| Preface | |
| Introduction : poets on poetics | |
| To my muse, upon her return | p. 6 |
| from Book two, Epistle III, to the Pisos | p. 9 |
| Madly singing in the mountains | p. 15 |
| No room for grief | p. 16 |
| from Astrophil and Stella | p. 18 |
| Invocation to the Faerie Queene | p. 20 |
| from The marriage of heaven and hell | p. 23 |
| The author to her book | p. 25 |
| On imagination | p. 27 |
| from Preface to Kubla Khan | p. 30 |
| from The letters | p. 32 |
| from The poet | p. 36 |
| from Letters to a young poet | p. 41 |
| Tradition and the individual talent | p. 44 |
| from Play and theory of Duende | p. 53 |
| from Fending off the Duende | p. 56 |
| from Goatfoot, milktongue, twinbird : infantile origins of poetic form | p. 62 |
| from Letter to Norman Holmes Pearson | p. 70 |
| from Coming across : establishing the intent of a poem | p. 73 |
| from Closing the door | p. 74 |
| from Stealing the language | p. 75 |
| from Dancing at the devil's party | p. 79 |
| from Cante Moro | p. 81 |
| Digging | p. 83 |
| from The spiral of memory | p. 86 |
| from The triggering town | p. 91 |
| "When I stand around among poets ..." | p. 96 |
| The poet and the world, Nobel lecture, 1996 | p. 98 |
| from Towards the splendid city, Nobel lecture, 1971 | p. 104 |
| Diseuse | p. 108 |
| Poetry as a vessel of remembrance | p. 112 |
| from Prologue to the Aetia | p. 124 |
| from Book two, Troilus and Criseyde | p. 128 |
| from Kyorai's conversations with Basho | p. 131 |
| A fit for rhyme against rhyme | p. 135 |
| from A defense of rhyme | p. 138 |
| from Introduction to Paradise lost | p. 140 |
| The apology | p. 143 |
| from An essay on criticism | p. 145 |
| from Preface to lyrical ballads | p. 149 |
| from Biographia Literaria | p. 151 |
| from The philosophy of composition | p. 155 |
| from Preface to poems | p. 159 |
| from Remarks on poetry | p. 162 |
| The poem as a field of action | p. 167 |
| A few don'ts by an Imagiste | p. 172 |
| from Feeling and precision | p. 177 |
| from A general introduction for my work | p. 181 |
| from To Harriet Monroe, editor of poetry : a magazine of verse | p. 185 |
| from The noble rider and the sound of words | p. 190 |
| from Conversations on the craft of poetry with Cleanth Brooks and Robert Penn Warren | p. 196 |
| Housekeeping cages | p. 204 |
| from Table talk, a Paris review interview with Chris Busa | p. 207 |
| from Hamlet and his problems | p. 212 |
| from Writing | p. 214 |
| from The virgin & the dynamo | p. 215 |
| from The poet & the city | p. 217 |
| On footnotes (to John Frederick Nims) | p. 219 |
| from The Negro artist and the racial mountain | p. 222 |
| Personism : a manifesto | p. 225 |
| from Postscript II : notes on certain unwritten poems | p. 229 |
| from The pleasures of formal poetry | p. 232 |
| from Listening and making | p. 243 |
| "I will put chaos into fourteen lines" | p. 250 |
| from How to write like somebody else | p. 252 |
| from Some remarks on rhythm | p. 252 |
| from Projective verse | p. 257 |
| from Ideas on the meaning of form | p. 264 |
| from The prose poem : an alternative to verse | p. 265 |
| from An interview with Daniel Kane | p. 270 |
| from Of formal, free, and fractal verse : singing the body electric | p. 273 |
| from Moving means, meaning moves | p. 277 |
| from More WordWorks | p. 280 |
| from A conversation with Harryette Mullen | p. 283 |
| from The rejection of closure | p. 287 |
| from Of the sonnet and paradoxical beauties : an interview with Joyce Wilson | p. 289 |
| from Control is the mainspring | p. 291 |
| from Owning the masters | p. 294 |
| from How pastoral : a manifesto | p. 297 |
| from Patriarchal poetry | p. 301 |
| from Coherent decentering : towards a new model of the poetic self | p. 304 |
| from Egil's saga | p. 313 |
| Sonnet LV | p. 316 |
| from The four ages of poetry | p. 318 |
| from A defence of poetry | p. 320 |
| The dead man asks for a song | p. 324 |
| from Preface to Leaves of grass 1855 | p. 326 |
| from Song of myself, stanza 2 | p. 327 |
| from The study of poetry | p. 330 |
| from To whom is the poet responsible? | p. 335 |
| from Letters to a young poet | p. 339 |
| from The obscurity of the poet | p. 343 |
| from The difficulty of difficult poetry | p. 346 |
| from Introduction to the best American poetry, 1990 | p. 350 |
| from The rare union : poetry and science | p. 355 |
| from Elegy of midnight | p. 359 |
| from Elegy of the trade winds | p. 360 |
| from "What would we create?" | p. 361 |
| from Notebook of a return to the native land | p. 365 |
| from Poetry is not a luxury | p. 369 |
| from Horses with wings | p. 373 |
| from The future of black poetry | p. 377 |
| Against national poetry month as such | p. 380 |
| from And may he be bilingual | p. 386 |
| from Interview with Marie Jordan | p. 389 |
| from Lights in the windows | p. 394 |
| from Why poetry today? | p. 398 |
| from The Antilles : fragments of epic memory : Nobel Prize lecture, 1992 | p. 402 |
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