Ear Training

PrefaceUnit 1Melody 1A Melodic Dictation: Scalewise (Conjunct Diatonic) MelodiesMelody 1B Mode Identification: Major and Harmonic Minor ScalesMelody 1C Scale Degree Identification: Single NotesMelody 1D Intervals: m2, M2, m3, M3Melody 1E Models and Embellishments: Short Melodic StructuresHarmony 1A Chord Function Identification: I and V TriadsHarmony 1B Chords in Music Literature: I and V TriadsHarmony 1C Harmonic RhythmHarmony 1D Triad Position Identification: Major and Minor TriadsHarmony 1E Chord Quality Identification: Major and Minor TriadsHarmony 1F Triad Factors in the SopranoRhythm 1A Rhythmic Dictation: Rhythm Including Half- Beat ValuesUnit 2Melody 2A Melodic Dictation: Melodies Using m2, M2, m3, M3Melody 2B Mode Identification: Major and Three Forms of the Minor ScaleMelody 2C Scale Degree Identification: Two NotesMelody 2D New Intervals: P5 and P4Melody 2E Models and Embellishments: Descending Thirds in Two VoicesHarmony 2A Chord Function Identification: I, IV, and V TriadsHarmony 2B Chords in Music Literature: I, IV, and V TriadsHarmony 2C Nonharmonic Tones: IntroductionHarmony 2D Triad Position Identification: Major and Minor TriadsHarmony 2E Chord Quality Identification: Major, Minor and Diminished TriadsHarmony 2F Triad Factors in the Soprano and BassRhythm 2A Rhythmic Dictation: Duple and Triple Subdivisions of the BeatUnit 3Melody 3A Melodic Dictation: Melodies Using m2, M2, m3, M3, P4, P5Melody 3B Error Detection: Scalewise Melodies with ErrorsMelody 3C Scale Degree Identification: Three NotesMelody 3D Interval Review: m2, M2, m3, M3, P4, P5Melody 3E Models and Embellishments: Simple Melodic StructuresHarmony 3A Chord Function Identification: I, ii, and V TriadsHarmony 3B Chords in Music Literature: I, ii, and V TriadsHarmony 3C Cadence Identification: Cadence TypesHarmony 3D Harmonic Dictation: I(i), IV(iv), and V Triads in Four-Part PhrasesHarmony 3E Chord Quality Identification: Writing Major, Minor, Diminished, and Augmented TriadsRhythm 3A Rhythmic Dictation: Rhythmic Figures Including Half-Beat ValuesRhythm 3B Error Detection: Dotted Rhythm ValuesUnit 4Melody 4A Melodic Dictation: Scalewise Melodies and Arpeggiations of I and VMelody 4B Error Detection: Errors in Melodies Outlining the I, IV, and V TriadsMelody 4C Scale Degree Identification: Three NotesMelody 4D New Intervals: m6, M6Melody 4E Models and Embellishments: 5-6 Patterns in Two VoicesHarmony 4A Chord Function Identification: I, ii, IV, and V TriadsHarmony 4B Chords in Music Literature: I, ii, IV, and V TriadsHarmony 4C Nonharmonic Tones: Two-Voice ExamplesHarmony 4D Harmonic Dictation: I(i), ii, IV(iv), and V Triads in Chorale PhrasesHarmony 4E Chord Quality Identification: Major, Minor, Diminished, and Augmented TriadsRhythm 4A Rhythmic Dictation: Half-Beat Values in SyncopationRhythm 4B Error Detection: Half-Beat Values in SyncopationUnit 5Melody 5A Melodic Dictation: Melodies Outlining the I, IV, V (and vii06) TriadsMelody 5B Error Detection: Excerpts from Music LiteratureMelody 5C Melodic Figure Identification: Sequence and Rhythmic Repetition Melody 5D New Interval: The TritoneMelody 5E Models and Embellishments: Descending 6ths in Two VoicesHarmony 5A Chord Function Identification: I(i), ii (ii0), IV(iv), and V Triads and InversionsHarmony 5B Chords in Music Literature: I(i), ii(ii0), IV(iv) and V TriadsHarmony 5C Harmonic Rhythm and Nonharmonic TonesHarmony 5D Harmonic Dictation: I(i), ii, IV(iv), and V Triads in Chorale PhrasesHarmony 5E Error Detection: Single Triads in Four PartsRhythm 5A Rhythmic Dictation: Introduction to Quarter- Beat ValuesRhythm 5B Error Detection: Quarter-Beat ValuesUnit 6Melody 6A Melodic Dictation: Intervals of a 7thMelody 6B Error Detection: Schubert MelodiesMelody 6C Melodic Figure Identification: Sequence, False Sequence, and Rhythmic RepetitionMelody 6D New Intervals: m7 and M7Melody 6E Models and Embellishments: 7-3 Pattern in Two VoicesHarmony 6A Chord Function Identification: I, ii, IV, V, and vi TriadsHarmony 6B Chords in Music Literature: