Blake 2.0

William Blake in Twentieth-Century Art, Music and Culture

By: Steve Clark (Editor), Tristanne J. Connolly (Editor), Jason Whittaker (Editor)

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Hardcover | 1 March 2012 | Edition Number 1

At a Glance

Hardcover
324 Pages

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22.86 x 15.24 x 1.91

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Blake said of his works, 'Tho' I call them Mine I know they are not Mine'. So who owns Blake? Blake has always been more than words on a page. This volume takes Blake 2.0 as an interactive concept, examining digital dissemination of his works and reinvention by artists, writers, musicians, and filmmakers across a variety of twentieth-century media.

Industry Reviews

'A ground-breaking series of essays on the widely-spread and dynamic influence of Blake's composite art on the artistic practices of the twentieth century, right up to the emerging digital age.' - Professor Edward Larrissy, Queen's University Belfast, UK

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List of Illustrations	p. vii
Acknowledgements	p. viii
Notes on Contributors	p. ix
List of Abbreviations	p. xiii
Blake 2.0: Introduction	p. 1
Blakean Circulations
Mirrored Text/Infinite Planes: Reception Aesthetics in Blake's Milton	p. 13
'Rouze up O Young Men of the New Age!': William Blake, Theodore Roszak, and the Counter Culture of the 1960s-1970s	p. 27
Digital Blake 2.0	p. 41
'Rob & Plunder … Translate & Copy & Buy & Sell & Criticise, but not Make': Blake and Copyright Today	p. 56
'New matter': Mona Wilson's The Life of William Blake 85 Years On	p. 69
Blake and Visual Art
Celebration and Censure: William Blake and Stories of Masterliness in the British Art World, 1930-59	p. 91
Blake and Surrealism	p. 102
'The Sculptor Silent Stands before His Forming Image': Blake and Contemporary Sculpture	p. 120
'Mental Joy & Mental Health / And Mental Friends & Mental Wealth': Blake and Art Therapy	p. 132
Blake in Film and Graphic Arts
'And did those feet?': Blake and the Role of the Artist in Post-War Britain	p. 149
Film in a Time of Crisis: Blake, Dead Man, The New Math(s), and Last Days	p. 162
'The end of the world. That's a bad thing right?': Form and Function from William Blake to Alan Moore	p. 175
Blake in Music
Blake Set to Music	p. 189
Appendix 13.1 Blake Set to Music: Selected Recordings	p. 202
'Only the wings on his heels': Blake and Dylan	p. 209
'He Took a Face from the Ancient Gallery': Blake and Jim Morrison	p. 230
'Hear the Drunken Archangel Sing': Blakean Notes in 1990s Pop Music	p. 248
Mental Fight, Corporeal War, and Righteous Dub: The Struggle for 'Jerusalem', 1979-2009	p. 263
Works Cited	p. 274
Index	p. 298
Table of Contents provided by Ingram. All Rights Reserved.

Blake 2.0

William Blake in Twentieth-Century Art, Music and Culture

At a Glance

Hardcover

Industry Reviews

Shipping

How to return your order

Defective items

You Can Find This Book In

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