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Documentary in Practice

Filmmakers and Production Choices

By: Jane L. Chapman

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Hardcover | 14 December 2006 | Edition Number 1

At a Glance

Hardcover
184 Pages

Dimensions(cm)
25.4 x 18.03 x 1.8

Hardcover

$161.75

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Documentary in Practice provides a unique approach to practical documentary-making. Through fascinating analysis of real-life production situations, Jane Chapman shows the challenges and issues faced during the filmmaking process by a range of both well-known and up-and-coming documentary-makers. She also brings her own personal experience as a seasoned documentary producer and teacher to advise on how students can gain invaluable insight from these projects. Throughout this compelling text, a variety of producers past and present provide their inside project stories and production records, including scripts, fundraising proposals, budgets, diagrams, post-production records and reviews. Across continents, every project and its makers are different whether they are famous names from the canon', television freelances, art-house directors, documentary-maker activists or first-time filmmakers but they all face a range of challenges: <ul> <li>how to connect visual approach to content idea <li>morality of camera presence <li>complaints and ethical challenges <li>legal issues and censorship <li>budgetary factors influencing choices <li>conflict with commissioning editors</li></ul> All students of media studies as well as aspiring documentary-makers will find this book a refreshing introduction to the choices available for filmmaking and the issues that may emerge during the process.

Industry Reviews

"This book, which offers wonderful examples of film-makers reflecting on their practical choices, together with insightful commentary from the author, shows how critical thinking is foundational to the film-making practice."
European Journal of Communication

"Jane Chapman manages to mix creative enthusiasm and practical advice in equal measure. This engaging book, informed by her experience in television, is a major contribution to teaching documentary production. Its thoughtful commentary and sequence of illuminating case-studies will also be of value to a broader understanding of this area of work and its critical appreciation."
John Corner, University of Liverpool

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