Film Styles & Genres eTextbooks

Posthumanism, Cognition, and Cyborg Spectatorship

Amalgamated Cinema

Fandom, Feminism, and the Female Superhero on Film

Crime Films of the 1970s

Contemporary Perspectives

The Film Auteur

Angles of Vision

King Creole

The Disputed Territories of 1950s American Youth Culture

Studies in Groovy Gothic Cinema

Trash, Horror, and the Hemispheric Sixties

Angels, Demons, and Demigods

An Encyclopedia of Supernatural Beings in Story and on Screen

Transformation and Metamorphosis in Popular Culture

Routledge Advances in Popular Culture Studies

Graeco-Roman Horror and its Modern Reception

Unleashing Classical Dread

Global Cult Cinemas

Decolonizing Cult Film Studies

Horrific Humor and the Moment of Droll Grimness in Cinema

Sidesplitting sLaughter

Religion and Technology into the Future

From Adam to Tomorrow's Eve

Reading Phinehas, Watching Slashers

Horror Theory and Numbers 25

Spaghetti Westerns

A Viewer's Guide

The Fascination of Film Violence

Educational Institutions in Horror Film

A History of Mad Professors, Student Bodies, and Final Exams

A History of 1970s Experimental Film

Britain's Decade of Diversity

London's Arts Labs and the 60s Avant-Garde

The Clint Eastwood Westerns

Battlestar Galactica and International Relations

Popular Culture and World Politics

Cinema and Inter-American Relations

Tracking Transnational Affect

Film

A Very Short Introduction

British Crime Film

Subverting the Social Order

Testing Coherence in Narrative Film

Literature, Cultural and Media Studies (R0)

Poison and Poisoning in Science, Fiction and Cinema

Precarious Identities

Shakespeare, Bakhtin, and Film

A Dialogic Lens

Film Stardom, Myth and Classicism

The Rise of Hollywood's Gods

European Cinema and Intertextuality

History, Memory and Politics

Slapstick and Comic Performance

Comedy and Pain

Post-War Modernist Cinema and Philosophy

Confronting Negativity and Time

Love in the Time of Cinema

Figurations in Indian Film

The American Success Myth on Film

Hollywood and Intimacy

Style, Moments, Magnificence

Film, Art, New Media: Museum Without Walls?

Museum Without Walls?

Film Restoration

The Culture and Science of Audiovisual Heritage

Torture Porn

Popular Horror after Saw

Screenwriting in a Digital Era

Palgrave Studies in Screenwriting

Screenwriting Poetics and the Screen Idea

Palgrave Studies in Screenwriting

Transnational Television Drama

Special Relations and Mutual Influence between the US and UK

Film Trilogies

New Critical Approaches

Contemporary Cinema and 'Old Age'

Gender and the Silvering of Stardom

Plant Horror

Approaches to the Monstrous Vegetal in Fiction and Film

Alan Moore, Out from the Underground

Cartooning, Performance, and Dissent

Transnational Horror Cinema

Bodies of Excess and the Global Grotesque

Geographies, Genders and Geopolitics of James Bond

Political Science and International Studies (R0)

The Modern Supernatural and the Beginnings of Cinema

Literature, Cultural and Media Studies (R0)

Taiwan Cinema, Memory, and Modernity

Love and Marriage Across Social Classes in American Cinema

Literature, Cultural and Media Studies (R0)

Persuasion in Self-improvement Books

Postdisciplinary Studies in Discourse

Screen Adaptations and the Politics of Childhood

Transforming Children's Literature into Film

Virtual Weaponry

The Militarized Internet in Hollywood War Films

Representing the Eighteenth Century in Film and Television, 2000-2015

Legacies of the Degraded Image in Violent Digital Media

Rethinking Genre in Contemporary Global Cinema

The Theological Turn in Contemporary Gothic Fiction

Holy Ghosts

Gay Liberation to Campus Assimilation

Early Non-Heterosexual Student Organizing at Midwestern Universities

Performing Place in French and Italian Queer Documentary Film

Space and Proust's Lieu Factice

Class, Crime and International Film Noir

Globalizing America's Dark Art

The Films of Martin Scorsese, 1978-99

Authorship and Context II

Media and Nostalgia

Yearning for the Past, Present and Future

Japanese Horror and the Transnational Cinema of Sensations

East Asian Popular Culture

True Event Adaptation

Scripting Real Lives

New Perspectives on the War Film

Feminism and the Western in Film and Television

Hollywood in Crisis or

The Collapse of the Real

Love in Western Film and Television

Lonely Hearts and Happy Trails

The Visual Music Film

Palgrave Studies in Audio-Visual Culture

New Argentine Film

Other Worlds

Disney and the Dialectic of Desire

Fantasy as Social Practice

Politics in Gotham

The Batman Universe and Political Thought

Darkness Calls

A Critical Investigation of Neo-Noir

Queer Aging in North American Fiction

Transmediating the Whedonverse(s)

Essays on Texts, Paratexts, and Metatexts

Television and British Cinema

Convergence and Divergence Since 1990

Fantasy Film Post 9/11

Speaking of Monsters

A Teratological Anthology

Intersecting Film, Music, and Queerness

Palgrave Studies in Audio-Visual Culture

Theorizing Stupid Media

De-Naturalizing Story Structures in the Cinematic, Televisual, and Videogames

Sex and Sexuality in Modern Screen Remakes

Reassessing the Hitchcock Touch

Industry, Collaboration, and Filmmaking

The Migration and Politics of Monsters in Latin American Cinema

Justice in the Plays and Films of Martin McDonagh

Queering Contemporary Gothic Narrative 1970-2012

Literature, Cultural and Media Studies (R0)

Gothic Dissections in Film and Literature

The Body in Parts

Contemporary Women's Gothic Fiction

Carnival, Hauntings and Vampire Kisses

British Youth Television

Transnational Teens, Industry, Genre

Gossip, Women, Film, and Chick Flicks

Literature, Cultural and Media Studies (R0)

Celebrity and the Feminist Blockbuster

Literature, Cultural and Media Studies (R0)

Paradoxical Japaneseness

Cultural Representation in 21st Century Japanese Cinema

Texture In Film

Palgrave Close Readings in Film and Television

Letters and Literacy in Hollywood Film

Palgrave Close Readings in Film and Television

Queer/Adaptation

A Collection of Critical Essays

Media, Performative Identity, and the New American Freak Show

Policing the World on Screen

American Mythologies and Hollywood's Rogue Crimefighters

Phraseology and Style in Subgenres of the Novel

A Synthesis of Corpus and Literary Perspectives

Immigrants on Grindr

Race, Sexuality and Belonging Online

Film Remakes, Adaptations and Fan Productions

Remake/Remodel

Screening the Unwatchable

Spaces of Negation in Post-Millennial Art Cinema

Screening the Face