Can't Stop Won't Stop

Forged in the fires of the Bronx and Kingston, Jamaica, hip-hop has been a generation-defining global movement. In a post-civil rights era rapidly transformed by deindustrialization and globalization, hip-hop gave voiceless youths a chance to address these seismic changes, and became a job-making engine and the Esperanto of youth rebellion. Hip-hop crystallized a multiracial generation's worldview, and forever transformed politics and culture. But the epic story of how that happened has never been fully told . . . until now. Jeff Chang has been a hip-hop journalist for more than a decade and has written for "The San Francisco Bay Guardian," "The Village Voice," "Vibe," "The Nation," "URB," "Rap Pages," "Spin," and "Mother Jones." He was a founding editor of "Colorlines Magazine," senior editor at Russell Simmons's www.360hiphop.com, and co-founder of the influential hip-hop label SoleSides, now Quannum Projects. He lives in California. Winner of the American Book Award
Winner of the Asian American Literary AwardWinner of the ASCAP-Deems Taylor Award"New York Magazine"'s Best Music Book of the YearWinner of the ARSC Award for Excellence Forged in the fires of the Bronx and Kingston, Jamaica, hip-hop became the Esperanto of youth rebellion and a generation-defining movement. In a post-civil rights era defined by deindustrialization and globalization, hip-hop crystallized a multiracial, polycultural generation's worldview and transformed American politics and culture. But that epic story has never been told with the kind of breadth, insight, and style that informs this study.
Based on original interviews with DJs, b-boys, rappers, graffiti writers, activists, and gang members, and with unforgettable portraits of many of hip-hop's forebears, founders, and mavericks--including DJ Kool Herc, Afrika Bambaataa, Chuck D, and Ice Cube--"Can't Stop Won't Stop" chronicles the events, ideas, music, and art that marked hip-hop's rise from the ashes of the 1960s into the new millennium.
Here is a powerful work of cultural and social history that documents the end of the American century while taking a provocative look at the new world the hip-hop generation has created. "The birth of hip-hop out of the ruin of the South Bronx is a story that has been told many times, but never with the cinematic scope and the analytic force that Chang brings to it. Robert Moses unleashes the destructive juggernaut of the Cross-Bronx Expressway; landlords set fire to worthless tenements; police stand by and do nothing; and, against a backdrop of gang warfare, peacemaking d.j.s lay down the heavy beats and spidery loops around which a rapping, dancing, graffiti-painting culture grows. This is one of the most urgent and passionate histories of popular music ever written. Chang is blind to no one's greed or viciousness, but he retains an idealistic view of a music that speaks the truth about the alternately stultifying and horrifying urban landscapes that the parents who hate hip-hop have made."--"The New Yorker" ""Can't Stop Won't Stop" gives us the bustling, rumbling, all-or-nothing personality of the hip-hop generation while launching us into a desire for its ideals. 'Concede them a demand and they would demand more, ' Chang] writes. 'Give them an apocalypse, and they would dance.' Dancing in the streets is the eternal image in Chang's powerful new history of America in the last three decades. Scattered legend is now transcribed: America built the 'hood, which created a global culture of ghetto chic and hip-hop couture. As celebrity threatens hip-hop's integrity, it propels the movement to look for its roots. Who does hip-hop belong to, if anyone? Where were you when it all began? The culmination of ten years of research by Chang, this book] creates a geography for the nostalgia, a cure for the identity angst . . . Chang] plunges us into a world of Uzis and knives, Rastafarianism and Islam, vinyl and hot beats. His steely, economical style reveals the story inside rap, straight up without any rhythmic painkillers."--Evelyn Nien-Ming Ch'ien, "The Village Voice"
"The birth of hip-hop out of the ruin of the South Bronx is a story that has been told many times, but never with the cinematic scope and the analytic force that Chang brings to it. Robert Moses unleashes the destructive juggernaut of the Cross-Bronx Expressway; landlords set fire to worthless tenements; police stand by and do nothing; and, against a backdrop of gang warfare, peacemaking DJs lay down the heavy beats and spidery loops around which a rapping, dancing, graffiti-painting culture grows. This is one of the most urgent and passionate histories of popular music ever written. Chang is blind to no one's greed or viciousness, but he retains an idealistic view of a music that speaks the truth about the alternately stultifying and horrifying urban landscapes that the parents who hate hip-hop have made."--"The New Yorker" "Jeff Chang's history of what he calls 'the hip-hop generation' . . . is less a history of music than a record of the cultural movement the music inspired, as well as an attempt to define the 'hopes and nightmares, ambitions and failures' of a generation whose only unifying characteristic may be its opposition to any definitions an outsider might impose."--"The New York Times Book Review"
"'During the mid-1970's, ' Chang writes, 'most of the youthful energy that became known as hip-hop could be contained in a tiny seven-mile circle.' That circle was the Bronx, an economically ravaged borough of New York City that was home to such nascent cultural heroes as DJ Kool Herc, Afrika Bambaataa and Grandmaster Flash, who were busily rewiring turntables and re-engineering the powder-keg racial politics of their home turf and in the process creating the future of American popular culture. Obsessively researched, beautifully written, Chang's book is the funky, bootleg, B-side remix of late-20th century American history."--"Time" "For