Emphasis on ii, IV, and viHarmony 6C Nonharmonic Tones: Four-Voice ExamplesHarmony 6D Harmonic Dictation: The I(i), ii(ii0), IV (iv) and V Triads in Chorale PhrasesHarmony 6E Error Detection: Triads in Fourt PartsRhythm 6A Rhythmic Dictation: Quarter-Beat ValuesRhythm 6B Error Detection: Triplet FiguresUnit 7Melody 7A Melodic Dictation: Two-Phrase MelodiesMelody 7B Error Detection: Handel MelodiesMelody 7C Melodic Figure Identification: Melodic DevicesRhythm 7D Intervals: All Diatonic IntervalsMelody 7E Models and Embellishments: Cadence Formulas in Two VoicesHarmony 7A Chord Function Identification: I(i), ii (ii0), iii(III,III+) IV(iv), V, and vi(VI) TriadsHarmony 7B Chords in Music Literature: Emphasis on iii and viHarmony 7C Harmonic Rhythm and Harmonic Analysis: I, ii, IV, V, and vi TriadsHarmony 7D Harmonic Dictation: I(i), ii(ii0), IV(iv), V, and vi(VI) Triads in Chorale PhrasesHarmony 7E Error Detection: Triads in Four PartsRhythm 7A Rhythmic Dictation: Quarter-Beat ValuesRhythm 7B Rhythmic Dictation: Beat Units Divided into TripletsUnit 8Melody 8A Melodic Dictation: Melodies with Larger LeapsMelody 8B Error Detection: Franck MelodiesMelody 8C Harmonic Rhythm, Harmonic Analysis, Sequences, Phrase Relationships, and CadencesMelody 8D Intervals: All Diatonic IntervalsMelody 8E Models and Embellishments: 5-6 Patterns in Three VoicesHarmony 8A Chord Function Identification: Diatonic Triads (Major Mode)Harmony 8B Chords in Music Literature: All TriadsHarmony 8C Nonharmonic Tones: Bach Chorales (1)Harmony 8D Harmonic Dictation: I(i), ii, IV(iv), V, vi (VI), and Vii0 Triads in Chorale PhrasesHarmony 8E Error Detection: Triads in Four PartsRhythm 8A Rhythmic Dictation: Quarter-Beat ValuesRhythm 8B Error Detection: Quarter-Beat ValuesUnit 9Melody 9A Melodic Dictation: Short Melodies from Music LiteratureMelody 9B Error Detection: Bach MelodiesMelody 9C Melodic Dictation: Two-Part DictationMelody 9D Intervals: Harmonic Intervals of the m3, Tritone, P5, m6, M6, m7Melody 9E Models and Embellishments: Descending First Inversion TriadsHarmony 9A Chord Function Identification: Six-Four ChordsHarmony 9B Chords in Music Literature: Six-Four ChordsHarmony 9C Harmonic Rhythm and Harmonic Analysis of Folk MelodiesHarmony 9D Harmonic Dictation: All Diatonic Triads in Chorale PhrasesHarmony 9E Error Detection: Triads in Four PartsRhythm 9A Rhythmic Dictation: Compound Meters with Quarter-Beat ValuesUnit 10Melody 10A Melodic Dictation: SequencesMelody 10B Error Detection: Themes from Music Literature Lacking AccidentalsMelody 10C Two-Voice DictationMelody 10D Intervals: All Intervals Played HarmonicallyMelody 10E Models and Embellishments: 7th Chord Patterns in Three VoicesHarmony 10A Chord Function Identification: Dominant 7th ChordsHarmony 10B Chords in Music Literature: Dominant 7th Chords (All Inversions)Harmony 10C Nonharmonic Tones: Bach Chorales (2)Harmony 10D Harmonic Dictation: The Dominant 7th Chord in Chorale PhrasesHarmony 10E Error Detection: Triads or Dominant 7th ChordsRhythm 10A Rhythmic Dictation: Triple and Triplet SubdivisionsRhythm 10B Rhythmic Dictation: Two-Voice RhythmsUnit 11Melody 11A Melodic Dictation: Short Melodies That Modulate to Closely Related KeysMelody 11B Error Detection: Excerpts from Music LiteratureMelody 11C Phrase Relationships and CadencesMelody 11D Intervals: All Intervals Played HarmonicallyMelody 11E Models and Embellishments: Chord Progression with Melodic EmbellishmentsHarmony 11A Chord Function Identification: vii07 (Deminished 7th Chord)Harmony 11B Chords in Music Literature: vii07 (Diminished 7th Chord)Harmony 11C Aural Analysis: Aspects of Two-Phrases That ModulateHarmony 11D Harmonic Dictation: Chorale Phrases That ModulateHarmony 11E Chord Quality Identification: MM, Mm, mm, dm, and dd 7th ChordsRhythm 11A Rhythmic Dictation: The QuartoletRhythm 11B Error Detection: More Difficult Rhythmic ErrorsUnit 12Melody 12A Melod ic Dictation: Modulations to Closely Related KeysMelody 12B Error Detection: Two-Voice CompositionsMelody 12C Binary, Rounded Binary, and