Introduction; Chapter 1. Henry Y oxall on four poems in 'Books and Pictures', Schoolmaster; Part 1 THE WHITE PEACOCK; Chapter 2 Unsigned review in Times Literary Supplement; Chapter 3 Allan Monkhouse in Manchester Guardian; Chapter 4 Unsigned review in Morning Post; Chapter 5 Violet Hunt in Daily Chronicle; Chapter 6 Unsigned review in Daily News; Chapter 7 Henry Savage in Academy; Part 2 THE TRESPASSER; Chapter 8 Unsigned review in Athenaeums; Chapter 9 Basil de Selincourt in Manchester Guardian; Chapter 10 Unsigned review in the Morning Post; Chapter 11 II. Unsigned review in New York Times Book Review; Part 3 LOVE POEMS AND OTHERS; Chapter 12 Edward Thomas in Bookman; Chapter 13 Ezra Pound in New Freewoman; Chapter 14 Unsigned review in Nation; Part 4 SONS AND LOVERS; Chapter 15 Unsigned review in Standard; Chapter 16 Unsigned review in Westminster Gazette; Chapter 17 Harold Massingham in Daily Chronicle; Chapter 18 Unsigned review in Saturday Review; Chapter 19 Lascelles Abercrombie In Manchester Guardian; Chapter 20 Unsigned review in Nation; Chapter 21 Louise Maunsell Field in New York Times Book Review; Chapter 22 Alfred Kuttner in New Republic; Part 5 THE PRUSSIAN OFFICER; Chapter 23 Unsigned review in Outlook; Part 6 THE RAINBOW; Chapter 24 Extracts from Lawrence's letters concerning The Rainbow; Chapter 25 Unsigned review in Standard; Chapter 26 Robert Lynd in Daily News; Chapter 27 27. James Douglas in Star; Chapter 28 28. Clement Shorter, comment in 'A Literary Letter', Sphere; Chapter 29 29. H. M. Swanwick in Manchester Guardian; Chapter 30 30. Catherine Carswell in Glasgow Herald; Chapter 31 31. Prosecution of The Rainbow, The Times; Chapter 32 32. J. C. Squire, discussion of the suppression of The Rainbow in the 'Books in General' column, New Statesman; Chapter 33 33. Galsworthy, letter to J.B. Pinker; Part 7 AMORES; Chapter 34 34. Francis Bickley in Bookman; Chapter 35 35. Edward Garnett,'Art and the Moralists: Mr.D.H. Lawrence's Work', Dial; Part 8 LOOK! WE HAVE COME THROUGH!; Chapter 36 36. John Gould Fletcher in Poetry (Chicago); Chapter 37 37. Conrad Aiken in Dial; Chapter 38 38. Louis Untermeyer, 'D. H. Lawrence', New Republic; Chapter 39 39. Douglas Goldring from 'The Later Work of D. H. Lawrence', Reputations; Part 9 THE LOST GIRL; Chapter 40 40. Virginia Woolf in Times Literary Supplement, VirginiaWoolf; Chapter 41 41. Katherine Mansfield on The Lost Girl; Chapter 42 42. Edward Garnett in Manchester Guardian; Chapter 43 43. J. M. Murry inAthenaeum; Chapter 44 44. Francis Hackett in New Republic; Chapter 45 45. Abel Chevalley on Lawrence, from Le Roman Anglais de Notre Temps; Part 10 WOMEN IN LOVE; Chapter 46 46. John Macy in New York Evening Post Literary Review; Chapter 47 47. Evelyn Scott in Dial; Chapter 48 48. Unsigned review inSaturday Westminster Gazette; Chapter 49 49. J. M. Murry in Nation and Athenaeum; Part 11 SEA AND SARDINIA; Chapter 50 50. Francis Hackett in New Republic; Part 12 AARON'S ROD; Chapter 51 51. J. M. Murry in Nation and Athenaeum; Chapter 52 52. Edward Shanks in London Mercury; Part 13 FANTASIA OF THE UNCONSCIOUS; Chapter 53 53. J. M. Murry in Algemeen Handelsblad; Part 14 ENGLAND, MY