Human Cargo

National Book Critics Circle Award Finalist Traveling for nearly two years and across four continents, Caroline Moorehead takes readers on a journey to understand why millions of people are forced to abandon their homes, possessions, and families in order to find a place where they may, quite literally, be allowed to live. Moorehead's experience living and working with refugees puts a human face on the news, providing unforgettable portraits of the refugees she meets in Cairo, Guinea, Sicily, Lebanon, England, Australia, Finland, and at the U.S.-Mexico border. "Human Cargo" changes our understanding of what it means to have and lose a place in the world, and reveals how the refugee "problem" is on a par with global crises such as terrorism and world hunger. Caroline Moorehead, a distinguished biographer, has served as a columnist on human rights for "The Times" (London) and "The Independent" (London). More recently, she has worked directly with African refugees in Cairo as a founder of a legal advice office in addition to raising funds for a range of educational projects. She is the author of "Gellhorn" and lives in London. A National Book Critics Circle Award FinalistAn American Library Association Notable Book of the Year In "Human Cargo," Caroline Moorehead takes readers on a journey to understand why millions of people are forced to abandon their homes, possessions, and families in order to find a place where they may, quite literally, be allowed to live. In spite of the fact that refugees surround us--recent UN estimates suggest that their numbers approach 20 million--few grasp the scale of their presence. Moorehead's experience living and working with refugees puts a human face on the news, providing indelible portraits of not only refugees but also the countries from which they fled, as well as those that host them, the men and women who help them, and, finally, those who have not.
Moorehead has traveled for nearly two years and across four continents to bring us these unforgettable stories. In prose that is at once affecting and informative, she introduces us to the men, women, and children she meets as she travels to Cairo, Guinea, Sicily, the U.S.-Mexico border, Lebanon, England, Australia, and Finland. Among others, we learn about Salaam, an Iraqi Catholic persecuted by Saddam Hussein's regime, and his struggle to reach San Diego through Mexico with his sister; and Mary, a fifty-year-old American who works with the International Rescue Committee in Guinea to provide schooling for refugees from Iran who escaped a Tehran prison to establish a trauma center in England for victims of torture. Moorehead illustrates why the "problem" of 20 million people stuck in limbo--unable to work, educate their children, or otherwise contribute to society--is on a par with global crises such as terrorism and world hunger. "It is Moorehead's sensitivity to . . . historical circumstances and political contingencies--not to mention her considerable skills as a writer and storyteller--that makes her book such a vital contribution to debates over migration . . . She differs from those showy journalists of alarm who view the distress of others as an opportunity for overwrought prose and self-display . . . S]he is devoted to the quiet narration of disquieting fact . . . If her brief is universal, her eye and ear are local, attuned and affixed to the toll of state policies and their historical context. Inevitably, she brings to mind the great Martha Gellhorn, the subject of her last biography, whose 'small, still voice' carried a 'barely contained fury and indignation at the injustice of fate and man against the poor, the weak, the dispossessed.'"--"The Nation" "It is Moorehead's sensitivity to . . . historical circumstances and political contingencies--not to mention her considerable skills as a writer and storyteller--that makes her book such a vital contribution to debates over migration . . . She differs from those showy journalists of alarm who view the distress of others as an opportunity for overwrought prose and self-display . . . S]he is devoted to the quiet narration of disquieting fact . . . If her grief is universal, her eye and ear are local, attuned and affixed to the toll of state policies and their historical context. Inevitably, she brings to mind the great Martha Gellhorn, the subject of her last biography, whose 'small, still voice' carried a 'barely contained fury and indignation at the injustice of fate and man against the poor, the weak, the dispossessed.'"--"The Nation" " A] humane and touching book."--"The Star-Ledger" (Newark)
"A profound book."--John Freeman, "The Hartford Courant"
"Compelling . . . With one poignant tale after another, "Human Cargo"] triggers a reader's feelings of outrage and tragedy."--Rich Barlow, "The ""Boston"" Globe" "One of the most moving and illuminating accounts of people out of place. In documenting the complexity of their condition, Moorehead] deciphers their full humanity. And she captures the workings of the refugee system through the people who work in it and navigate constraints on budgets and quotas, and their tempers."--Saskia Sassen, Ralph Lewis Professor of Sociology at the University of Chicago and author of "Globalization and Its Discontents" "Journalist and biographer Moorehead provides a passionate brief on behalf of millions of refugees across the globe . . . Her unflinching depiction of cases without end and governments without mercy recalls the works of Kafka, Dickens, and Naipaul. Dozens of portraits give sinew and voice to representative examples of this human flotsam. Mothers quietly mourn babies they were forced to leave on the roadside; young men stare sullenly, unable to comprehend how to get out of their camps; and children grapple with traumatic memories of torture and death. It is nearly impossible not to be moved by such plights . . . she evokes refugees' chaotic and miserable conditions with searing power,