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Vintage Contemporaries : Vintage Contemporaries - Helen Simpson

Vintage Contemporaries

By: Helen Simpson

13 November 2012

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A new collection of stories--dazzling, poignant, wickedly funny, and highly addictive--by the internationally acclaimed writer whose work "The Times" (London) calls "dangerously close to perfection." These thirteen stories brilliantly focus on aspects of contemporary living and unerringly capture a generation, a type, a social class, a pattern of behavior. They give us the small detail that reveals large secrets and summons up the inner stresses of our lives ("It is a blissful relief to turn to the coolness and clarity of Helen Simpson . . . She is, to my mind, the best short story writer now working in English" --Ed Crooks, "Financial Times)."""Whether her subject is single women or wives in stages of midlife-ery, marriage or motherhood, youth, young love, homework, or history, Simpson writes near to the bone and close to the heart.
In one story, a squirrel trapped under a dustbin lid in the back garden vanishes, and a woman's marriage is revealed in the process . . . In another, a young woman on her way for an MRI reflects on new love, electromagnetism, and Sherlock Holmes, and afterward goes to a museum and finds herself wanting to escape into one of the paintings.
And in the title story, two men on a flight from London to Chicago--one an elderly scientist, the other a businessman upgraded to first class--discuss climate change and what flying is doing to "our shrunken planet," this while the "in-flight entertainment" shows the crop-duster scene from Hitchcock's "North by Northwest." When a passenger in the seat across the aisle suddenly becomes ill and dies, the plane is forced to land in Goose Bay, "Labrador," to the utter frustration of the two men. In the story's moment of reckoning, one of the men, furious at the delay, says to the other, "I don't care about you. You don't care about me. We don't care about him [the deceased passenger]. We all know how to put ourselves first, and that's what makes the world go round."
These darkly comic, brave, and, says "The""Guardian," "deeply unsentimental" stories brilliantly evoke life's truest sensations--love, pain, joy, and grief--and give us, with precision and complex economy, a shrewd and painfully true glimpse into our dizzying 3-D age.
Industry Reviews
Praise for Helen Simpson's In-Flight Entertainment

"Funny, shrewd, alternately wicked and warm. . . . Simpson's short-story collections are such a pleasure to glide through." --Entertainment Weekly

"All lovers of the short story will recognize this collection as brilliant examples of the genre. . . . A book to savor and think about for a long time." --The Washington Times

"Fearless, funny writing shadowed with dread. . . . The hat trick Simpson scores here is to render characters who could have been straw men fully three-dimensional, make organic a debate that might have seemed ginned up, and--most astonishingly--shield the reader, with wryness and sharp observation, from feeling oppressed." --The Boston Globe

"Simpson has proven her mastery of a difficult form." --Booklist

"Simpson revels in the undomesticated part of domestic life. . . . There's not a moment of preciousness or sentimentality in these stories. It's enough to give everyday life its good name back." --The Philadelphia Inquirer

"[Simpson's] dark humor will keep you reading. . . . A wicked take on domesticity. . . . There's delight . . . in her mood-enhancing drop-ins: lines of poetry, descriptions of paintings, evocations of music--treats you might want more of on your own." --The Dallas Morning News

"For anyone who savors the acerbic literary likes of Evelyn Waugh or the Amises, father and son, Helen Simpson is just the ticket. . . . The stories assembled here are filled with crisp observations about mortality, infidelity and the looming apocalypse of climate change. Melancholy subjects, to be sure, and Simpson accords them their emotional weight; but one suspects that even as the ice caps melt, Simpson's hardy strain of Brit wit might well be wheezing out a rueful quip or two." --NPR

"Simpson's writing is spare and intentional; you never doubt you're in the hands of a master." --Ploughshares

"On first glance the prose appears lilting, unfussy, harmlessly sly. Quickly, though, a steady theme clarifies: that of the planet's self-annihilation." --San Francisco Chronicle

"Simpson suggests that society is too busy with minutiae to deal with critical issues. . . . In-Flight Entertainment provides a bumpy, often jarring flight in which the captain is warning us to prepare for a crash." --Houston Chronicle

"Short and sharp, the latest stories from the award-winning British author are as pointed as ever." --Kirkus Reviews

"These 13 new stories showcase the work of one of the finest contemporary writers in the form . . . If there's a flaw to be found in Simpson's latest collection of stories, it's that they're so clever they can distract readers from the characters as they admire the author's technique. Simpson's prose is crisp, her insights unsparing, her passions transparent." --Publishers Weekly (starred review)

"Simpson's wit, and her insight into birth, mortality, marriage and families, certainly mark her out as a writer whose ambition is both constrained and enhanced by choosing this most modest of fictional forms. There are other female writers today who work this territory in novels . . . but Simpson's art is more refined for being so seemingly effortless, unforced and entertaining." --New Statesman

"A new collection from one of our finest exponents of the form. . . . She merits comparison with Flannery O'Connor and Alice Munro. Why read it? Because she's the real deal." --Tatler

"The appearance of another book of short stories by Helen Simpson always causes the heart to lift and this year's In-Flight Entertainment gave me particular pleasure. Its elegant slenderness contains more subtle intelligence and emotional truth than many a bloated novel." --Anne Chisholm, Sunday Telegraph

"In-Flight Entertainment is quite delectable, confirming Simpson as the queen of the comic short story." --David Robson, Sunday Telegraph

"It is a blissful relief to turn to the coolness and clarity of Helen Simpson. . . . Simpson is, to my mind, the best short story writer now working in English." --Ed Crooks, Financial Times

"Simpson's gifts are a lyrical vocabulary, an authoritative form, a special funny-sad quality and a subtlety of understanding. Add in political argument, and she is a key voice for our time." --Margaret Reynolds, The Times

"Wickedly funny and painfully true. . . . Dangerously close to perfection." --Kate Saunders, The Times

"Superbly crafted morality tales, such being Simpson's speciality. . . . [Simpson's] stories, like the best stories, give the impression of being the last word on the subject, even if, or especially if, that word is enigmatic and open-ended. She ends her stories beautifully, and never quite the same way twice." --The Guardian

"Very black comedy. . . . Simpson is a wry, humane and brilliant observer of our peculiar condition." --The Independent

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