Humanizing Technology, Vol. III

Acknowledgments - Preface - Part I: AI and Language Processing - Gabriel Martins: Sympathy for the Devil? AI-run Proficiency Tests - Jo£o Pedro Oliveira: Uncovering Inconsistencies in AI Text Analysis: A Review of ChatGPT 4.0's Stop Word Frequency Counting - Gergely PethÅ', Ragini Menon, Matthias Sch¶ffel and Sabine Tittel: Comparing the Ability of Generative Language Models to Understand Medieval Languages - Alexia Duarte, S©rgio Manuel Serra da Cruz and S­lvia Lima Gon§alves Araºjo: An Intelligent Approach to Aligning LIBRAS and LGP Signs and Metatexts in Portuguese Using Generative AI - Inªs Signorini and Rodrigo Esteves de Lima-Lopes: The Implementation of Brazilian Academic Multiliteracy Corpus (BrAMCorp): Toward a Systematic Investigation of Event and Process Data - Lilian Carvalho Oliveira and M´nica Ferreira da Silva: Enigma: Development of an Integrated Platform for Natural Language Processing and Sentiment Analysis for the Portuguese Language - Michelle Rufrano, Jean-Ezra Yeung, Katrin Herget and Teresa Alegre: "Misinformation" Everywhere but Nowhere: The Use of Topic Modeling and Generative AI in Linguistics - Part II: AI, Ethics and Data Practices - Omid Haass, Hassan Ya'u Hamisu,Neda Azizi and Claire Davison: Enhancing Data Analysis Practices in Project Research: A Framework for Ethical AI Integration - Qaisar Aziz, Adeel Zafar and Imad Ullah: Identifying Gender Bias Across Urdu-Language Pre-trained Models - Daniel Bonatto Seco and Leandro Guimar£es Marques Alvim: Algorithmic Inequalities: A Comparative Methodology for Toxicity Assessment - Aline Barbosa Xavier Muniz: Generative AI and UNESCO's Role: Insights Through Edgar Morin's Complexity Theory - Anja Corduan-Claussen: AI-based Chatbots as a Customer Communication Tool: Comparative Analysis between Germany and China - Emerson Duarte and S©rgio Serra: Bridging Disciplines Among Digital Humanities, Cybercrime Forensics, and AI - Part III: AI in the Arts and Digital Humanities - Livia P. Bettero: AI and Digital Innovation in Art History, Archaeology, and Cultural Heritage - Roberta Rodrigues, T¢nia Cerqueira and Luciano Moreira: Augmented Reality, Past-Present-Future: A Digital Humanities Project - Annastiina Ahola, Lilli Peura, Rafael Leal, Heikki Rantala and Eero HyvNonen: Using Generative AI and LLMs to Enrich Art Collection Metadata for Searching, Browsing, and Studying Art History in Digital Humanities - Te³filo Augusto da Silva and Suzete Venturelli: The Possibility of the Unpredictability in the Computational Art