| Introduction | p. xi |
| Chronology | p. xvii |
| Filmography | p. xxv |
| At the Sign of the Flaming Arcs | p. 3 |
| David W. Griffith Speaks | p. 6 |
| A Poet Who Writes on Motion Picture Films | p. 11 |
| Editorials in Films | p. 16 |
| D. W. Griffith Answers Two Vital Questions | p. 18 |
| D. W. Griffith Producer of the World's Biggest Picture | p. 20 |
| Five Dollar Movies Prophesied | p. 23 |
| Interviews with Prominent Directors: "And the Greatest of These Is" | p. 28 |
| The Story of David Wark Griffith: Part One | p. 31 |
| The Story of David Wark Griffith: Part Two | p. 37 |
| The Story of David Wark Griffith: Part Three | p. 46 |
| The Story of David Wark Griffith: Part Four | p. 52 |
| The Story of David Wark Griffith: Part Five | p. 58 |
| The Real Story of Intolerance | p. 63 |
| The Making of a Masterpiece | p. 70 |
| The Film World's Greatest Achievement Pictures and Picturegoer/1917 | p. 73 |
| D. W. Griffith Champions England's Natural Light Moving Picture World/1917 | p. 79 |
| Took Scenes in the Trenches New York Times/1917 | p. 80 |
| Griffith Returns from the Front with Official Pictures Made under Fire-will Use Them in a Film Spectacle of War Exhibitors Trade Review/1917 | p. 81 |
| Griffith-and the Great War | p. 85 |
| Griffith, Maker of Battle Scenes, Sees Real War | p. 92 |
| Pictures and Projectiles New York Times/1918 | p. 98 |
| Life and the Photodrama | p. 100 |
| How Griffith Picks His Leading Women | p. 104 |
| Humanity's Language New York Times/1919 | p. 108 |
| Griffith Points Out Need of Tragedy on the Screen; Likes San Francisco Moving Picture World/1919 | p. 111 |
| The Poet-Philosopher of the Photoplay | p. 113 |
| Exhibitor is a Co-Artist, Says D. W. Griffith, Returns from Los Angeles to Open Eastern Studio Exhibitors Trade Review/1919 | p. 117 |
| The Filming of Way Down East | p. 121 |
| The Moral and the Immoral Photoplay | p. 129 |
| The Greatest Moving Picture Producer in the World | p. 132 |
| Griffith Reveals Sartorial Secrets | p. 133 |
| D. W. Griffith's Screen Version of The Two Orphans Would Fill Its Author with Awe | p. 135 |
| An Intimate Closeup of D. W. Griffith Movie Weekly/1922 | p. 140 |
| Griffith: Maker of Pictures | p. 143 |
| The Genius of a Masterpiece Shadowland/1922 | p. 151 |
| Griffith Film Stirs Anger of Parisians New York Times/1922 | p. 152 |
| Stereoscopic Films New York Times/1922 | p. 155 |
| In and Out of Focus: D. W. Griffith | p. 157 |
| What are the Chances of a Beginner Photoplay/1923 | p. 160 |
| D. W. Griffith is Struggling to Pay His Debts | p. 162 |
| How Do You Like the Show? | p. 168 |
| Don't Blame the Movies! Blame Life! | p. 175 |
| He Might Be the Richest Man in the World | p. 180 |
| His Best Pictures Were the Least Expensive, Says "D. W." | p. 184 |
| D. W. Griffith Addresses the Academy of Motion Picture Arts and Sciences AMPAS Bulletin/1928 | p. 185 |
| Walter Huston Interviews D. W. Griffith | p. 187 |
| David Wark Griffith Tells 'Em Motion Picture Herald/1933 | p. 189 |
| The Star-Maker Whose Dreams Turned to Dust | p. 192 |
| Film Master is Not Proud of Films: "They Do Not Endure" Daily Express/1935 | p. 197 |
| D. W. Griffith Tells Plans Which Include Picture Making | p. 198 |
| Return of a Master | p. 201 |
| Griffith Back to Live Here "for Half Century" | p. 204 |
| "Cinema's Fullest Scope Still Ahead"-D. W. Griffith | p. 206 |
| Forty-Seven Questions from Seymour Stern to D. W. Griffith | p. 209 |
| Flash-Back to Griffith | p. 212 |
| The Writings of D. W. Griffith | p. 219 |
| Index | p. 221 |
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