| Introduction | |
| 'All catches alight' | p. 3 |
| 'This was your place of birth, this daytime palace' | p. 5 |
| 'The moon is full tonight' | p. 6 |
| Dawn | p. 7 |
| Conscript | p. 8 |
| 'Kick up the fire, and let the flames break loose' | p. 9 |
| 'The horns of the morning' | p. 10 |
| Winter | p. 11 |
| 'Climbing the hill within the deafening wind' | p. 13 |
| 'Within the dream you said' | p. 14 |
| Night-Music | p. 15 |
| 'Like the train's beat' | p. 16 |
| 'I put my mouth' | p. 17 |
| Nursery Tale | p. 18 |
| The Dancer | p. 19 |
| 'The bottle is drunk out by one' | p. 20 |
| 'To write one song, I said' | p. 21 |
| 'If grief could burn out' | p. 22 |
| Ugly Sister | p. 23 |
| 'I see a girl dragged by the wrists' | p. 24 |
| 'I dreamed of an out-thrust arm of land' | p. 26 |
| 'One man walking a deserted platform' | p. 27 |
| 'If hands could free you, heart' | p. 28 |
| 'Love, we must part now: do not let it be' | p. 29 |
| 'Morning has spread again' | p. 30 |
| 'This is the first thing' | p. 31 |
| 'Heaviest of flowers, the head' | p. 32 |
| 'Is it for now or for always' | p. 33 |
| 'Pour away that youth' | p. 34 |
| 'So through that unripe day you bore your head' | p. 35 |
| The North Ship | p. 36 |
| 'Waiting for breakfast, while she brushed her hair' | p. 40 |
| Lines on a Young Lady's Photograph Album | p. 43 |
| Wedding-Wind | p. 45 |
| Places, Loved Ones | p. 46 |
| Coming | p. 47 |
| Reasons for Attendance | p. 48 |
| Dry-Point | p. 49 |
| Next, Please | p. 50 |
| Going | p. 51 |
| Wants | p. 52 |
| Maiden Name | p. 53 |
| Born Yesterday | p. 54 |
| Whatever Happened? | p. 55 |
| No Road | p. 56 |
| Wires | p. 57 |
| Church Going | p. 58 |
| Age | p. 60 |
| Myxomatosis | p. 61 |
| Toads | p. 62 |
| Poetry of Departures | p. 64 |
| Triple Time | p. 65 |
| Spring | p. 66 |
| Deceptions | p. 67 |
| I Remember, I Remember | p. 68 |
| Absences | p. 70 |
| Latest Face | p. 71 |
| If, My Darling | p. 72 |
| Skin | p. 73 |
| Arrivals, Departures | p. 74 |
| At Grass | p. 75 |
| Here | p. 79 |
| Mr. Bleaney | p. 81 |
| Nothing To Be Said | p. 82 |
| Love Songs in Age | p. 83 |
| Naturally the Foundation will Bear Your Expenses | p. 84 |
| Broadcast | p. 85 |
| Faith Healing | p. 86 |
| For Sidney Bechet | p. 87 |
| Home is so Sad | p. 88 |
| Toads Revisited | p. 89 |
| Water | p. 91 |
| The Whitsun Weddings | p. 92 |
| Self's the Man | p. 95 |
| Take One Home for the Kiddies | p. 97 |
| Days | p. 98 |
| MCMXIV | p. 99 |
| Talking in Bed | p. 100 |
| The Large Cool Store | p. 101 |
| A Study of Reading Habits | p. 102 |
| As Bad as a Mile | p. 103 |
| Ambulances | p. 104 |
| The Importance of Elsewhere | p. 105 |
| Sunny Prestatyn | p. 106 |
| First Sight | p. 107 |
| Dockery and Son | p. 108 |
| Ignorance | p. 110 |
| Reference Back | p. 111 |
| Wild Oats | p. 112 |
| Essential Beauty | p. 113 |
| Send No Money | p. 114 |
| Afternoons | p. 115 |
| An Arundel Tomb | p. 116 |
| To the Sea | p. 121 |
| Sympathy in White Major | p. 123 |
| The Trees | p. 124 |
| Livings | p. 125 |
| Forget What Did | p. 128 |
| High Windows | p. 129 |
| Friday Night in the Royal Station Hotel | p. 130 |
| The Old Fools | p. 131 |
| Going, Going | p. 133 |
| The Card-Players | p. 135 |
| The Building | p. 136 |
| Posterity | p. 139 |
| Dublinesque | p. 140 |
| Homage to a Government | p. 141 |
| This Be The Verse | p. 142 |
| How Distant | p. 143 |
| Sad Steps | p. 144 |
| Solar | p. 145 |
| Annus Mirabilis | p. 146 |
| Vers de Societe | p. 147 |
| Show Saturday | p. 149 |
| Money | p. 152 |
| Cut Grass | p. 153 |
| The Explosion | p. 154 |
| Uncollected Poems 1940-1972 | |
| Ultimatum | p. 157 |
| Story | p. 158 |
| A Writer | p. 159 |
| May Weather | p. 160 |
| Observation | p. 161 |
| Disintegration | p. 162 |
| Mythological Introduction | p. 163 |
| A Stone Church Damaged by a Bomb | p. 164 |
| Femmes Damnees | p. 165 |
| Plymouth | p. 166 |
| Portrait | p. 167 |
| The Dedicated | p. 168 |
| Modesties | p. 169 |
| Fiction and the Reading Public | p. 170 |
| Oils | p. 171 |
| 'Who called love conquering' | p. 172 |
| 'Since the majority of me' | p. 173 |
| Arrival | p. 174 |
| Tops | p. 175 |
| Success Story | p. 176 |
| Continuing to Live | p. 177 |
| Pigeons | p. 178 |
| Breadfruit | p. 179 |
| Love | p. 180 |
| 'When the Russian tanks roll westward' | p. 181 |
| How | p. 182 |
| Heads in the Women's Ward | p. 183 |
| Uncollected Poems 1974-1984 | |
| The Life with a Hole in it | p. 187 |
| Bridge for the Living | p. 188 |
| Aubade | p. 190 |
| 1952-1977 | p. 192 |
| 'New eyes each year' | p. 193 |
| The Mower | p. 194 |
| 'Dear CHARLES, My Muse, asleep or dead' | p. 195 |
| 'By day, a lifted study-storehouse' | p. 197 |
| Party Politics | p. 198 |
| Composition dates and dates of first appearance | p. 201 |
| Index of titles | p. 211 |
| Index of first lines | p. 215 |
| Table of Contents provided by Blackwell. All Rights Reserved. |