2022 QUILL & QUIRE BEST BOOKS OF THE YEAR
SHORTLISTED FOR THE 30TH ANNUAL HAMILTON LITERARY FICTION AWARD
A bold and absurd new take on the dystopian plague novel, where people are treated like IKEA furniture
Distraught and hopeless, an eighteen-year-old distance runner, Regan, decides to end her life. And she’ll do it through an unusual new method available only on the dark web. Enter Ülle, a woman with amnesia, who will, inadvertently, make Regan’s wish come true.
But Ülle begins to remember her past and the outrageous steps her government took to combat a deadly pandemic of parasitic infections, which have brought her to this new country and to Regan’s house. Meanwhile, Regan might be changing her mind, and she finds herself more and more concerned about keeping both Ülle and herself alive. But the shadowy organization that brought them together wants to keep them both quiet – permanently.
A Suitable Companion for the End of Your Life is a darkly comic dystopian tale that probes our anxieties around boundaries, whether territorial or bodily, and our fraught desire not to die alone.
"Gripping from the first page, Robert McGill’s A Suitable Companion for the End of Your Life is a dark, speculative novel with echoes of The Handmaid’s Tale, set against the backdrop of a plague. Some of us would do anything to survive, down to flatpacking ourselves like IKEA furniture, while others would do anything to make our miserable lives end. This is timely, provocative, ethically challenging fiction that asks whether the drive to survive is stronger than the inevitability of death." –Ian Williams, author of Reproduction
"Terrifying and tender, A Suitable Companion''s sci-fi angle serves to frame a fascinating parable about the post-post-modern family. Unpredictable and completely original, this is a propulsive, rewarding, and thought-provoking read." –Michael Redhill, author of Bellevue Square
“The guy knows what he’s doing, from missing children to silk parachutes, you are never lost and he will catch you.” – Zadie Smith, author of Swing Time
“A storyteller who refuses to keep things straight, and for this produces freshly captivating effects.” – Andrew Pyper, author of The Demonologist
“A writer of striking talent and originality.” – Daily Mail on The Mysteries
“McGill is a talented writer, adept at expressing the nuanced, unspoken truths that beg the lies by which we live.” – Observer on The Mysteries
Industry Reviews
"This is one of those strange little gems that you finish in two or three sittings and never really forget. Opening with apparent surrealism (protagonist Regan ordering an illicit "flatpacked" human being to keep her company during the final days before her suicide) McGill's novel proceeds outward, fleshing out its strange-yet-familiar world until the premise makes perfect sense. Regan is characterized memorably through McGill's excellent sense for detail. Meanwhile, the story of her new companion unfolds through interstitial chapters, starting long ago in a distant land and drawing ever closer to the book's present. The two threads meet in an ending that doesn't surprise or subvert, but simply stuns with the power of its delivery." -
Graham Overby, Next Chapter Booksellers"A Suitable Companion for the End of Your Life is strange, compelling science fiction about empathy and survival." - Aimee Jodoin, Forward reviews, Book of the Day
"Zany goings-on in a seriocomic dystopia, A Suitable Companion for the End of Your Life is also a pleasantly oddball exploration of second chances and chosen family." - Brett Josef Grubisic, The Toronto Star
"Robert McGill's new novel, A Suitable Com-panion for the End of Your Life, has a doozy of a premise. What if people could be flat-packed into boxes like cheaply made furniture?" - Ian Mond, Locus Magazine
"A Suitable Companion for the End of Your Life discusses mental health, parental relationships during a pandemic and the hardships of being a teenager. There couldn't be a better time for the release of this novel, as we slowly move beyond our own pandemic and assess our scars." - Megan Hatton, The White Wall Review
