Who will rule the Holy Land, and at what cost?
In a near-future Jerusalem, harrowing omens plague the city: a desecrated altar, an unbearable stench, a rampant famine. Shaken but devout, Jonathan, the royal family's third son, continues to hold services and offer animal sacrifices at the prophesied Third Temple, built to consecrate the founding of the new Kingdom of Judah. His father, Israel's self-appointed king, has abolished the Supreme Court. The Torah is the law of the land, and only people of the Jewish faith are allowed in. When war breaks out and an angel of God begins to torment Jonathan, warning him of his father's sacrilege, the foundations of the young priest's faith-and then his world-begin to give way.
Winner of the prestigious Bernstein Prize, The Third Temple plunges readers into a tempest of fanaticism, betrayal, and destruction. Where does the power of man end and the power of God begin? The answer presented here, as dystopian as it is grounded in history and biblical scripture, raises both theological and political questions, and offers an increasingly realistic vision of the future of the Middle East. With chilling resonance, this vivid novel from one of Israel's leading authors sounds an unforgettable warning amidst rising extremism.
Industry Reviews
"Yishai Sarid is arguably the most inventive Israeli novelist of his generation." - Le Monde
"The most apocalyptic, futuristic, historical, and perhaps also most realistic novel published in Israel in recent years. . . . Sarid holds the reader in thrall." - Haaretz
"The project is audacious, and the masterful orchestration of the story and its poetic tone are at the height of this audacity. And so are the questions it raises. . . Beautiful and chilling." - Le Nouveau Magazine Litteraire
"An extreme novel that reads like a warning." - Biblioteca Magazine
"Sarid has emerged as a polished storyteller whose writing is lucid, almost transparent, and poetic even though he consciously avoids any poetic pretense. . . The Third Temple is well written, precise and sharp, and its dialogue with Hebrew literature as well as speculative literature is deep and fertile." - The Bernstein Prize Committee