Three-Part FormMelody 12D Interval Dictation: Two Intervals in SuccessionMelody 12E Models and Embellishments: I-V-I Progression with Melodic EmbellishmentsHarmony 12A Chord Function Identification: Nondominant 7th ChordsHarmony 12B Chords in Music Literature: Nondominant 7th ChordsHarmony 12C Aural Analysis: Harmonic and Melodic Relationships in Musical Periods from Haydn SonatasHarmony 12D Harmonic Dictation: Modulations to Closely Related KeysHarmony 12E Chord Quality Identification: MM, Mm, mm, dm, and dd 7th ChordsRhythm 12A Rhythmic Dictation: Eighth-Beat ValuesRhythm 12B Error Detection: Eighth-Beat ValuesUnit 13Melody 13A Melodic Dictation: Modulation in Two-Phrase PeriodsMelody 13B Error Detection: Brahms MelodiesMelody 13C Binary, Rounded, Binary, and Three-Part FormMelody 13D Interval Dictation: Two and Three Intervals in SuccessionMelody 13E Models and Embellishments: I-V-I Progression with Diatonic Melodic EmbellishmentsHarmony 13A Chord Function Identification: Secondary Dominants of V and iiHarmony 13B Chords in Music Literature: Secondary Dominants of ii, IV, and VHarmony 13C Aural Analysis: Key, Phrase, and Cadence Relationships in Musical ExcerptsHarmony 13D Harmonic Dictation: Chorale Phrases Containing 7th ChordsHarmony 13E Error Detection: Triads and 7th ChordsRhythm 13A Rhythmic Dictation: Introduction to the SupertripletRhythm 13B Error Detection: Eighth-Beat ValuesUnit 14Melody 14A Melodic Dictation: Modulation in Two-Phrase MelodiesMelody 14B Error Detection: Excerpts from Music LiteratureMelody 14C Mode Identification: Dorian, Phrygian, Lydian, and Mixolydian ModesMelody 14D Interval Dictation: Three Intervals in SuccessionMelody 14E Models and Embellishments: I-V-I Progression with Chromatic Melodic EmbellishmentsHarmony 14A Chord Function Identification: Secondary Dominants of IV(iv) and vi(VI)Harmony 14B Chords in Music Literature: Secondary Dominants and Leading Tone Chords of iii and IVHarmony 14C Aural Analysis: Four-Phrase Excerpt from a Beethoven Piano SonataHarmony 14D Harmonic Dictation: Chorale Phrases Containing Secondary Dominants Harmony 14E Error Detection: Triads and 7th ChordsRhythm 14A Rhythmic Dictation: Subtriplet in Simple and Compound MeterRhythm 14B Error Detection: Subtriplet in Simple and Compound MeterUnit 15Melody 15A Melodic Dictation: Nondiatonic TonesMelody 15B Error Detection: Five Note Melodic FiguresMelody 15C Mode Identification: Dorian, Phrygian, Lydian, Mixolydian and Aeolian ModesMelody 15D Interval Dictation: Adding Proper Accidentals to Modal MelodiesMelody 15E Models and Embellishments: Harmonic Structure with Melodic and Harmonic EmbellishmentsHarmony 15A Chord Function Identification: All Secondary DominantsHarmony 15B Chords in Music Literature: All Secondary Dominants and Leading Tone ChordsHarmony 15C Aural Analysis: Phrase, Key, Cadence, and Harmonic Relationships in a Five-Phrase Excerpt from a Beethoven Piano SonataHarmony 15D Harmonic Dictation: Modulation in Chorale PhrasesHarmony 15E Error Detection: Triads and 7th ChordsHarmony 15F Identifying Modulations to Closely Related and Foreign KeysRhythm 15A Rhythmic Dictation: More Difficult RhythmsRhythm 15B Error Detection: More Difficult Rhythmic ErrorsUnit 16Melody 16A Melodic Dictation: Nondiatonic TonesMelody 16B Error Detection: Short Melodic Segments Based on IntervalsMelody 16C Melodic Dictation: Typical Blues FiguresMelody 16D Interval Dictation: Two-Voice Modal CompositionsMelody 16E Models and Embellishments: Harmonic Structure with Melodic and Harmonic EmbellishmentsHarmony 16A Chord Function Identification: German and French Augmented 6th Chords and the Neapolitan 6th ChordsHarmony 16B Chords in Music Literature: Neapolitan 6th Chords and Augmented 6th ChordsHarmony 16C Aural Analysis: Binary, Rounded Binary, and Three-Part FormsHarmony 16D Harmonic Dictation: Chorale Phrases Containing Neapolitan 6th and Augmented 6th ChordsHarmony 16E Error Detection: Triads and 7th Chords Rhythm 16A Rhythmic Dictation: Changing MetersRhythm 16B Error Detection: Review