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Colonial Australian Fiction : Character Types, Social Formations and the Colonial Economy - Ken Gelder

Colonial Australian Fiction

Character Types, Social Formations and the Colonial Economy

By: Ken Gelder, Dr Rachael Weaver

Paperback | 7 April 2017

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Over the course of the 19th century a remarkable array of character types appeared - and disappeared - in Australian literature: the swagman, the larrikin, the colonial detective, the bushranger, the 'currency lass', the squatter, and more. Some had a powerful influence on the colonies' developing sense of identity; others were more ephemeral. But all had a role to play in shaping and reflecting the social and economic circumstances of life in the colonies.


In Colonial Australian Fiction: Character Types, Social Formations and the Colonial Economy, Ken Gelder and Rachael Weaver explore the genres in which these characters flourished: the squatter novel, the bushranger adventure, colonial detective stories, the swagman's yarn, the Australian girl's romance. Authors as diverse as Catherine Helen Spence, Rosa Praed, Henry Kingsley, Anthony Trollope, Henry Lawson, Miles Franklin, Barbara Baynton, Rolf Boldrewood, Mary Fortune and Marcus Clarke were fascinated by colonial character types, and brought them vibrantly to life.


As this book shows, colonial Australian character types are fluid, contradictory and often unpredictable. When we look closely, they have the potential to challenge our assumptions about fiction, genre and national identity.

Industry Reviews

'An elegant and very informative review of character types in colonial Australian fiction ... Colonial Australian Fiction is an essential volume for anyone curious about Australian literary heritage.'

-- Dr Rachel Franks * The Dictionary of Sydney *

'For those researching, studying or teaching in the field of Australian literary studies, Colonial Australian Fiction makes an insightful, illuminating and necessary companion. Gelder's and Weaver's continued efforts in bringing such research to the fore are commendable.'

-- Tobias McCorkell * Journal of Postcolonial Writing *

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