David Lean

This valuable and enjoyable book serves as a useful reminder for those of us exploring the obscurer reaches of British cinema that there are major landmarks out there which we would be unwise to ignore.

'Financial pressures, plus the sheer proliferation of film books, mean that libraries have to be more selective now than in the past. All one can say is that this book on David Lean should be a high priority. Librarians and department heads, please note... The book constitutes an excellent guide for retracing and reassessing Lean's career from start to finish... Williams clinches her argument with a confident final chapter entitled 'Feminising the Epic'. Anyone writing or teaching about Lean from now on will need to take into account that argument, and her readings of individual films across four decades... this book is as important as Brownlow's, and forms an ideal companion to it.'
Charles Barr, Viewfinder

'One might wonder if another book on Lean's films is really necessary. Williams proves that it is... Williams' enthusiasm for Lean's films makes her a persuasive advocate and she argues cogently and intelligently... her assessments are always acute and even when one disagrees with her judgement there's enough to give pause for thought and reconsideration. This valuable and enjoyable book serves as a useful reminder for those of us exploring the obscurer reaches of British cinema that there are major landmarks out there which we would be unwise to ignore.'
Robert Murphy, Journal of British Cinema and Television

'Williams sets out to refute the common view of Lean as an "essentially cold" director. On the contrary, she detects in his films a strong emotional undercurrent and, rather unexpectedly, a distinct feminine angle in much of his work... drawing worthwhile attention to several of his lesser known films.'
Philip Kemp, Sight and Sound

'In this convincingly argued text, the author redresses the balance of previous books on the director... Williams' volume is an essential addition to the publishers' British Film Makers series, which has mostly been confined to cinema's lesser luminaries. Ultimately she argues convincingly and accessibly for the reconsideration of Lean.'
Elaine Lennon, Historical Journal of Film, Radio and Television