Chieu Hoi Saloon

"Mike Harris' novel has all the brave force and arresting power of Celine and Dostoevsky in its descent into the depths of human anguish and that peculiar gallantry of the moral soul that is caught up in irrational self-punishment at its own failings. Yet Harris manages an amazing and transforming affirmation--the novel floats above all its pain on pure delight in the variety of the human condition. It is a story of those sainted souls who live in bars, retreating from defeat but rendered with such vividness and sensitivity that it is impossible not to care deeply about these figures from our own waking dreams. In an age less obsessed by sentimentality and mawkish 'uplift, ' this book would be studied and celebrated and emulated."
--John Shannon, author of The Taking of the Waters and the Jack Liffey mysteries

"Michael Harris is a realist with a realist's unflinching eye for the hard truths of contemporary times. Yet in The Chieu Hoi Saloon, he gives us a hero worth admiring: the passive, overweight, depressed and sex-obsessed Harry Hudson, who in the face of almost overwhelming despair still manages to lead a valorous life of deep faith. In this powerful and compelling first novel, Harris makes roses bloom in the gray underworld of porno shops, bars and brothels by compassionately revealing the yearning loneliness beneath the grime--our universal human loneliness that seeks transcendence through love."
--Paula Huston, author of Daughters of Song and The Holy Way

"The Chieu Hoi Saloon concerns one Harry Hudson, the literary bastard son of David Goodis and Dorothy Hughes. Hardcore and unsparing, the story takes you on a ride with Harry in his bucket of a car and pulls you into his subterranean existence in bright daylight and gloomy shadow. One sweet read."
--Gary Phillips, author of The Jook

"Michael Harris is one of those rare beings: a natural writer, with insight, sensitivity and enviable talent."
--Charlotte Vale Allen, author of Daddy's Girl and Mood Indigo