Ethics at the Cinema

'Philosophy and the Ethical Significance of Spectatorship: An Introduction to Ethics at the Cinema' Part 1: Critique, Character, and the Power of Film 1. Andrew Gleeson, 'The Secrets and Lies of Film' 2. Stephen Williams, 'Propaganda and Artistic Merit: The Case of Colonel Blimp' 3. Murray Smith, 'Just What Is It That Makes Tony Soprano Such an Appealing, Attractive Murderer?' 4. Ward E. Jones, 'Partiality and Transgressive Comedy: Making Sense of our Amusement at His Girl Friday' Part 2: Philosophical Readings Ethics and Social Being 5. Tom Martin, 'Reason, Absurdity, and Anti-Semitism in The Believer' 6. Paul C. Taylor, ''Melting Whites and Liberated Latinas: Identity, Fate, and Character in Fools Rush In' 7. Samantha Vice, 'Lighthouses in a Foggy World': Ideals in Frank Capra's Meet John Doe 8. Peter Goldie, 'La Grande Illusion as a Work of Art' 9. Larry Blum, 'A Crash Course on Personal Racism' Ethics and Personal Relationships 10. Karen Hanson, 'Love and Friendship in the Balance: The Case of Jules et Jim' 11. Torbjorn Tannsjo, 'Sophie's Choice' 12. Joseph Kupfer, 'Dangerous Liaisons: Love, Letters, and Lessons in Sexual Ethics' 13. Julia Driver, 'Justice, Mercy, and Friendship in The Third Man' 14. Deborah Knight, 'The Third Man: Ethics, Aesthetics, Irony' 15. Thomas Wartenberg, 'Moral Intelligence and the Limits of Loyalty: The Third Man as Philosophy'