Dr. Jekyll and Mr. Hyde

By: Robert Louis Stevenson

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Paperback | 15 December 1990

At a Glance

Paperback
96 Pages

Dimensions(cm)
17.15 x 10.8 x 1.27

Paperback

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Tor Classics are affordably-priced editions designed to attract the young reader. Original dynamic cover art enthusiastically represents the excitement of each story. Appropriate "reader friendly" type sizes have been chosen for each title--offering clear, accurate, and readable text. All editions are complete and unabridged, and feature Introductions and Afterwords.
This edition of "Strange Case of Dr. Jekyll and Mr. Hyde" includes an Introduction and Afterword by Charles L. Grant.
British lawyer Mr. Utterson had proof. Hyde was a foul, twisted, shrunken creature who had brutally stomped a little girl and beaten an old man to death--for no reason. Hyde left a trail of evil across London; the mere sight of him made stranger violent with fear and disgust...
"But Hyde was Dr. Jekyll's sole heir."
And that made no sense at all. Henry Jekyll was the kindest, most civil, most respected man in England. What power could a monster like Hyde hold over Jekyll's soul? Utterson vowed to solve the mystery, and free his friend from Hyde's clutches...until his hunt led to a horror beyond blackmail, beyond extortion; to a secret so shocking, so sickening, so personal--"That the sheer terror of the truth could drive men mad..."

Industry Reviews

Two comic-book veterans condense Stevenson's well-known psychological thriller into 40 pages in this slim graphic-novel adaptation. Following closely to the original, Grant's adaptation portrays the enigmatic Dr. Jekyll, as pursued by the lawyer Mr. Utterson. When Utterson hears rumors of a ruthless maniac named Mr. Hyde, he begins an investigation into Hyde's background. As he deepens his search, he makes the startling discovery that Jekyll and Hyde are actually the same person. Grant's reworking should serve as an adequate introduction for younger readers interested in Stevenson's work. Kennedy's illustrations, while brightly colored, are somewhat flat, with a consistently straight-on point-of-view; the overuse of this angle becomes tiring. As far as graphic-novel adaptations go, this one is rather pedestrian: There are no real standout features, though no glaring detractions. And not much popular appeal, either, unless classics adapted in this form are actively being sought. (Graphic fiction. 10 & up) (Kirkus Reviews)

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