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Lipsynching : Study of Sound - Dr. Merrie  Snell
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Lipsynching

By: Dr. Merrie Snell

Paperback | 9 January 2020

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What does it mean when a singing voice is distinct from an originating body? And how does this affect consumers of recorded song? This book discusses the practice of lipsynching to pre-recorded song in both professional and vernacular contexts, covering over a century of diverse artistic practices from early drag performance, to David Lynch and John Hughes films, to the current popularity of self-produced internet lipsynching videos. It examines the ways in which we listen to, respond to, and use recorded music, not only as a commodity to be consumed but as a culturally-sophisticated and complex means of identification, a site of projection, introjection, and habitation, and, through this, a means of personal and collective creativity.
Industry Reviews
Engages with the phenomenon from a variety of different perspectives ... Snell covers interesting historical and technical material. * The Wire *
This book is a gripping and wide-ranging study of the issues that arise when a voice inhabits another body and, by doing so, creates a new audio-visual collage. Its insights will come as a revelation to anyone who thinks lipsynching is simply a matter of ensuring that your lips move at the same time as the recorded voice. * Derek B. Scott, Professor of Critical Musicology, University of Leeds, UK, and editor of The Ashgate Research Companion to Popular Musicology (2009) *
Spanning from the Kinetograph to viral videos, this is a rich study that situates lipsynching - as a creative, 'readerly' form of listening - in a long history of audio-visual media, culminating in what Snell calls a 'soundtracked life'. It will be a valuable book for sound and media scholars, and for anyone interested in how notions of the cinematic extend into today's vernacular musical practices. * Carlo Cenciarelli, Lecturer in Music, Cardiff University, UK, and editor of The Oxford Handbook of Cinematic Listening (forthcoming) *

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