
At a Glance
320 Pages
20.32 x 13.34 x 2.54
Paperback
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Penniless, Sandman accepts a job investigating the case of a painter due to be hanged for a murder he didn't commit. In a race against the clock, Sandman moves from the hellish bowels of Newgate prison to the perfumed drawing rooms of the aristocracy—and in the process begins to peel back the layers of an utterly corrupt penal system that pits him against the wealthiest and most ruthless men in Regency England.
About the Author
Bernard Cornwell is the author of the acclaimed Richard Sharpe series, set during the Napoleonic Wars; the Nathaniel Starbuck Chronicles, about American Civil War; the Warlord Trilogy, about Arthurian England; and, most recently, Stonehenge 2000 B.C.: A Novel and The Archer's Tale.
Bernard Cornwell worked for BBC TV for seven years, mostly as producer on the Nationwide programme, before taking charge of the Current Affairs department in Northern Ireland. In 1978 he became editor of Thames Television's Thames at Six. Mr. Cornwell lives with his wife on Cape Cod.
Rider Sandman was up late that Monday morning because he had been paid seven guineas to play for Sir John Hart's eleven against a Sussex team, the winners to share a bonus of a hundred guineas, and Sandman had scored sixty-three runs in the first innings and thirty-two in the second, and those were respectable scores by any standard, but Sir John's eleven had still lost. That had been on the Saturday and Sandman, watching the other batsmen swing wildly at ill-bowled balls, had realized that the game was being thrown. The bookmakers were being fleeced because Sir John's team had been expected to win handily, not least because the famed Rider Sandman was playing for it, but someone must have bet heavily on the Sussex eleven, which, in the event, won the game by an innings and forty-eight runs. Rumor said that Sir John himself had bet against his own side and Sir John would not meet Sandman's eyes, which made the rumor believable.
So Captain Rider Sandman walked back to London.
He walked because he refused to share a carriage with men who had accepted bribes to lose a match. He loved cricket, he was good at it, he had once, famously, scored a hundred and fourteen runs for an England eleven playing against the Marquess of Canfield's picked men, and lovers of the game would travel many miles to see Captain Rider Sandman, late of His Majesty's 52nd Regiment of Foot, perform at the batting crease. But he hated bribery and he detested corruption and he possessed a temper, and that was why he fell into a furious argument with his treacherous teammates, and when they slept that night in SirJohn's comfortable house and rode back to London in comfort next morning, Sandman did neither. He was too proud.
Proud and poor. He could not afford the stagecoach fare, nor even a common carrier's fare, because in his anger he had thrown his match fee back into Sir John Hart's face and that, Sandman conceded, had been a stupid thing to do, for he had earned that money honestly, yet even so it had felt dirty. So he walked home, spending the Saturday night in a hayrick somewhere near Hickstead and trudging all that Sunday until the right sole was almost clean off his boot. He reached Drury Lane very late that night and he dropped his cricket gear on the floor of his rented attic room and stripped himself naked and fell into the narrow bed and slept. Just slept. And was still sleeping when the trapdoor dropped in Old Bailey and the crowd's cheer sent a thousand wings startling up into the smoky London sky. Sandman was still dreaming at half past eight. He was dreaming, twitching, and sweating. He called out in incoherent alarm, his ears filled with the thump of hooves and the crash of muskets and cannon, his eyes astonished by the hook of sabers and slashes of straight-bladed swords, and this time the dream was going to end with the cavalry smashing through the thin red-coated ranks, but then the rattle of hooves melded into a rush of feet on the stairs and a sketchy knock on his flimsy attic door. He opened his eyes, realized he was no longer a soldier, and then, before he could call out any response, Sally Hood was in the room. For a second Sandman thought the flurry of bright eyes, calico dress, and golden hair was a dream, then Sally laughed. 'I bleeding woke you. Gawd, I'm sorry!' She turned to go.
'It's all right, Miss Hood.' Sandman fumbled for his watch. He was sweating. 'What's the time?'
'St. Giles just struck half after eight,' she told him.
'Oh, my Lord!' Sandman could not believe he had slept so late. He had nothing to get up for, but the habit of waking early had long taken hold. He sat up in bed, remembered he was naked, and snatched the thin blanket up to his chest. 'There's a gown hanging on the door, Miss Hood. Would you be so kind?'
Sally found the dressing gown. 'It's just that I'm late' — she explained her sudden appearance in his room — 'and my brother's brushed off and I've got work, and the dress has to be hooked up, see?' She turned her back, showing a length of bare spine. 'I'd have asked Mrs. Gunn to do it,' Sally went on, 'only there's a hanging today, so she's off watching. Gawd knows what she can see, considering she's half-blind and all drunk, but she does like a good hanging and she ain't got many pleasures left at her age. It's all right, you can get up now. I've got me peepers shut.'
Sandman climbed out of bed warily, for there was only a limited area in his tiny attic room where he could stand without banging his head on the beams. He was a tall man, an inch over six foot, with pale gold hair, blue eyes, and a long, rawboned face. He was not conventionally handsome — his face was too rugged for that — but there was a capability and a kindness in his expression that made him memorable. He pulled on the dressing gown and tied its belt. 'You say you've got work?' he asked Sally. 'A good job, I hope?'
'Ain't what I wanted,' Sally said, 'because it ain't on deck.'
'Deck? '
'Stage, Captain,' she said. She called herself an actress and perhaps she was, though Sandman had seen little evidence that the stage had much use for Sally, who, like Sandman, clung to the very edge of respectability and was held there, it seemed, by her brother, a very mysterious young man who worked strange hours. 'But it ain't...'
ISBN: 9780060082741
ISBN-10: 0060082747
Published: 10th May 2005
Format: Paperback
Language: English
Number of Pages: 320
Audience: General Adult
Publisher: PERENNIAL
Country of Publication: US
Dimensions (cm): 20.32 x 13.34 x 2.54
Weight (kg): 0.24
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