Digital, Video & New Media Arts eTextbooks

The Technique of Film and Video Editing

History, Theory, and Practice

A Cultural History of Computer Graphics

The Advent of Sound in Japanese Cinema

A Handbook

On the Set of Forrest Gump

On the Set of Forrest Gump

A Companion to Digital Art

Blackwell Companions to Art History

The Story of Looking

Design for Motion

2nd Edition - Fundamentals and Techniques of Motion Design

Fassbinder Thousands of Mirrors

Code as Creative Medium

A Handbook for Computational Art and Design

Transmedia Marketing

From Film and TV to Games and Digital Media

The VES Handbook of Visual Effects

Industry Standard VFX Practices and Procedures

The Conscience of Cinema

The works of Joris Ivens 1912-1989

Museums in a Digital Culture

How Art and Heritage Become Meaningful

Nazism and Neo-Nazism in Film and Media

Farocki/Godard

Film as Theory

Playful Identities

The Ludification of Digital Media Cultures

Exhibiting Cinema in Contemporary Art

Film Culture in Transition

Medium, Messenger, Transmission

An Approach to Media Philosophy

Humour and Irony in Dutch Post-War Fiction Film

Framing Film

Feminisms

Diversity, Difference and Multiplicity in Contemporary Film Cultures

Digital China

Creativity and Community in the Sinocybersphere

From Grain to Pixel

The Archival Life of Film in Transition, Third Revised Edition

Film Serials and the American Cinema, 1910-1940

Operational Detection

Screen Space Reconfigured

MediaMatters

Preserving and Exhibiting Media Art

Challenges and Perspectives

Exposing the Film Apparatus

The Film Archive as a Research Laboratory

Audiovisual Thinking and the Essay Film

The Case of Francophone Europe

Images of Dutchness

Popular Visual Culture, Early Cinema and the Emergence of a National Cliche, 1800-1914

Urban Screens

Situations, Practices, Concepts

Films That Work Harder

The Circulation of Industrial Film

Audiences

Defining and Researching Screen Entertainment Reception

Technics

Media in the Digital Age

Spaces

Exploring Spatial Experiences of Representation and Reception in Screen Media

Inventing Cinema

Machines, Gestures and Media History

After the Break

Television Theory Today

Realist Cinema as World Cinema

Non-cinema, Intermedial Passages, Total Cinema

Labour in a Single Shot

Critical Perspectives on Antje Ehmann and Harun Farocki's Global Video Project

Post-Yugoslav Cinema and the Shadows of War

A Study of Non-Representation in Film

Women in the Silent Cinema

Histories of Fame and Fate

The Music Industry in the Digital Age

How Platforms are Redefining Pop, DIY and Participatory Culture

Cinematography Beyond Technique

A Story-First Approach to Moving Images

Human Bodies, Virtual Spaces

Persuading Presence in Virtual Reality Games

The Un-Reality Effect in the Cinema of Attractions

Rethinking the Films of Lumiere Brothers and Melies through Pictorial Paradigms and Cultural Filters

Detroit

A City Imagined in Film

French Sports Films

Visions of Masculinity

Mari Ruti and Climate Change

From Grief to Creativity

Reading Phinehas, Watching Slashers

Horror Theory and Numbers 25

Movie Journal

The Rise of the New American Cinema, 1959-1971

Cinematography in the Weimar Republic

Lola Lola, Dirty Singles, and the Men Who Shot Them

Early Cinema in Asia

New Directions in National Cinemas

American Music Documentary

Five Case Studies of Cine-Ethnomusicology

Religion and Technology into the Future

From Adam to Tomorrow's Eve

The Poetics of Radical Hope in Abderrahmane Sissako's Film Experience

Hitler in the Movies

Finding Der Fuhrer on Film

Phenomenology of Film

A Heideggerian Account of the Film Experience

Argentine Cinema

From Noir to Neo-Noir

A Critical Companion to Tim Burton

Civil Servants on the Silver Screen

Hollywood's Depiction of Government and Bureaucrats

Speculative Imperialisms

Monstrosity and Masquerade in Postracial Times

Politics, Hollywood Style

American Politics in Film from Mr. Smith to Selma

Animation Writing and Development

From Script Development to Pitch

Cinema and Inter-American Relations

Tracking Transnational Affect

Art Platforms and Cultural Production on the Internet

Routledge Research in Cultural and Media Studies

Cinematic Interfaces

Film Theory After New Media

The Art of Videogames

The Structure of Style

Algorithmic Approaches to Understanding Manner and Meaning

A Computational Approach to Digital Chinese Painting and Calligraphy

Constructing Spain

The Re-imagination of Space and Place in Fiction and Film, 1953-2003

Possibility

Essays Against Despair

Truth from a Lie

Documentary, Detection, and Reflexivity in Abe Kobo's Realist Project

Filming Forster

The Challenges of Adapting E.M. Forster's Novels for the Screen

Ingmar Bergman, Cinematic Philosopher

Reflections on His Creativity

Semblance and Event

Activist Philosophy and the Occurrent Arts

World Cinema, Theology, and the Human

Humanity in Deep Focus

Cinematography of Carl Theodor Dreyer

Performative Camerawork, Transgressing the Frame

Cultivating Creativity through World Films

Exploring Cinematic Narratives Featuring Child Protagonists

London's Arts Labs and the 60s Avant-Garde

Contemporary Black American Cinema

Race, Gender and Sexuality at the Movies

The Real Ghostbusters

A Visual History

Break the Frame

Conversations with Women Filmmakers

The Costumes of Hollywood

Highlights from The Collection of Motion Picture Costume Design

Television Production

Directors Tell the Story

Master the Craft of Television and Film Directing

Digital Storytelling

A Creator's Guide to Interactive Entertainment, Volume I

Mobile Heritage

Practices, Interventions, Politics

A Level Film Studies

The Essential Introduction

Crafting Short Screenplays That Connect

Mediating Presence

Immersive Experience Design Workbook for UX Designers, Filmmakers, Artists, and Content Creators

Frames of Resistance

The Cinemas of Abya Yala

Sound Design for the Visual Storyteller

Creating Sound for Visual Media

Cine Craft

Routledge Revivals

Forty-Four Esolangs

The Art of Esoteric Code

The Horror in Hindi Cinema

Between the Mythic and the Monstrous

Adventurous Film Making

Routledge Revivals

The Complete Stein Poems, 1998-2003

1998-2003

Essay Cinema in the Digital Era

Literature, Cultural and Media Studies (R0)

AI for Creatives

Unlocking Expressive Digital Potential

Contemporary Performance and Political Economy

Oikonomia as a New Ethico-Political Paradigm

Hybrid Documentary and Non-Binary Cinema