translated here for the first time. The come-on subtitle, "a journey from childhood into the fierce order of virility", sums up both the author's style and intent. And as a craftsman he's superb, what with passages of shimmering sensuality and a self-scrutiny often stunningly observed. Still the book's raison d'etre, its sincerity, is slightly over-serious and sometimes suspect; to paraphrase Gide: sincerity, too, can be full of self-delusions. Anyway, the author's representative of that current cultural complex, sex-in-the-head; as he admits "nothing seems more like a whorehouse to me than a museum". Self-styled "virtually impotent" and "humiliatingly ugly"- both statements meaningful more neurotically than physiologically- Leiris surveys his early education and experiences, embracing a metaphysics of childhood, an aesthetic of the male/female psyche, and multi-level literary allusions. For him, two legendary figures form a subjective allegory: one symbolizing man's sadism (virtuous Luorece)??, the other man's masochism (sword-wielding Judith). He even envisions himself as a sort of Holofernes. Thus the syndrome is one of self-disgust and self- defensiveness, existing in a dream world eroticism, neither exalted nor tragic. Leiris does not offer any solutions, nor does he employ clinical claptrap. He merely suffers, remembers, presents, and in a way exercises. For intellectuals, a piercing and provocative bit of personalia. (Kirkus Reviews)

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