| Introduction: The Promise of DVD Technology | p. 1 |
| Expanding the Scope of Human Communication | p. 2 |
| Learning By Doing | p. 4 |
| Entering New Territory | p. 6 |
| A Growing Audience | p. 8 |
| Steps Involved in Making a DVD | p. 9 |
| Getting Equipped: From Camcorders to DVD Duplicators | p. 11 |
| Selecting a Computer Platform | p. 11 |
| Selecting a Source of Content | p. 16 |
| Selecting a Digital Video Camcorder | p. 18 |
| Selecting a Duplicator | p. 22 |
| Selecting a DVD Recorder | p. 26 |
| Renting Equipment for Projects | p. 28 |
| Selecting a DLT Drive | p. 29 |
| Establishing a Production Studio | p. 30 |
| Planning a Project: Making Things Happen | p. 31 |
| DVD Production Process | p. 32 |
| Developing the Concept | p. 35 |
| Planning and Budgeting Tools | p. 39 |
| Advancing the Concept | p. 40 |
| Capturing Audio and Video: Shooting Successfully on Location | p. 41 |
| Controlling Camcorder Movement | p. 42 |
| Shooting Video Tests | p. 44 |
| Handling the Lighting | p. 45 |
| Onsite Considerations | p. 47 |
| Monitoring and Capturing Sound | p. 49 |
| Handling Assets: Managing Content for a DVD Project | p. 53 |
| Basic Premise: Keep It Digital | p. 54 |
| Storage Strategies | p. 55 |
| Using Project Storage Effectively | p. 56 |
| Asset Management Applications | p. 58 |
| Capitalizing on Asset Management | p. 60 |
| Creating a Story: Using Non-Linear Editing Tools | p. 61 |
| The Desktop Production Studio | p. 62 |
| Managing the Capture Process | p. 63 |
| Timecodes | p. 66 |
| Composing the Story | p. 68 |
| Editing Example in Vegas 4.0 | p. 69 |
| Synergy Between Video Editors and Authoring Tools | p. 76 |
| Encoding Video: Performing Quality Compression | p. 77 |
| Compression and Codecs | p. 78 |
| MPEG-2 File Structure | p. 79 |
| Managing Bit Rates | p. 81 |
| Multiplexing Audio with MPEG-2 Video | p. 83 |
| Guidelines for Achieving Optimal MPEG-2 Encoding | p. 84 |
| Summary | p. 86 |
| Authoring a DVD Disc: Creating a Title | p. 87 |
| DVD Creation with DVD Architect | p. 88 |
| DVD Creation with DVD Studio Pro | p. 94 |
| Extending the Possibilities | p. 104 |
| Case Study: Pushing the Medium | p. 105 |
| Origins | p. 106 |
| Authoring the DVD | p. 106 |
| The Compelling Nature of DV | p. 107 |
| CD or DVD? | p. 107 |
| Breaking Down Barriers | p. 108 |
| Counting on DVD | p. 109 |
| Aiming Outside the Mainstream | p. 111 |
| Case Study: Making Music on DVD | p. 113 |
| Audio Lessons and the Early Years | p. 113 |
| Teaching through Video | p. 115 |
| Early DVD Experiments | p. 117 |
| The Future of Guitar Instruction | p. 120 |
| Streamlining DVD Production | p. 122 |
| Reviewer's Expectations | p. 124 |
| Putting Concerts on Disc | p. 124 |
| From VHS to DVD | p. 125 |
| DVD Plans for the Future | p. 128 |
| Introducing New DVD Titles | p. 130 |
| Working with Rainbow Video | p. 131 |
| Case Study: Optimal Video Compression | p. 133 |
| Compressing a Difficult Stan Brakhage Sequence | p. 134 |
| DV As a Source for DVD | p. 134 |
| Choosing a Rate for Video Compression | p. 135 |
| Recognizing Artifacts | p. 137 |
| Getting the Best Video Compression Results | p. 137 |