ENGLAND; Chapter 54 54 Unsigned review in New York Times Book Review; Part 15 THE LADYBIRD; Chapter 55 55. Unsigned review in Times Literary Supplement; Chapter 56 56. Charles Marriott in Manchester Guardian; Chapter 57 57. Unsigned review in Spectator; Chapter 58 58. Edward Shanks,' Mr. D. H. Lawrence: Some Characteristics', London Mercury; Part 16 STUDIES IN CLASSIC AMERICAN LITERATURE; Chapter 59 59. Stuart P. Sherman, review, New York Evening Post Literary Review; Part 17 KANGAROO; Chapter 60 60. Unsigned review in Times Literary Supplement; Chapter 61 61. Alyse Gregory in Dial; Part 18 BIRDS, BEASTS AND FLOWERS; Chapter 62 62. Unsigned review in Times Literary Supplement; Chapter 63 63. Edwin Muir in Freeman; Part 19 THE BOY IN THE BUSH; Chapter 64 64. L. P. Hartley in Spectator; Chapter 65 65. John Franklin in New Statesman; Chapter 66 66. Lloyd Morris in New York Times Book Review; Chapter 67 67. Edwin Muir, 'D. H. Lawrence', Nation; Part 20 ST. MAWR; Chapter 68 68. Stuart P. Sherman, review, New York Herald Tribune Books; Part 21 REFLECTIONS ON THE DEATH OF A PORCUPINE; Chapter 69 69. Edward Sackville West in New Statesman; Part 22 THE PLUMED SERPENT; Chapter 70 70. Charles Marriott in Manchester Guardian; Chapter 71 71. L. P. Hartley in Saturday Review; Chapter 72 72. Katherine Anne Porter in New York Herald Tribune Books; Chapter 73 73. Richard Aldington, 'D. H. Lawrence as Poet', Saturday Review of Literature; Chapter 74 74. T. S. Eliot, from 'The Contemporary Novel' (original English text of 'Le Roman Anglais Contemporain', La Nouvelle Revue Française); Part 23 LADY CHATTERLEY'S LOVER; Chapter 75 75. Unsigned comment, 'Famous Novelist's Shameful Book', John Bull; Chapter 76 76. J. M. Murry in Adelphi; Chapter 77 77. Unsigned review in Times Literary Supplement; Chapter 78 78. V. S. Pritchett in Fortnightly Review; Chapter 79 79. Henry Hazlitt in Nation; Chapter 80 80. Andre Malraux, Preface to L'Amant de Lady Chatterley (translation); Chapter 81 81. Yeats on Lady Chatterley's Lover; Part 24 COLLECTED POEMS; Chapter 82 82. J. C. Squire in Observer; Chapter 83 83. Unsigned review in Times Literary Supplement; Part 25 THE PAINTINGS OF D. H. LAWRENCE; Chapter 84 84. T. W. Earp in New Statesman; Part 26 PANSIES; Chapter 85 85. Unsigned review in Times Literary Supplement; Chapter 86 86. Mark Van Doren in New York Herald Tribune Books; Part 27 PORNOGRAPHY AND OBSCENITY; Chapter 87 87. Unsigned review, New Statesman; Chapter 88 88. E. M. Forster in Nation and Athenaeum; Part 28 OBITUARIES; Chapter 89 89. The theme of decline, The Times; Chapter 90 90. 'A Genius pain-obsessed', Manchester Guardian; Chapter 91 91. The theme of decline again, Glasgow Herald; Chapter 92 92. J. C. Squire, the 'precious residuum', Observer; Chapter 93 93. Paul Rosenfeld, an assessment of Lawrence's work, New Republic; Chapter 94 94. Arnold Bennett, a tribute of admiration, Evening Standard; Chapter 95 95. E. M. Forster on Lawrence's art and ideas, The Listener; Chapter 96 96. A plain man's view, Alan Reynolds Thompson on Lawrence, Bookman (N.Y.); Chapter 97 97. 'The victim and the sacrificial knife', T. S. Eliot on Lawrence, a review of Son of Woman by J. M. Murry;
