Histories of Conservation and Art History in Modern Europe

1 Introduction: Experts in the Interbellum Part 1 Science, Authentication and Issues of Conservation 2 "We Cannot Splash Light onto Our Palettes": The 1893 Munich Exhibition and Congress and Its Public Demand for Research on Painting Materials and Techniques 3 A. P. Laurie and the Scientific Appreciation of Art 4 Seeing Through the (Old) Masters: The Crisis of Connoisseurship and the Emergence of Radiographic Art Expertise 5 Rome 1930, the International Conference on the Scientific Analysis of Artworks and Its Legacy in Italy Part 2 Education and Professionalisation 6 Mending, Sticking, and Repairing: Reconstructing Conservation Expertise in Archaeology in the Nineteenth and Twentieth Centuries 7 Wissenschaft, Vocation, or Bildung?: Debating the Sites and Aims of German Art History at the End of the Nineteenth Century 8 Education in the Art and Conservation Field in German Countries 9 Experiments in a Teaching Museum: The Foggâs "Laboratory for Art" Part 3 Museums and Institutions 10 Omnium Gatherum to a âTreasury of Art and Scienceâ: The Development of Conservation Expertise at the Ashmolean Museum 11 The (In)visibility of the Paintings Restorers of the Rijksmuseum in the First Half of the Twentieth Century 12 Gem¤ldekunde. German Pioneers of the âScience of Paintingâ 13 Invention as Necessity: The Salvage of Italian Frescoes During World War II 14 Expertise, Multiple Actors, and Multiple Voices