Antigone on the Contemporary World Stage

1: Erin B. Mee & Helene P. Foley: Introduction: Mobilizing Antigone I. Antigone in Antiquity 2: Edith Hall: Antigone and the Internationalization of Theatre in Antiquity II. An Ancient Greek Play? 3: Moira Fradinger: An Argentine Tradition 4: Fiona Macintosh: Irish Antigone and Burying the Dead III. Cultural Freedom 5: Erin B. Mee: The Fight for Regional Autonomy Through Regional Culture: Antigone in Manipur, NE India 6: Moira Fradinger: Danbala's Daughter: Félix Morisseau-Leroy's Antigòn 7: Dongshin Chang: Antigone Inculturated in Tainan of Southern Taiwan 8: Cobina Gillitt: How the Fish Swims in Dirty Water: Antigone in Indonesia IV. Antigone and Human Rights 9: Serap Erincin: Performing Rebellion: Eurydice's Cry in Turkey 10: Dave Hunsaker: `You should have listened instead of mocking the spirits': Yup'ik Antigone in the Arctic 11: Marc Robinson: Declaring and Rethinking Solidarity: Antigone in Cracow V. Individual vs. Collective 12: Mae J. Smethurst: The Ku Na'uka Theatre Company's Antigone in Tokyo 13: Gonda Van Steen: 'Suspect always, like the truth': The Antigone of Aris Alexandrou on the Urban Stage of Thessaloniki, 2003 VI. Antigone as Dissident 14: Mark Seamon: Antigone for Young Audiences: A Protest Parable 15: Dongshin Chang: Democracy at War: Antigone: Insurgency in Toronto VII. Cultural Memory 16: Edward Ziter: No Grave in the Earth: Antigone's Emigration and Arab Circulations 17: Martina Treu: Never Too Late: Antigone in a German WWII Cemetery in the Italian Appennines Mountains 18: Barbara Goff & Michael Simpson: Voice from the Black Box: Sylvain Bemba's Black Wedding Candles for Blessed Antigone VIII. Sophocles vs. Anouilh 19: Nehad Selaiha: Antigone in Egypt 20: Helene P. Foley: Millennial Antigone in the US: Anouilh Revisited 21: Lorna Hardwick: Antigone's Journey : From Athens to Edinburgh, via Paris and Tbilisi 22: Hana Worthen: `Humanism', Scenography, Ideology: Antigone at the Finnish National Theatre, 1968