Indie TV

Industry, Aesthetics and Medium Specificity

By: James Lyons (Editor), Yannis Tzioumakis (Editor)

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Hardcover | 27 March 2023 | Edition Number 1

At a Glance

Hardcover
392 Pages

Dimensions(cm)
23.39 x 15.6 x 2.24

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This edited collection is the first book to offer a wide-ranging examination of the interface between American independent film and a converged television landscape that consists of terrestrial broadcasters, cable networks and streaming providers, in which independent film and television intersect in complex, multifaceted and creative ways.

The book covers the long history of continuities and connections between the two sectors, as seen in the activities of PBS, HBO or Sundance. It considers the movement of filmmakers between indie film and TV such as Steven Soderberg, Rian Johnson, the Duplass brothers, Joe Swanberg, Lynn Shelton and Gregg Araki; details the confluence of aesthetic and thematic elements seen in shows such as Girls, Breaking Bad, Master of None, or Glow; points to a shared interest in regional sensibilities evident in shows like One Mississippi or Fargo; and it makes the case for documentaries and web series as significant entities in this domain. Collectively, the book builds a compelling picture of indie TV as a significant feature of US screen entertainment in the twenty-first century.

This interdisciplinary landmark volume will be a go-to reference for students and scholars of Television Studies, Film Studies, and Media Studies.

Industry Reviews

"Indie TV is a fascinating and wide-ranging exploration of the interrelationships between media industries. Lyons and Tzioumakis have assembled a formidable group of scholars to make the powerful collective argument that cinema and television are, and always have been, inseparable. The many layers of indie TV revealed within will inspire film and TV historians, as well as those analyzing contemporary digital media and production cultures."

Jennifer Holt, University of California, Santa Barbara, USA

"When I praised this book to a non-academic friend, he readily and enthusiastically rattled off titles of multi-season and limited-episode series that immediately came to mind as cutting-edge examples of 'indie TV' and its cultural reach and resonance. Clearly, 'indie TV' has public purchase, and this far-ranging anthology, strong equally in conceptualization and industrial and aesthetic analysis, pinpoints why. The volume offers rich examples, sharp and smart insight, and welcome attention to diversity, on-screen and behind, around gender, race, ethnicity."

Dana Polan, Cinema Studies, NYU, USA

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