The opening verse of the Hebrew Bible, containing the most significant words ever penned, is impressed with an authenticating watermark. This watermark is holographic and consists of numbers forming the verse's numerical architecture, through word counts, letter counts, position within the verse and numerical values that can be assigned to the words under the traditional Hebrew scheme of alphabetic numbering.
The difference between the numbers to be found in the first sentence of a paperback novel, and those placed within the first sentence of the Hebrew Bible, is the difference between a junkyard and a cathedral. One was thrown together, containing fragments of patterns but no larger structure. The other was carefully designed, with splendid architectural features and an overall sense of order and structure.
You will see snapshots of that heavenly cathedral all the way through, because many of the numbers are meant to be converted into digital images. These form a body of coordinated geometry so densely packed into the verse that it resembles a computer zip file awaiting extraction. These images can be understood and appreciated by anyone, and, since no mathematical or linguistic skills are required to understand its message, this book is both an easy read and a visual feast.
Genesis 1.1 is a numerical ark and validates itself through the encoding of modern mathematical ideas in its ancient words, unchanged for well over two Millennia. It also holds a wealth of new information for us, connecting the central rite of Judaism with the birth of Christianity, confirming the name of the Jewish messiah, revealing the identity of the beast and the male child and pointing to the physical location of heaven. As such it is a gift from that exalted place, extended from a loving Father to His children, who have now come of age
