| Preface | p. xiii |
| The Longest Paragraph | p. 1 |
| Writing Exercises | |
| Savory Words: The First Bite of Your Story | p. 10 |
| Don't Just State Your Story - Reveal Your Story | |
| Move Readers with Active Words | |
| Following a Sensory Trail | |
| Writing Exercises | |
| A Note on Genre | |
| For Your Reading Pleasure: "Candy Cigarettes," | p. 21 |
| Writing on Key: A Few Notes about Theme | p. 23 |
| False Starts | |
| Starting True | |
| The Colors We Choose | |
| Writing Exercises | |
| For Your Reading Pleasure: "Rob Me Again," | p. 32 |
| Plotting Your Life | p. 35 |
| Finding the Arc of Your Story | |
| Motivating Your Plot | |
| Thunderous Plots | |
| The Structure of Plot | |
| Crossing the Finish Line | |
| Turning Real Life into Art | |
| Writing Exercises | |
| For Your Reading Pleasure: "Scavengers," | p. 47 |
| Between Innocence and Experience: Finding Your Voice(s) | p. 50 |
| Using Multiple Voices | |
| Your Everyday Voice and Your Literary Voice | |
| Guiding Voices | |
| Writing Exercises | |
| For Your Reading Pleasure: "The Visit," | p. 66 |
| Mock Moons and Metaphor: Crafting Memoir into Art | p. 68 |
| Finding Your Metaphors | |
| The Metaphoric Memoir | |
| Metaphor: A Window onto the World | |
| Writing Exercise | |
| For Your Reading Pleasure: "Tetanus, You Understand?" | p. 79 |
| Writing in Style | p. 83 |
| Your Story, Your Style | |
| The Muscular Sentence | |
| More Than Just And | |
| Not To Be | |
| Dialogue in Memoir | |
| Past or Present Tense? | |
| These Boots Are Made for Writing | |
| Writing Exercise | |
| For Your Reading Pleasure: "The Man behind the Shower Curtain," | p. 97 |
| Marketing Your Memoir | p. 98 |
| Getting Started | |
| Publishing Outlets: Pros and Cons of Each | |
| How to Decide What's Best for Your Book | |
| Promoting Yourself as a Professional Speaker | |
| Web Opportunities for Your Memoir | |
| The Importance of All Our Voices | |
| Writing Exercises | |
| Confessional and (Finally) Proud of It | p. 112 |
| Western Civilization in an Eggshell | |
| One Secret, One Word, at a Time | |
| Word by Word | |
| The Courage to Show This to Your Mother (Penance Optional) | |
| Truth and Memory in Memoir | |
| What Readers Understand about Memoirs | |
| What the Media Doesn't Understand about Confessional Stories | |
| A Hysterical [sic] History of Criticism | |
| Writing Exercises | |
| The Meandering River: An Overview of the Subgenres of Creative Nonfiction | p. 143 |
| Biography | |
| Autobiography | |
| Immersion | |
| Memoir | |
| Personal Essay | |
| Meditative Essay | |
| Lyric Essay | |
| Toward the Sea | |
| Waters Ebb and Flow | |
| Three Confessional Essays | p. 158 |
| "From Process to Product: Using Print-on-Demand to Publish," | p. 158 |
| "Gazing: Writing from the Womb," | p. 163 |
| "The Weight of a Word," | p. 169 |
| For Your Reading Pleasure: Four Full-Length Essays | p. 174 |
| "Independence Day, Manley Hot Springs, Alaska," | p. 175 |
| "After the Dash," | p. 183 |
| "The Beautiful City of Tirzah," | p. 189 |
| "The Pat Boone Fan Club" | p. 201 |
| Reading List of Contemporary Creative Nonfiction | p. 212 |
| Works Cited | p. 231 |
| Biographical Notes | p. 235 |
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