FOREWORD Barbara Klinger (Barbara Klinger, Indiana University, USA)
INTRODUCTION (Sarah Atkinson, King's College, London, UK & Helen W. Kennedy, University of Brighton, UK)
Section 1: Spaces
Section Introduction (Sarah Atkinson, King's College, London, UK & Helen W. Kennedy, University of Brighton, UK)
1. Nostalgia and place making at Los Angeles' Outdoor Movies (Linda Levitt, Stephen F. Austin State University, US)
2. Beyond the Metropolis: Immersive cinema in a rural context (Emma Pett, UEA, UK)
3. Pop(-up)ular Culture at the Seaside: The British Pleasure Pier as Screening Space (Lavinia Brydon, University of Kent , UK and Olu Jenzen, University of Brighton, UK)
4. Encountering Urban Space Live at the Floating Cinema (Ella Harris, Royal Holloway, University of London, UK)
Section 2: Temporalities
Section Introduction (Sarah Atkinson, King's College, London, UK & Helen W. Kennedy, University of Brighton, UK)
1. 'Beyond Film' Experience: Festivalising Practices and Shifting Spectatorship at Glasgow Film Festival (Lesley Ann Dickson, University of Stirling, UK)
2. Maps, grids, instructions: Pop-up cinema going and tourist performance (Maria Antonia Velez Serna, University of Glasgow, UK)
3. Never seen a shot like that before! Playfulness and participatory audiences in San Sebastian Horror and Fantasy Film Festival, (Rosana Vivar, University of Granada, Spain)
Section 3: Audiences
Section Introduction (Sarah Atkinson, King's College, London, UK & Helen W. Kennedy, University of Brighton, UK)
1. The opera virgins project: operatic event cinema as new cultural experience (Joseph Attard, King's College London, UK)
2. Against Participation: Cinephilia, Nostalgia, and the Pleasures of Attending an 'Alternative' Cinema Space (Richard McCulloch, Regents University, UK & Virginia Crisp Coventry University, UK)
3. Funfear Attractions: the playful affects of carefully managed terror in immersive 28 days later live experiences (Helen W. Kennedy, University of Brighton, UK)
4. Living cinema memories: Restaging the past at the pictures (Matthew Jones, De Montfort University, UK)
Section 4: Creative & Artistic Practices
Section Introduction (Sarah Atkinson, King's College, London, UK & Helen W. Kennedy, University of Brighton, UK)
1. Pseudo Soundtracks: Reconsidering the Rescore (Philip Brophy, RMIT University, Melbourne, Australia)
2. The Aesthetics of Immersion in Punchdrunk's The Drowned Man: A Hollywood Fable (Josephine Machon, Middlesex University, UK)
3. Eating with your eyes: Edible Cinema and participatory synaesthesia (Brendan Wocke, University of Perpignan, France)
4. Hangmen Rehanged - A playful replay of the play (Sarah Atkinson, King's College, London)
AFTERWORD (Sarah Atkinson, King's College, London, UK & Helen W. Kennedy, University of Brighton, UK)