| Foreword | p. ix |
| Acknowledgments | p. xiii |
| Introduction | |
| Beyond Stereotypes | p. 1 |
| Brussels Identity | p. 5 |
| A History of Occupations | p. 9 |
| The Changing Shape of the City | p. 13 |
| Administrative Structure | p. 15 |
| Ile St. Gery: A Swamp and an Invisible River | |
| A House in a Marsh | p. 20 |
| Rue de Laeken and the Beguines | p. 22 |
| Chess and Haute Couture | p. 23 |
| The River Senne | p. 24 |
| The Grand-Place: The Rise of Brussels | |
| The First Brussels Market | p. 30 |
| Hotel de Ville | p. 32 |
| Around the Grand-Place | p. 34 |
| Emblems and Statues | p. 38 |
| The Sacred Isle and Victor Hugo | p. 40 |
| Rue de la Tete d'Or et Rue Chair-et-Pain | p. 42 |
| Restaurant Culture | p. 43 |
| Rue des Bouchers | p. 46 |
| Theatre Toone: Wooden People with Souls | p. 48 |
| The Manneken Pis: Brussels' Oldest Citizen | |
| Medieval Class Struggle | p. 50 |
| The Palladium of Brussels | p. 51 |
| Verlaine and Mes Prisons | p. 54 |
| Karl Marx in Jail | p. 55 |
| Rue du Lombard | p. 56 |
| Rue de la Violette: Lace Making | p. 57 |
| Place Vieille Halle aux Bles and the Fondation Jacques Brel | p. 58 |
| Rue des Bogards | p. 63 |
| Rue des Pierres | p. 63 |
| Van Helmont: Philosophus per Ignem | p. 64 |
| 4. Cathedrale St. Gudule: Saints, Sinners, and Cartoon Heroes | |
| The Miracle of the Rue des Sols: An Anti-Semitic Legend | p. 69 |
| Rue St. Laurent: Red Light Zone | p. 70 |
| Rue des Sables: The Comic Strip Museum | p. 74 |
| Herge and Tintin | p. 76 |
| City of Palaces: Royal Brussels | |
| Life at the Palace | p. 80 |
| The Burgundians | p. 82 |
| The Habsburgs | p. 84 |
| The Coudenberg | p. 85 |
| The End of the Coudenberg | p. 88 |
| Palais Royal | p. 89 |
| Parc de Bruxelles | p. 90 |
| Rue Royale | p. 90 |
| Rue Isabelle: Charlotte Bronte and the Professor | p. 91 |
| Notre-Dame-aux-Neiges and Victor Hugo | p. 94 |
| Mont des Arts and the Universite Libre de Bruxelles | p. 97 |
| The South: Mystics and Heretics | |
| John of Ruysbroeck and Groenendael | p. 100 |
| Erasmus and the Reformation | p. 102 |
| The Inquisition | p. 107 |
| Anderlecht: Martyrdom of a Supporter | p. 108 |
| The Southern Communes: Uccle | p. 110 |
| Foret de Soignes | p. 112 |
| Watermael-Boitsfort | p. 114 |
| La Hulpe | p. 114 |
| Auderghem and Hugo van der Goes | p. 115 |
| Woluwe | p. 116 |
| Woluwe St. Pierre and Eddy Merckx | p. 117 |
| The Chocolate Tram and the Vicinal | p. 118 |
| Art for Sale: Brueghel, Surrealism, and High Culture | |
| Louis XIV: Brussels Bombarded | p. 121 |
| The Brueghel Factory | p. 122 |
| Musee des Beaux Arts | p. 123 |
| Dada and Surrealism | p. 124 |
| Marcel Broodthaers | p. 127 |
| COBRA and the Rue de la Paille | p. 128 |
| Sablon | p. 130 |
| Notre Dame des Victoires | p. 130 |
| Palais des Beaux Arts | p. 133 |
| Musee du Cinema de Bruxelles | p. 136 |
| The Road to Waterloo | |
| French Occupation | p. 139 |
| Napoleon and the Palais de Laeken | p. 140 |
| Waterloo: A Near Thing | p. 142 |
| A Last Dance | p. 144 |
| Battlefield Tourists | p. 146 |
| Byron in Brussels | p. 150 |
| James Joyce | p. 151 |
| Theatre de la Monnaie: Birthplace of the Nation | |
| The 1830 Revolution | p. 154 |
| La Malibran | p. 156 |
| The Monnaie in Modern Times | p. 157 |
| Cafe Culture | p. 158 |
| Literary Cafes | p. 160 |
| Galeries St.-Hubert: Shopping Innovation | p. 162 |
| La Mort Subite: Brussels and Beer | p. 164 |
| Baudelaire and the Rue de la Montagne | p. 168 |
| Vilvoorde and Molenbeek: The Industrial Revolution | |
| The Canal de Willebroeck and the Port of Brussels | p. 172 |
| Brussels Changes Languages | p. 175 |
| The Canals and L'Allee Verte | p. 180 |
| Vilvoorde and William Tyndale | p. 182 |
| Molenbeek and Industrial Archaeology | p. 183 |
| The Bassins and Place St. Catherine | p. 184 |
| Industrialization in Art and Literature | p. 187 |
| The Marolles: Working-Class Brussels | |
| Rue Haute: High and Low Life | p. 192 |
| Vesalius and the Rue des Minimes | p. 194 |
| Rue des Brigittines and Georges Eekhoud | p. 196 |
| Place du Jeu de Balle and the Old Market | p. 198 |
| The Palais de Justice | p. 200 |
| Brussels Dialects | p. 202 |
| Rue Blaes and Rue des Tanneurs | p. 206 |
| Plague and Medicine | p. 208 |
| An Empire of One's Own: Victor Horta and Art Nouveau | |
| Art Nouveau in the City | p. 212 |
| Architectural Conservation | p. 214 |
| Leopold II: Lust for Empire | p. 215 |
| The Curse of the Rubber King | p. 218 |
| Avenue Louise and the Bois de la Cambre | p. 221 |
| Three Brussels Poets | p. 222 |
| Capital of Europe | |
| Two German Occupations | p. 226 |
| The Atomium and the Heysel | p. 229 |
| The European Community | p. 230 |
| VDB and CDP: the "Crocodile" | p. 234 |
| Antoine Wiertz: Euromegalomaniac | p. 236 |
| A New Kind of Visitor: Immigrant Brussels | |
| Alexandra David-Neel | p. 242 |
| Migrants and Literature | p. 242 |
| Jewish Life in Brussels | p. 244 |
| Gare du Midi | p. 245 |
| Gare du Nord | p. 246 |
| The Monarch in Question | p. 248 |
| The Future of Brussels | p. 248 |
| Further Reading | p. 251 |
| Index of Literary & Historical Names | p. 256 |
| Index of Places & Landmarks | p. 261 |
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