Intersections

Introduction Part I: Automatic practices 1. Four 'outsiders', four women: surrealism and the psychic elsewhere - Colin Rhodes 2. Photographic automatism: surrealism and feminist (post?)modernism in Susan Hiller's Sisters of Menon - Katharine Conley 3. The surrealist script(s): Bourgeois, Chadwick, Hiller - Guy Reynolds Part II: Poetic practices 4. Savage balm: Claude Cahun and Lise Deharme - Jonathan P. Eburne 5. Emma's navel: Dorothea Tanning's narrative sculpture - Catriona McAra 6. Trespassing boundaries: Liminality, hybridity and the quest for identity in Leonora Carrington's The Stone Door - Victoria Ferentinou 7. Screams: Women in post-war surrealist journals - Hazel Donkin Part III: Magical practices 8. Desert islands: magic and modernity in the work of Ithell Colquhoun - Neil Matheson 9. 'The Old Horizon Withdraws': surrealist connections in Martinique and Haiti - Suzanne Cesaire and Andre Breton, Maya Deren and Andre Pierre - Terri Geis Part IV: Combinatory practices 10. Helen Lundeberg, an oxymoron - Ilene Susan Fort 11. Lee Miller's signscapes - Patricia Allmer 12. Aube Elleouet's collages: Ricochets - Elza Adamowicz 13. Birgit Jurgenssen's poetic surrealist feminism - Gabriele SchorPart V: Practices of fashion 14. Feathers, flowers, and flux: Artifice in the costumes of Leonor Fini - Rachael Grew 15. Surrealist? Modernist? Artist? The vicissitudes of Elsa Schiaparelli - Emma West Index