Bloomsbury Neo-Latin Series

List of contributors
Preface

1 Introduction (Gesine Manuwald, UCL, UK and Andrew Taylor, Churchill College, Cambridge, UK)
2 The sixteenth century's revolution in rhetoric and its impact on the Baroque (Lucy R. Nicholas, Warburg Institute, UK)
3 The Greekness of Neo-Latin wit: Hermogenes and ingenuity in Julius Caesar Scaliger's Poetices libri septem (Javiera Lorenzini Raty, KCL, UK)
4 The triumph of the saint: St Casimir Jagiellon and the militant motifs in Baroque hagiographical poetry (Patryk Ryczkowski, Universitat Innsbruck, Austria)
5 Innovation and fusion: Sarbiewski's theory of Baroque literary style (Tomas Riklius, Vilnius University, Lithuania)
6 Christ's blood or Mary's milk? 'Clarus Bonarscius', Baroque piety and English Protestant outrage (Alison Shell, UCL, UK)
7 An example of Baroque Latinity through the inclusion of ancient literary models into modern thought: Claude-Barthelemy Morisot's Peruviana (1644) (Valerie Boutrois-Wampfler, University of Reims Champagne-Ardenne, France)
8 Maffeo Barberini's poems for the Farnese family in early Baroque Rome (Stephen J. Harrison, University of Oxford, UK)
9 Mannerisms in Latin Baroque poetry by Paul Fleming (1609-40) and Georg Gloger (1603-31) (Beate Hintzen, Universitat Bonn, Germany)
10 What makes a Neo-Latin tragedy Baroque? (Jan Bloemendal, Royal Netherlands Academy/Huygens Institute, Netherlands and James Parente, University of Minnesota, USA)
11 Asses at the lyre: Latin as musical language and the benefits of exclusion (Eric Bianchi, Fordham University, USA)
12 Latin motet texts in seventeenth-century Rome and the Exercitia spiritualia of St Ignatius of Loyola (Adrian Horsewood, Royal Birmingham Conservatoire, UK)

Index