| Software Encoders Versus Hardware Encoders | p. 138 |
| Embracing Interactivity | p. 139 |
| Inside a Criterion Collection Project | p. 139 |
| Origins of the Stan Brakhage Project | p. 144 |
| Progressing from Laserdisc to DVD | p. 147 |
| Case Study: Supporting Independent Filmmaking | p. 149 |
| From High School Student to Moviemaker | p. 150 |
| The Commercial Route to Film Making | p. 151 |
| Nurturing the Next Generation of Filmmakers | p. 153 |
| Approaching DV Cautiously | p. 154 |
| Shooting Film and Transferring to DVD | p. 156 |
| Becoming a Filmmaker By Making Films | p. 159 |
| Boosting Regional Filmmaking | p. 161 |
| Case Study: Creating a Workout DVD | p. 163 |
| Designing a Progressive Exercise Video | p. 164 |
| Starting from a Technical Background | p. 168 |
| Stretching a Budget in Many Directions | p. 170 |
| The Value of Market Research | p. 173 |
| Working as a Product Manager | p. 173 |
| Promoting Your Product | p. 175 |
| Managing MPEG-2 Assets | p. 175 |
| Improving on Good Results | p. 178 |
| Case Study: Producing a DVD Magazine | p. 179 |
| Overcoming the Jinx of the CD-ROM | p. 180 |
| Handling the Video Production | p. 182 |
| Selling the Concept | p. 182 |
| Using Acrobat to Present Plans | p. 184 |
| Spinning Off Segments for Broadcast Use | p. 185 |
| Following One's Passion | p. 186 |
| Adding Subtitles | p. 187 |
| Building a 17th Century Hall Table | p. 187 |
| Handling the Camerawork | p. 191 |
| DVDs as the Future of Publishing | p. 197 |
| Case Study: Creating a High-Caliber DV Short Film | p. 199 |
| Filmmaking Roots | p. 200 |
| Gaining Experience in DV Techniques | p. 202 |
| Overcoming the Bias Against DV | p. 203 |
| Making the Movie | p. 205 |
| Creative Financing for Independents | p. 210 |
| Shooting with a Mini 35 Adapter | p. 211 |
| Project and Distribution Costs | p. 213 |
| Getting Into the Festival Circuit | p. 214 |
| Putting The Chinese Shoes on DVD | p. 216 |
| Case Study: Distributing Content on DVD | p. 217 |
| Desktop Duplicators in Mainstream Use | p. 218 |
| DVD Archiving Possibilities | p. 221 |
| Producing The January Series | p. 223 |
| More Duplicator Uses | p. 223 |
| Producing Inner Compass | p. 225 |
| Directing Inner Compass | p. 229 |
| Solving Archiving and Distribution Problems | p. 232 |
| DVD Fundamentals | p. 233 |
| DVD Technology | p. 234 |
| DVD Formats: The Five Books | p. 244 |
| An Evolving Set of Standards | p. 244 |
| DVD-ROM | p. 245 |
| DVD-Video | p. 248 |
| DVD-Audio | p. 253 |
| DVD-R | p. 255 |
| DVD-RAM | p. 260 |
| Re-Recordable Formats | p. 261 |
| Summary | p. 262 |
| Distributing DVD Titles | p. 263 |
| Reaching Audiences through the World Wide Web | p. 263 |
| Targeting Niche Markets | p. 266 |
| Film Festivals and Animation Events | p. 267 |
| Screening DVD Movies | p. 268 |
| Teaming up with a Distributor | p. 269 |
| Using the Internet as a Leveler | p. 270 |
| Opening a Web Store to Sell DVDs | p. 271 |
| Targeted Press Releases | p. 272 |
| Bidding on Search Terms | p. 273 |
| Summary | p. 274 |
| Glossary | p. 275 |
| Index | p. 291 |
| Table of Contents provided by Ingram. All Rights Reserved. |