I Saw Water

Name: I Saw Water
Brand: PENN STATE UNIVERSITY PRESS
Price: 117.75 AUD
Availability: BackOrder

An Occult Novel and Other Selected Writings

By: Ithell Colquhoun, Richard Shillitoe (Introduction by), Mark S. Morrisson (Introduction by)

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Hardcover | 14 December 2014

At a Glance

Hardcover
228 Pages

Dimensions(cm)
16.4 x 24.7 x 2.4

Hardcover

RRP $119.00

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Ithell Colquhoun (1906-1988) is remembered today as a surrealist artist, writer, and occultist. Although her paintings hang in a number of public collections and her gothic novel Goose of Hermogenes (1961) remains in print, critical responses to her work have been severely constrained by the limited availability of her art and writings. The publication of her second novel, I Saw Water--presented here for the first time, together with a selection of her other writings and images, many also previously unpublished--marks a significant step in expanding our knowledge of Colquhoun's work.

Composed almost entirely of material assembled from the author's dreams, I Saw Water challenges such fundamental distinctions as those between sleeping and waking, the two separated genders, and life and death. It is set in a convent on the Island of the Dead, but its spiritual context derives from sources as varied as Roman Catholicism, the teachings of the Theosophical Society, Goddess spirituality, Druidism, the mystical Qabalah, and Neoplatonism.

The editors have provided both an introduction and explanatory notes. The introductory essay places the novel in the context of Colquhoun's other works and the cultural and spiritual environment in which she lived. The extensive notes will help the reader with any concepts that may be unfamiliar.

Industry Reviews

“It is difficult to understand how Ithell Colquhoun’s I Saw Water, an exemplary work of surrealist fiction, failed to be published upon completion in the 1960s. . . . Those interested in the historical context provided by Shillitoe and Morrisson will encounter high-grade research performed by experienced scholars, who clearly have an excellent grasp of the complexity of the traditions Colquhoun draws upon. . . . This quality editorial contextualization and analysis, combined with the valuable supplemental materials, enrich an already impressive novel—a surrealist enchanting viewed through jagged dream fractals.”

—Aren Roukema, Correspondences

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