Change

By: Mo Yan, Howard Goldblatt (Translator)

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Paperback | 23 October 2012 | Edition Number 1

At a Glance

Paperback
118 Pages

Dimensions(cm)
17.7 x 10.8 x 1.2

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$36.75

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In Change, Mo Yan, winner of the 2012 Nobel Prize in Literature, personalises the political and social changes in his country over the past few decades in this novella disguised as autobiography or vice versa. Unlike most historical narratives from China, which are pegged to political events, Change is a representative of 'people's history', a bottom-up rather than top-down view of a country in flux. By moving back and forth in time and focusing on small events and everyday people, Mo Yan breathes life into history by describing the effects of larger-than-life events on the average citizen.

About the Author

Mo Yan has published dozens of short stories and novels in Chinese. His other works include Pow!; The Garlic Ballads; The Republic of Wine; Shifu; You'l Do Anything for a Laugh; Big Breasts & Wide Hips; and Life and Death Are Wearing Me Out.

About the Translator

Howard Goldblatt is research professor of Chinese at the University of Notre Dame. Founding editor of Modern Chinese Literature, he has contributed essays and articles to the Washington Post, Times, Time, World Literature Today, and the Los Angeles Times , among other publications.

Industry Reviews

"In his novels and short stories, Mr. Mo paints sprawling, intricate portraits of Chinese rural life, often using flights of fancy-animal narrators, elements of fairy tales-that evoke the lyrical techniques of South American magical realists." -New York Times "Through a mixture of fantasy and reality, historical and social perspectives, Mo Yan has created a world reminiscent in its complexity of those in the writings of William Faulkner and Gabriel Garcia Marquez, at the same time finding a departure point in old Chinese literature and in oral tradition."-Nobel Committee for Literature "If China has a Kafka, it may be Mo Yan. Like Kafka, Yan has the ability to examine his society through a variety of lenses, creating fanciful, Metamorphosis-like transformations or evoking the numbing bureaucracy and casual cruelty of modern governments."-Publishers Weekly"

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