Performance Art eTextbooks

The Bitter Sea

Coming of Age in a China Before Mao

The Universe of Peter Max

Here We Are Now

The Lasting Impact of Kurt Cobain

The Oxford Handbook of Indian Dance

Contemporary North American History Plays

Jaclyn Backhaus and Lauren Gunderson's Feminist Reworkings

Stanislavsky and Place

Siting Performance Internationally

Beyond the Moment

Connecting Histories of Latinx Performance and Resistance

Playing with Food

Language, Humor, and Disgust

Trust in the Art of Free Improvisation

The Black Dance Movement in England 1940-2000

Identity, Spirituality and Continuity

Storytelling Research Methods

Meaning Making and Interdisciplinary Knowledges across Borders

The Improv Playbook for Autism and Diverse Communication Styles

A Professional's Guide to Supporting Social Skills and Creative Expression

Performing Girls and Women

Medieval to Early Modern and Beyond

Race, Gender, and Disability in Puppetry and Material Performance

Art, Movement, and Disability

Transcending the Beauty Paradigm

The Routledge Companion to Twentieth Century British Theatre and Performance

Volume Two: 1950-2000

Kierkegaard and the Performatics of Philosophy

Routledge Advances in Theatre & Performance Studies

Climate Theatre

Ecology and Performance in a Climate Emergency

Directorless Shakespeare

Transformations through collective Embodied Literary Criticism

Women Staging and Restaging the Nineteenth Century

Great Britain and Beyond

Aerial Arts and Dance Improvisation

A Practical Guide to Creativity for Aerialists

Theatre and Revolution

Global Perspectives on Performance

Meditative Dance Theatre in Contemporary Taiwan

U-Theatre, Legend Lin Dance Theatre, Cloud Gate Dance Theatre and the Eastern Body Aesthetics

Dancing Chineseness and Techno-Choreography

Routledge Advances in Theatre & Performance Studies

The Oxford Handbook of Indian Dance

Oxford Handbooks

In-action

Viennese Actionism and the Passivities of Performance Art

Music, Theater, and Society in the Comedies of Luiz Carlos Martins Penna (1833-1846)

Amidst the Lundu, The Aria, and the Alleluia

The Philosophy of Theatre, Drama and Acting

Music, Dance, Affect, and Emotions in Latin America

Music, Culture, and Identity in Latin America

Modern Drama by Women 1880s-1930s

Scripting Dance in Contemporary India

Drawing the Surface of Dance

A Biography in Charts

Serious Fun

The Power of Improvisation for Learning and Life

Post-choreography

Jerome Bel's Choreography and Movement in Malfunction

Understanding Human Life through Psychoanalysis and Ancient Greek Tragedy

Explorations of Euripides, Sophocles and Aeschylus

Performance Making

a pedagogy for precarious times

A History of the American Musical Theatre

No Business Like It

Queering the Stage

Inclusive Approaches to Performing Gender and Sexuality

Philosophy, Analytic Aesthetics, and Theater

The Dancer's Handbook

A Practical Guide to Reimagining Dance, Body, and Society by OFEN Co-Arts

Techniques of Acting

Routledge Revivals

Arabs, Politics, and Performance

Routledge Advances in Theatre & Performance Studies

The Routledge Companion to Twentieth Century British Theatre and Performance

Volume One: 1900-1950

The Routledge Companion to Theatre and Performance

Routledge Companions

The Human Touch

Redefining the Art of British Contemporary Improvisational Theatre

Performing Human Consciousness

A Philosophical Investigation into the Staging of the Mind

Teaching Dance Improvisation

A Beginner's Guide

Memory

Shaping Connections in the Arts Therapies

Immersive Storytelling and Spectatorship in Theatre, Museums, and Video Games

The Architecture of Exhibitions

Experiential Design

Radical Sensing and Performer Training

Elsa Gindler's Embodied Translations

Student Agency in Devised Theatre Education

Creating Collaborative Theatre in Virtual and In-Person Classrooms

The Art of Drag

A Practical Performers' Handbook

Contemporary Cultural Tools for Identities in the Making

Routledge Studies in Material Culture and Politics

Comic Lives

Milestones in Queer US Theatre

Milestones

Collaborative Performance for Social Justice

In Classrooms, on Campuses, and with Communities

From Object to Performance

The Beginnings of Israeli Performance Art

A History of Intimacy Professionals in Entertainment

An Inside Look at a Movement

Dance Code

Dance Steps As A Code

Choreomusicology

Dialogues in Music and Dance

The Environment of Compassion

Ecology, Religion, and Embodied Story

Stanislavsky and Gender

Stanislavsky And...

Encountering Environments through the Arts

Interdisciplinary Embodiments, Politics, and Imaginaries

The Physically Disabled Dancer and the Affirmative Model of Disability

Routledge Advances in Theatre & Performance Studies

Trauma-Informed Practices for 9-12 Theatre Education

New Directions

Ways of Advance for the Amateur Theatre

Voices in the Creation of an Indigenous Trinidad and Tobago Theatre

Traditions of Medieval English Drama

Routledge Library Editions: Medieval Culture, Society, & Religion

Dramaturgy

An Anatomy of Dramatic Forms

Dramaturgies of Immersion

Analysing Poetics of Immersion and Emersion

Restoration Theatre Production

Routledge Revivals

English Medieval Theatre

1400-1500

Olympic Opening Ceremonies

Memory and Modernity

The Lieutenant Nun

Annotated Translation of the Play, Historical Accounts and Documents about Antonio/Catalina de Erauso

Meaning in the Midst of Performance

Contradictions of Participation

The Routledge Companion to the Anthropology of Performance

Routledge Companions

Figurations of Peripheries Through Arts and Visual Studies

Peripheries in Parallax

Lives in Motion

Celebrating Dance in Thailand

Ethical Agility in Dance

Rethinking Technique in British Contemporary Dance

Choreographing Dirt

Movement, Performance, and Ecology in the Anthropocene

Black Women Centre Stage

Diasporic Solidarity in Contemporary Black British Theatre

How Does Disability Performance Travel?

Access, Art, and Internationalization

Facial Choreographies

Performing the Face in Popular Dance

The Different Faces of Politics in the Visual and Performative Arts

The In-Between in Javanese Performing Arts

History and Myth, Interculturalism and Interreligiosity

Applied Theatre and the Sustainable Development Goals

Crises, Collaboration, and Beyond

Applied Theatre

The Key Concepts

Theory/Theatre

An Introduction

The Dramaturgy of Performing Science

New Work in Interdisciplinary Contexts

Voice and Identity

Recording Women

A Documentation of Six Theatre Productions

Performing Corporate Bodies

Multinational Theatre in Global India

Beyond Marginal Gains

The Search for High Performance and 'High-Hanging' Fruit

Comedy in Literature and Popular Culture

From Aristophanes to Saturday Night Live

An Open-Ended Run

A Memoir

Mess and Contemporary Performance

Complexity, Containment, and Collapse

1000 Ways to Ask Why

Introduction to Dramaturgical Thinking

Churchill

The Playwright

Jatinder Verma

Routledge Performance Practitioners